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Buy The Shining 1980 Movie Online 1080p, 720p, BRrip and MOV
Year:
1980
Country:
USA, UK
Genre:
Drama, Thriller, Mystery, Horror
IMDB rating:
8.4
Director:
Stanley Kubrick
Jack Nicholson as Jack Torrance
Shelley Duvall as Wendy Torrance
Danny Lloyd as Danny Torrance
Scatman Crothers as Dick Hallorann
Barry Nelson as Stuart Ullman
Philip Stone as Delbert Grady
Joe Turkel as Lloyd the Bartender
Anne Jackson as Doctor
Tony Burton as Larry Durkin
Lia Beldam as Old Woman in Bath
Billie Gibson as Old Woman in Bath
Barry Dennen as Bill Watson
David Baxt as Forest Ranger #1
Manning Redwood as Forest Ranger #2
Storyline: Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.
Type Resolution File Size Codec Bitrate Format
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HQ DVD-rip 720x400 px 2147 Mb mpeg4 263 Kbps avi Download
DVD-rip 512x384 px 699 Mb msmpeg4 869 Kbps avi Download
iPhone 320x178 px 261 Mb h264 254 Kbps mp4 Download
Reviews
Dark and creepy but not scary as some say
For many horror fans and filmmakers especially, site director Stanley Kubrick as a part of their inspiration to make movies. Kubrick had a reputation for being a director with a unique vision. Many of his films had aesthetically pleasing visuals and shots that were hard to find amateurish. He was after all a photographer before a filmmaker, which helped give him that edge. When it came to stories, another person who was constantly sought after to get permission for their works was Stephen King. Although King was not in the Hollywood business full time as other people, what he did provide were foundations to creating new horror films. Since its release, Kubrick's interpretation of Stephen King's The Shining text was widely praised for how intense the viewing experience was. Since then, much of the crew members have surfaced and spoke about the film and the level of involvement Kubrick demanded. Oddly enough, King wasn't that impressed with it. Believe it or not, King might be right.

Adapted by Kubrick and Diane Johnson (in her first and only screenplay), the story is about writer Jack Torrance (Jack Nicholson) looking to find a place of seclusion to finish his project. He ends up finding an opening position as the caretaker of the Overlook Hotel. Finding it worthy of his goal, Torrance brings his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd) to live with him from the fall to the summer of next year. Little do they realize that the hotel harbors an ominous spirit that has connections to a horrific past. As an overall story, the execution is very well done. However there are certain elements that if omitted, would not have impacted the experience in a negative way. Danny has a psychic ability where one can see events from the past and future. This talent is called "shining". This is only revealed to Danny and the audience when Dick Halloran (Scatman Crothers) concedes that he can do it too. What isn't mentioned is how on earth anybody knows what "shining" is.

How does one contract such a power? Is it through genetics or by other entities that be? The other big hole in the story is the lack of explanation for certain key events. How is a viewer supposed to understand what Kubrick's message is? It doesn't make any sense and it's sometimes sillier than it is disturbing. Everything else about the production on a written and visual level all work effectively to create a dark and disconcerting haunted house feature. The performances by Jack Nicholson and Shelley Duvall are neck and neck in quality. Nicholson easily can look off his rocker while Duvall reacts perfectly to her co-star's outbursts. Nicholson's eyebrows also add to his menacing look (as weird as that sounds). Danny Lloyd is definitely not as skilled as Duvall or Nicholson but can still freak out the audience with his mouth agape look. Very unsettling. There's also other short appearances from Barry Nelson as the prior caretaker to Mr. Torrance and Mr. Durkin (Tony Burton).

Scatman Crothers as the cook to the hotel is an interesting character. It is because of his talk with Danny that adds to the suspense of the dangers that lurk within the building. The imagery that is displayed however is what really drives home the concept of dread that precedes the hotel. What is great about how Kubrick directs this film, is that it is not treated like many other mainstream horror films. Jump scares do not exist in this film. It all relies on mysteries and off-putting flashes of different scenes. These quick scene cuts are not annoying either. They're intriguing because it makes the viewer question "what is going on". At first "REDRUM" is a questionable component to the narrative but overtime, the meaning is exposed. Though it may be obvious or rather uneventful to some when light is shed on the matter, it will be for those not use to the Kubrick method of execution. Remember, Kubrick was also the director to Paths of Glory (1957), 2001: A Space Odyssey (1968), and A Clockwork Orange (1971).

If anyone is looking for gore though, the volume is very low. Is there bloody violence - yes, but not enough to satisfy someone who enjoys lots of victims. Camera-work by John Alcott was wonderfully captivating. Having worked with Kubrick before, Alcott knows how a scene needed to be shot. Every scene has wide angle lenses that have static movements that rarely rotate. Also the technique of very slow zoom-ins are implemented and that helps the viewer focus in on what Kubrick was trying to convey. Alcott also worked on Terror Train (1980). Music on the other hand was a mixed bag. Composed by Wendy Carlos (best known for her score to Tron (1982)) and Rachel Elkind, the music used is effective but only in certain areas. In some parts its perfect with its deep drawn out strings and synths, which represents the dire threat that lives with the Torrance family. While in other places, it gets dragged out far too long when a scene is no longer that worrisome. It's not bad but could've been used better.

Some parts within the script could've been left out completely and the story would've run smoother. The music works but far extends some scenes for no reason. Aside from this, the acting, creepy imagery and unique cinematography make this a different horror film worth seeing.
2017-03-14
A scary movie with artistic merit
This is a movie I highly regard, namely for demonstrating some great artistic merit (some other movies in this category are "Cat People", "A clockwork orange" and "The baby of Macon", which I've also reviewed here).

When I first saw this movie as a teenager, I must say I was very disappointed, as it was a movie that was hyped for its shock value, and I didn't find it that shocking.

Anyway, the plot of the movie concerns a family who move into a hotel during winter to act as caretakers during the off season. The father is a man who has struggled with alcoholism in the past. His son seems to have some sort of sixth sense, which gives him some very disturbing 'visions' in the hotel.

As winter sets in and the isolation becomes more pronounced for the father, he returns to drinking. He starts behaving erratically and violently and may be interacting with his own demons or actual demons in the hotel.

I don't want to give away too much more about this movie. In the past, I tended to think of "The dead zone" as the best adaptation from a Stephen King novel. Having seen The Dead Zone many years later, it struck me as being little more than a midday movie.

So, what made me change my mind about The Shining? One scene. It's the scene where the caretaker's son rides his tricycle inside the hotel...over floorboards and carpet. It struck me as great art-the sheer acoustic sensuality of the sound of the wheels travelling over various textures.

It's odd, I know, but I really value that kind of art in a movie.

The movie does contain some very creepy scenes, so it is not just a horror movie with artistic flourishes. I'm sure that many of the scenes will haunt you for a while.

Just by the by, some years ago, I saw a mini-series of this story, which had Stephen King's involvement. I must say, I did find King's own mini-series to be really awful-especially the ending. Normally novellists complain bitterly about directors ruining their vision. In this case, it was all King's doing.
2008-06-03
Chilling horror display
The Shining is Stanley Kubrick's famous horror film, starring Jack Nicholson as Jack Torrance, a former teacher who stumbles upon a winter maintenance job in the Overlook Hotel. He brings his wife and child, and then is isolated for the winter. The isolation and creepy hotel history ends up effecting each character differently, slowly bringing psychological chaos.

Kubrick uses several disturbing images to build up the suspense, such as an elevator spilling out blood and two twin ghosts meeting the boy, Danny. There is also some unconventional, even alien, music. The acting is realistic. At first I did not like Shelley Duvall's portrayal as the wife, but the desperation and anguish is so convincing that it won me over. Jack Nicholson, as expected, is perfect for his role. The boy, played by Danny Lloyd, is suitable (the Tony sequences were more than a little weird).

The atmosphere is probably the key factor in making The Shining such an effective horror film. The set design is great; the hotel rooms are decorated with tapestries and ornaments. A real sense of isolation is created, although it is clear that another entity is involved.

Although not Kubrick's best film, the Shining is among the best horror films around. How scary it really is depends on how you watch it. It is not the fright or sudden surprise, but the suspense and atmosphere that makes it chilling.
2007-12-29
Another Kind of Horror
1980, the new beginning of decades in cinema. And Kubrick brought the most memorable horror of all time. I think it's not a horror after all, it's an unclassified-genre, a Kubrick's very own genre. For me, it is not scary, maybe because the cultural gap between the western and eastern. The Asian-horror, usually frightening young woman appears as ghost, is my cultural-horror. I mean, you know ghost, in every culture is different. At the one hand, if you believe in ghost or those mythical things, this movie is worth to watch, it's from Stephen King's novel itself. In the other hand, if you don't believe, don't worry, Kubrick make another alternative to enjoy this movie. Watch it as a psychological-problem-movie, with suspenseful scene in it. So, two perspective in a movie, who could believe that, but Kubrick made it true. And about its difference from the novel, I don't know if you are a novel reader or what. But, I do appreciate King as the writer, he has good sense in writing mystery-novel. I haven't read the novel though, but King as writer, had done a great job. For Kubrick, you may say, he had torture the masterpiece of writing. So, King is right to defend his work of art. But Kubrick also had a fantastic sense of cinematography, that's why it's okay for him to change the story a little too far. Anyway, I adore both of them.

"The Shining", however, is pure entertainment in my opinion. It doesn't criticize the culture, society, beliefs, or anything else. A magical movie construction with little jumbled sequence and undefined evil spirit in it. It's okay for me, what audiences really seek is the intense-scene itself, not the comprehension of the symbol in movie. It gets wrong when the movie is bad and boring, but not for "The Shining" which is very genius in that very era. Kubrick doesn't add twist, just leaves the movie-mystery behind. To make the audiences keep wondering, and that's good. Nicholson did a really intimidating-acting, one of the best act from him that I've ever seen. The story itself, I mean the screenplay from the movie, is just so tremendous, though-provoking, and cold. I just can get enough claustrophobia from this film. And what's very touching is "the shining" itself, people that can shine, or has talent to communicate with spirits. The way the movie leads to point a very different way to understand such a weird-talent. You know, children, they are really plain and honest, just a tiny kick for showing new view.

Nine out of ten, I rate this movie. With small-amount of moral value, I usually don't rate movie as high as this. But the cultural- impact of this movie is remained until now. Not just in America, but reaches my country also, Indonesia. "All work and no play makes Jack adult boy" comes in my English assignment. Look, it is from the 1980's cinema and still leaves trace until now. With not so many awards, it gives so much unique pleasure. The accomplishment of great cinema-inventiveness. What a charmed feature!
2014-12-28
The Funniest Comedy of 1980
I shall never, ever be able to understand the phenomenon known as Stanley Kubrick. When he was on, as with DR STRANGELOVE, he was brilliant. But when he was bad, he was awful.

I saw THE SHINING in its first release in a packed movie house in New York City. I had read and loved Stephen King's novel; I am widely read in the horror genre and do not scare easily, but that book gave me the creeps for weeks.

Well for all the people who have been raving what a masterpiece this film is, I can only tell you this. The crowd in the theatre started giggling the minute Jack Nicholson appeared on film, and by the time he chased Shelley Duvall up the stairs, the whole crowd was literally in stitches. And I was laughing right along with them. Maybe New York audiences are just jaded; I don't know.

Not that this movie does not have some scary moments. Shelley Duvall is rather good when she is away from Nicholson and it starts to dawn on her that something evil is taking over her family and her life. Unfortunately, Miss Duvall plays Wendy Torrance, a strong, intelligent, and resourceful woman in the novel, as a pathetic, whiny ninny most of the time, and by the time Nicholson had her trapped in the bathroom, I am sure plenty of us were screaming for her head. It must be said that this is not the fault of Miss Duvall, a talented and intelligent actress who according to reports fought bitterly with Kubrick over his interpretation of Wendy.

The kid talking to his finger is another idiotic and unintentionally hilarious bit of business that was not in the original novel. Why Kubrick thought this was a good idea is beyond me.

But let's get down to the real problem: Jack Nicholson. In the right role, he can be very good, though he has never been among my top ten. Jack Torrance is totally the wrong role for him; for one thing, he does not look ordinary enough. But the worst thing is that Stephen King's story was about a man being SLOWLY AND INEXORABLY driven out of his mind. Nicholson goes nuts so early in the film that there is literally nowhere for him to take the character. And Kubrick was either in awe of Nicholson, who was still riding the post-Oscar high from CUCKOO'S NEST, or he just didn't care, or he thought it was scary when it was actually funny. I don't know.

As if all this were not bad enough, the whole mess drags on for two hours and twenty-two minutes; this movie practically cries out for a pair of scissors.

Some people will feel that I have spat on an icon, I suppose, and they have that right. But Stephen King himself was not happy with this film, and when he finally got the opportunity to re-do it as a television miniseries in 1997, the results were much better. For the one thing that is missing in Kubrick's version is a heart.

Anne Rivers Siddons, in discussing her excellent horror novel THE HOUSE NEXT DOOR, writes that the thing about horror is that it smashes people and relationships. Thus the best horror stories are at bottom also very sad (Brian De Palma's CARRIE gets this; Kubrick's film does not). And whatever your feelings about the miniseries format may be, the Torrance family created in 1997 were people you could care about. Director Mick Garris understands King better than Kubrick did, and Rebecca De Mornay, in particular, redeems the Wendy character in a spectacular tour-de-force towards the end. In 1980 the Torrances were figures of fun. Rather like the barbaric Victorian custom of laughing at the lunatics in Bedlam.

Awful, awful, awful.
2010-05-11
Finally a Horror film that doesn't suck.
I'm not a Horror nut.

But, "The Shining" is one of the few Horror films that I did enjoy watching.

Not only is it a Kubrick(2001 and Clockwork Orange)Movie, but it's also one of Jack Nicholsen's best leading role's I've seen yet.

The story is about a teacher who's now a writer named Jack. He applied to be the Groundskeeper for a Hotel Resort in the mountains during the Winter. They close the Hotel during the Winter because the place would be snowed in and be difficult for the cars to get out. It would cost to remove the snow all the time so closing the Hotel for the Season is cheaper.

Jack got the Job and brings his family along to stay there for the season. Jack feels very honored to get a job like this. His wife is proud of him too. And his son, Danny is looking forward in seeing the place.

Danny has a split personality where he has a bitter half named Tonny who live in his mouth. And has some physic powers too. This freaked Danny's mom a bit but a Doctor said it's nothing too serious.

When they made to the Hotel they get a tour from the Hedge mazed to the lobby and to the Kitchen. This Hotel however is built over an Indian burial ground. Strange things happen in this type of place. Being trapped in a place like this all winter can make a kind man become a serial killer.

I never read the book but I enjoyed this movie a lot. It's one of the few Horror/Thriller movies I consider "cool". Has some great moments, great dialog, and a cool ending. It's something I can see again and again.

I recommend it to all the Kubrick, Nicholsen, and Stephen King Fans.
2006-05-02
Here's Johnny!........how horror should be
Horror films are associated with extreme and sickening violence/gore, lunatic killers and mostly focus on teenagers. They are mostly just poor excuses to put extreme violence on film to appeal to younger people, and nearly all, with a few exceptions such as Saw, are totally crap. Violence doesn't make a film good. In making The Shining, Stanley Kubrick has shown the world how horror films should be made.

There are none of the predictable bad-guy-jumps-out-of-the-dark scenes to try and scare you. Instead Kubrick builds up suspense with the chilling musical score, and Jack Torrance gradually gets driven insane. Jack Nicholson is perfect to portray the character of Torrance. Not only is he a brilliant actor anyway, but he looks perfect for the part. He isn't your stereotyped perfect-looks actor, I don't think someone like Brad Pitt would be as effective playing his part. Pitt is a great actor, but you can't imagine someone like him going insane in a weird hotel! I think the cast is important to this film. Kubrick cast a proper leading actor and actress, rather than the randomly assembled casts of young 20 year olds you get in most horror films. And hey! The result is way better.

There are a perfect amount of genuine horror scenes, such as the famous axe scene, and the scene in the maze, and it never goes over the top. There is also some unique horror scenes, such as when Jack writes about 1,000 pages of the same words, and the visions of the blood from the elevator and the little girls. They are bizarre but very effective in building suspense.

The storyline is also much more effective than the usual story of teenagers being pursued by a lunatic murderer. A man stuck in a hotel for the winter with just his family who gradually goes insane is much more original and much much much more effective. Horror films are meant to be scary, and this really is. There are many scenes showing Jack's willingness to give in to temptation, and how he wants to get away from his wife and weird son. The camera-work is also excellent, as it builds up tension by moving along the corridors, and it also emphasises that Jack is feeling confined in the hotel.

Stephen King didn't like Kubrick's interpretation of his novel, I can't believe how. Kubrick just made it better! This is a top film and is a landmark for horror films.
2007-03-19
"I think a lot of things happened right here in this particular hotel over the years & not all of them good." A great horror film.
The Shining starts with Jack Torrance (Jack Nicholson) driving to an isolated hotel named the 'Overlook' situated high in the Colorado mountains for an interview with it's manager Stuart Ullman (Barry Nelson) about becoming the Winter caretaker. Ullman tells Jack that he will be responsible for the basic upkeep of the hotel but will be almost totally isolated from the rest of the world for six months as the harsh Winter sets in. Together with his wife Wendy (Shelley Duvall) & young son Danny (Danny Lloyd) Jack moves into the hotel & at first everything seems fine, it's a beautiful hotel, absolutely huge & whatever they need is at their disposal. However the Overlook hotel has a murky past with a previous caretaker murdering his entire family before committing suicide & Danny has the ability to 'shine' which means he has psychic powers that let him see & hear things 'ordinary' people can't. As the days, weeks & months begin to pass Jack become more & more insane, Danny keeps 'seeing' things & people while Wendy becomes frantic as she doesn't have a clue what's happening to her family, as a heavy snowstorm leaves them trapped Jack finally loses it...

This English production was co-written, co-produced & directed by Stanley Kubrick & is a fine horror film. It appears that The Shining is another film that exists in two distinct different versions & the one I will be commenting on is the shorter European cut that runs just under 2 hours in length. The script by Kubrick & Diane Johnson, is based on the novel by Stephen King which I have not read so I can't compare them, goes for psychological horror rather than visual with only one murder during the entire film. There are very few character's in The Shining with Jack, Wendy & Danny the only ones that really matter, since the film concentrates on them almost exclusively you care for them, become involved with them & what they go through. The pace is somewhat slow but this is one film that didn't feel that long & keeps you interested throughout. On the negative side I don't think the reasoning behind Jack going crazy & wanting to kill his family was strong enough to convince me, the fact that Jack escapes from the freezer without any explanation bugs me & I don't know if I missed something but that ending didn't make any sense to me whatsoever, I'm still trying to work out what that picture is all about! There is very little in the way of violence or gore, a couple of rotten zombie ghosts & someone is killed with an axe but The Shining is a horror film that doesn't need to rely on blood & special effects as it has a gripping story. With a budget of about $19,000,000 The Shining is technically flawless as you would expect from an obsessive filmmaker such as Kubrick, the cinematography is brilliant with some fantastic free-flowing & smooth steadicam shots as the camera effortlessly follows the character's around the maze of corridors, the sets look absolutely real & instead of clichéd old haunted house themes like dark corners, basements & cobwebs Kubrick brings things right up-to-date with brightly lit corridors, massive open expansive spaces & a modern decor (well 80's modern, just check that red toilet out!). The acting is good from everyone involved although as usual in horror films the little kid is highly annoying & Nicholson seems crazy from the very start. The Shining is an absorbing film that I enjoyed watching although I'm not sure I'd watch it again anytime soon. For those looking for explosions & fancy special effects you will be disappointed, for those looking for a good haunted house type horror with a strong story I definitely think The Shining is for you, well worth a watch in my humble opinion.
2005-11-11
The Shining is More Than a Horror Movie
Anyone can make a horror movie. Throw in some blood, gore, a chainsaw, and mask… suddenly the most basic movie script turns into a box-office hit. No author understood this concept as thoroughly as Stephen King. By unintentionally monopolizing the genre, he created an era of cheap thrills and paper-mache horror. With titles like Pet Semetary and Cujo the Demon Dog to his name, it's no wonder that people scoffed at The Shining when it was first released. A man is trapped inside all winter and he goes nuts from cabin fever. So what?

Where others saw cliché horror, Stanley Kubrick saw potential. He manipulated the plot so that the main character's insanity, driven by isolation and supernatural forces, became intrinsically lined with marital abuse, unrequited love, and premature domesticity. By radically deviating from the original story line, Kubrick has transformed The Shining into something much more than a horror movie. It is now a study of of humanity, dehumanized and defeated, starved and beaten, tempted and tortured, by forces within and beyond.
2016-10-06
A real chore to sit through!
I never did understand the appeal of this terrible movie. Mind you, I could probably say the same about most movies directed by Stanley Kubrick. He is one of those directors who produces very long, boring movies that move at a snail's pace and are really difficult to withstand for more than a few minutes at a time. Movies such as 2001: A SPACE ODYESSY, DR. STRANGELOVE and SPARTACUS are examples of this kind of movie.

As many other commenters have pointed out, Stephen King didn't like this movie because it was not faithful to the book. In fact he hates it so much that 15 years or so after, he made his own movie entitled STEPHEN KING'S THE SHINING. I've never seen the other version. But anything with his name attached is normally worth watching so I'll at least make the effort to track it down. It really couldn't be any worse than this tripe churned out by Stanley Kubrick.

I've heard THE SHINING being referred to as "scary", "terrifying", "masterpiece", "classic", "thrilling", "horrifying" and so on. Yeah right! This movie does not even come close to producing anything equating to those words. The only horrifying thing about it is how it became so popular.

Where can I start with the problems of this movie? Let's start with Jack Nicholson. I thought Jack Nicholson was great as The Joker in Tim Burton's BATMAN, but in this he doesn't even seem to be acting. He plays a character who is supposed to become insane as the story progresses. Yet it is very clear from Jack's first scenes that his character has already "got a few screws loose". And that stupid "Here's Johnny!" line. Was it supposed to be scary? Funny? What? Who knows? It was just downright stupid as far as I'm concerned. Yeah I know it was a reference to Johnny Carson, but what's Johnny Carson got to do with this movie? The answer: absolutely nothing at all.

And Shelley Duvall. What can I say about her? She looks like Olive Oyl from the POPEYE cartoons. How ridiculous! Somehow the viewer is expected to believe that her character and Jack are married with a kid. Yeah right! There is no chemistry between the two actors at all.

Finally, Scatman Crothers. I have great respect for this actor. He appeared in TWILIGHT ZONE: THE MOVIE and it was one of the very dull segments. Yet his superb performance gave it credibility and the story touched upon my emotions. In THE SHINING, however, Mr. Crothers is there just to be killed and I don't suppose he was bothered about his character being killed off considering how lame the movie is. It was probably just a paycheck used to pay off a few debts. And the ridiculous thing is that the character in question never dies in the book.

I honestly can't believe that people think this movie is better than classics such as THE EXORCIST, THE OMEN and THE Texas CHAIN SAW MASSACRE. But yet this movie has a higher IMDb rating and is sitting very comfortably on the top 250 chart. Nonetheless, that won't alter the fact that the three mentioned movies put THE SHINING to shame any day.

Stephen King's SALEM'S LOT was infinitely superior to this movie. Personally I think the director of that movie, Tobe Hooper, should have been asked to direct THE SHINING. We would have had an infinitely superior movie. Trust me. I've seen plenty of Mr. Hooper's movies and he very rarely fails to disappoint. THE FUNHOUSE was a low point of Mr. Hooper's career but even that movie looks like Oscar-worthy material compared to THE SHINING.

Overall, I would not recommend this at all. I've not seen STEPHEN KING'S THE SHINING, so I can't really recommend it just yet. But, I would recommend checking out some proper horror movies such as SALEM'S LOT, PSYCHO, THE EXORCIST, THE OMEN, THE Texas CHAIN SAW MASSACRE just to name a few.
2009-01-09
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