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Drama, Action, History, War
IMDB rating:
Steven Spielberg
Tom Hanks as Capt. John H. Miller
Tom Sizemore as Sgt. Mike Horvath
Edward Burns as Pvt. Richard Reiben
Barry Pepper as Pvt. Daniel Jackson
Adam Goldberg as Pvt. Stanley Mellish
Vin Diesel as Pvt. Adrian Caparzo
Giovanni Ribisi as T-5 Medic Irwin Wade
Jeremy Davies as Cpl. Timothy P. Upham
Matt Damon as Pvt. James Francis Ryan
Ted Danson as Capt. Fred Hamill
Paul Giamatti as Sgt. Hill
Dennis Farina as Lt. Col. Anderson
Joerg Stadler as Steamboat Willie
Max Martini as Cpl. Henderson (as Maximilian Martini)
Storyline: Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...
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This is tiresome Hollywood propaganda that more and more people simply cannot swallow any more: the myth of the 'good war', the 'necessary war', the war for 'freedom', in which the 'good' and the 'bad' side couldn't be more easy to discern...

This is a worldview (((Steven Spielberg))) would love to impress upon us. But the narrative this film is based upon is rapidly being demolished, as more and more people want the truth, not myths about this horrible war that cost us so many dead people.

When will the likes of Spielberg address the real root causes of the war? When will they make a film about the Bolshevik murderers who killed many millions of innocent people in the USSR? The answer is never.

I have to say I have zero interest in Spielberg's propaganda. I hate this film.
Gripping exciting sad
This film is a fantastic production with a quality cast. You sure will not be disappointed watching this gripping film that is based on a true story. Many war films have been made but this is by far the best I have watched in a long time. Such a emotional film in which Tom Hanks could not be replaced by any actor. If you like well made war films which are based on a true story and made to give viewers a lasting impression and something to think about than this Film should be your choice. Also if you are a emotional person, tears will fall. The cast for this film has been well selected and suit their characters.You will experience a authentic view into the life of soldiers who have fought during the D-Day landing in the Normandy France.
What an awful movie (some spoilers)!
I was looking forward to seeing Saving Private Ryan. I had heard many reviews that called it one of the greatest war movies ever made. I was not expecting to see something as poorly put together as this movie was. From the begining I found myself wanting to scream at the screen. I must admit the acting was good, but they had little to work with.

Just about every other aspect of the film fails. It manages to portray D-Day as the smallest battle I've ever seen. Basically, the goal was two machine gun posts. Sorry, but that battle was not realistic at all and was intentionally bloodwashed worst than the Friday the 13th movies. The film is loaded with mistakes including the rediculous helmet rank insignia. They knew better because they told someone not to salute Hanks because it might give away his rank. Then they put bars on his helmet! Structurally, the movie was a disaster. It was supposed to be about the irony of many men dying for one man. In the end, though it turns into the defense of a bridge and the main plot is almost totally forgotten. The soldiers are stupid. They have to defend or destroy a bridge, but don't leave the detonator wired up and someone (who should have been Ryan) to blow it as a last resort? Every war cliche in the book gets dropped into this film. "Save my child", the wounded soldier just out of reach, the sharpshooter who never misses, "I'm not leaving my buddies", etc. They are all there. Did they have to end the the waiving of the flag?

The movie does not feel like WWII, but rather feels like Vietnam. Lots of mud and rain, "what are we doing here", a bungling military command. One of the most successful engagements in military history is portrayed as a confused, poorly planned mess.

The movie is absolutely loaded with red herrings. Hank's hand problem has no bearing on the plot and is not present when it might cause a problem. They fight a machine-gun nest for no real reason other than it provided a fight scene. Was I the only one to notice that all of the towns were destroyed before we even got to them? Didn't France surrender? The climactic battle is sure to be lost, but is won when air support arrives. Of course, they did not call for the air support. Can you say "Deus ex machina"? Did we have precision guided tank bombs in WWII? Did our protagonists really have anything to do with the outcome?

I was shocked that this movie was not ripped apart in reviews. It has everything possible wrong with it. Is it now unpatriotic to indicate divel when you see it wrapped with an American flag?
Based on true events
From Stephen E. Ambrose's book, 'Band of Brothers,' written in 1992. In Chapter Six, 'Move Out,' Fritz Niland -- a member of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division, U.S. Army, lost his brother Bob Niland, who was killed on D-Day. A second brother had been killed on Utah Beach on D-Day. And a third brother was killed, a pilot in the China-Burma-India theater that same week. His mother received all three telegrams on the same day. However, in "real life" Fritz was never lost, was immediately located by a Father Sampson, escorted to Utah Beach, and was flown to London, and then back to the States.
still, it does seem that they could have looked at more
I would have given "Saving Private Ryan" a higher score had it looked at more issues abundant during WWII (they could have focused on the various roles that each country specifically played in the war). But don't get me wrong: watching the movie, you can literally feel the bullets hitting you. Tom Hanks commands as strong a performance as we can expect him to, and the rest of the cast also does quite well.

I guess that if the movie has any problems, it's in the characters themselves. Aside from the fact that the movie pretty much makes all Americans out to be good and all Germans out to be bad, the Americans are basically clichés. They're all wholesome, hard-working guys out to make something of themselves. Moreover, there's the wise-guy New Yorker and the cowpoke Southerner, and Pvt. Ryan comes from Iowa (read: America's heartland).

But otherwise, it's a very good movie, and it goes to show what an incredible director Steven Spielberg is (although I still wouldn't have given the movie Best Picture; I would have given that to "Life is Beautiful"). Also starring Tom Sizemore, Edward Burns, Barry Pepper, Adam Goldberg, Vin Diesel, Giovanni Ribisi, Jeremy Davies, Matt Damon, Ted Danson, Paul Giamatti and Dennis Farina.
Fake, over-hyped, inaccurate piece of garbage
Watching this hurts a lot. Terrible acting, stupid plot, inexplicable happenings, defying the laws of physics, biology, human anatomy. Unreasonable decisions by brain-dead logic. I'm afraid that I hated every moment of this film. Spielburg overused emotional hokum to try to give his film weight when we actually didn't care whether Private Ryan lived or died.

Visual orgy, that is, but without the gray-filter would be better I guess.

Full of errors and mistakes, ridiculous scenes and pointless (and fake) brutality. Overrated, fake propaganda sh-t, just avoid.
WAR, huh, what is it good for?
This is one of the single worst films I have ever seen. Spielberg was, once again, intoxicated by his own sense of patriotic splendour. The first major flaw in this film struck me the first time I saw it. I was in the theater and began to ask myself, "How could Ryan remember the D-Day invasion when in fact he was never there?"

Now, honestly, how did Spielberg expect to get away with that one? It was never explained or followed up in any way. Secondly, how did he expect to get away with portraying the Germans as mindless, blood-thirsty grunts? "Well they were, weren't they?" says the blindly patriotic american. This aspect of the film is a disgrace to Germans and more importantly to the brain-washed americans. Finally, I would just like to point out the fact that this was not a war to rescue individual men in order to preserve their family line. This film makes a mockery of WWII by completely misrepresenting it. The only aspect that was accurately portrayed was the violence, which sadly enough drew many people to the film. Two thumbs down!

An All-Time Classic
A true classic. And honestly my favorite Spielberg and movie of all time.

STORYLINE: The storyline starts during Omaha Beach. Were we somewhat meet are hero's. Around 30 minutes in the actual story comes into play. Private James Ryan's (Matt Damon) 3 brothers are all killed in the line of duty. So Captain John Miller (Tom Hanks) and all of his crew are set to find him and bring him back home.

CHARACTERS AND ACTING: The movie itself is powerful. The characters are smartly written. Because they question the mission. Why would 8 guys go over and save 1 man? Tom Hanks is as powerful as he ever is. He portrays his character of a man who has suffered during times of war. And his "That's my mission" speech always moved me. In short everyone does a great job.

OTHER: This movie is powerful. And after watching it you want to take a shower and sing "The Star Spangled Banner" Because it is patriotic and it makes you feel proud. And of course the first 25 minutes of the movie is so incredibly well done that it makes shaky-cam look like a masterpiece! And this film is a masterpiece!
Instead of me picking this the best war film ever
Instead of me picking this the best war film ever, I choose it as the most overrated film of all time. An entire squadron would not be sent into uncertain territory just to bring back one man who really had no purpose to be saved. There were several others out there just like him, I'm sure. All of the people who didn't deserve to survive did. This movie was just a load of it. Definetly not Spielberg's best and not Hank's best role. Anyone who picks this as one of the best movies ever needs therapy.
Every once in a while, I go back to watch films that were celebrated in their time. These have to be films I saw when they were newly nested in their warm buzz, and which were conveyed as if they were a privilege. This is such a film, one that can perhaps serve even as the exemplar.

It was touted as (at last) a serious film by Spielberg, chapter two of his "real" film which marketed the holocaust. It had Hanks, who it should be recalled was more uniquely respected then than now. It dealt with a sort of real history with direct pulls on patriotism and something called valor, in a way that would make Sinatra and Wayne blush (or at least hiccup).

And its first 20 minutes was chocked full of effects that worked and conveyed a meaning of confused dread. It moved us all — how could it not? — and allowed the filmmaker to lazily move through an ordinary story, staged as if it had a different production crew.

Seeing this again in my own context and with the objectiveness of distance, I am amazed at how effective that opening section is, and how typically bad Steven the rest is. That first part is tense, tight and close. It is horrible without forcing us so close that we recoil.

You know, one of the biggest challenges in film-making is to introduce the audience to the world they will live in for perhaps a few hours — the film and the long tail of recalled experience afterward. Usually the filmmaker has only a few minutes. Some — especially when a strict genre film is coming — can even do it during the title sequence. We are prepared for this entry voyage; it is part of the contract we make when allowing a filmmaker to transport us. I cannot recall a film that took this much time to prepare us. Perhaps "Pan's Labyrinth," but that setup was disjointed.

So I have to admire Spielberg's craft in putting together a session that has impact, though it is all tone and no narrative. And I have to admire his ability to understand and exploit that twilight area where we are primed for such a thing. And then 20 minutes in, we start to ask why, why engage us? Why open us to be ready for something that matters and serve us bread?

Ted's Evaluation -- 2 of 3: Has some interesting elements.
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