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Crime, Drama, Thriller, Mystery
IMDB rating:
Quentin Tarantino
Harvey Keitel as Mr. White - Larry Dimmick
Tim Roth as Mr. Orange - Freddy Newandyke
Michael Madsen as Mr. Blonde - Vic Vega
Chris Penn as Nice Guy Eddie Cabot
Steve Buscemi as Mr. Pink
Lawrence Tierney as Joe Cabot
Randy Brooks as Holdaway
Kirk Baltz as Ofcr. Marvin Nash
Edward Bunker as Mr. Blue
Quentin Tarantino as Mr. Brown
Steven Wright as K-Billy DJ
Rich Turner as Sheriff #1
David Steen as Sheriff #2
Tony Cosmo as Sheriff #3
Storyline: Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won't get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.
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Classic Tarantino Crime Caper
Simply put, "Reservoir Dogs" is one of the greatest movies ever made. This 1992 predecessor to 1994's "Pulp Fiction" is truly in a class by itself. This film has been a blueprint for basically every other wanna-be-like-Tarantino movie made in the last seven or so odd years. The acting is truly superb. Every one of the main characters turn in top-notch performances. Harvey Keitel's turn as the o'er-the-hill criminal MR WHITE is perhaps his best ever. Micheal Madsen's take as the psychopathic MR BLONDE is perhaps one of the most realistically frightening performances I've ever seen. This was truly the role he was born to play.

Rounding out the cast, you have the always enjoyable Steve Buscemi (MR PINK), Tarantino favorite Tim Roth (MR ORANGE), Tarantino favorite Quentin Tarantino (MR BROWN), Chris Penn as NICE GUY EDDIE and finally.....(whew)....Lawrence Tierney as the cranky mob boss JOE CABOT. The cast is utterly superb.

One aspect of Tarantino's is his ability to say so much with so little. Though the scene involving MR BLONDE'S shooting spree is never actually seen in the film, it is all too easy to picture Micheal Madsen in his JoeKool shtick, blasting holes into anything moving with eerie unemotional detachment. Tarantino BUILDS his characters with amazing style. (see Pulp Fiction, Jackie Brown, etc...) MR WHITE'S compassionate struggle to protect and save the life of MR ORANGE is gutwrenchingly moving. True "honor among thieves" type stuff here.

All in all, this movie is a classic. Be
A timeless classic...seriously
The first time I saw Reservoir Dogs, I was about 15, it had been banned in my country, and I heard it was extremely voilent. Naturally I did everything in my power to get my paws on a copy, and when I finally did see it, I was disappointed. I was just sitting there saying "Wheres all the violence", Anyway, I watched it till the end, and then I watched it again, and since then it has just grew on me.

This is one of the movies I don't get bored watching time and time again. I still watch it at least once a year, because its not the kind of movie you watch to unwind or to pass the time. You simply watch it for the sheer quality and originality of the movie. The one liners are classic: "Are you gonna bark all day...", "I'll make you my dog's bitch". Mr.Blonde is totally believable as a psycho. I mean who stops to get fries and soda just after committing a robbery? The fact that everything is ludicrous, but you don't know this because these guys, and the way they talk is so impossibly cool that you just accept it. This movie is all about the dialog. The violence is used sparingly, and to better effect. The way the film is edited is genius. Its almost like you forget the whole movie after you watch it, and the next time you watch it, there's a whole scene that you forgot was there. The storyline is unpredictable and thrilling. This is better that Pulp Fiction and in my opinion definitely Tarintino's best movie. I didn't care much for the "Kill Bill" movies, but who cares, I'm not reviewing them.

If you haven't seen Reservoir Dogs, just rent it, buy it or steal it right now.
One of the worst movies ever made
This repulsive, reprehensible trash for Quentin Tarantino has to rank as one of the worst movies ever made. When I wasn't bored to tears by interminable dialogue, I was repulsed by the glorification of sadism as an alternative life-style. The Marquis De Sade would have been proud. Tarantino should put his talents to suitable use and just make a real 'snuff' film. See 'Clockwork Orange' instead. That is a work of real genius.
Funny, cool, vulgar, violent... Tarantino's best!
Now don't think I'm being biased on my opinion because Quentin Tarantino is my favorite writer/director hands down, but you've gotta admit, this is one awesome movie. Another thing that makes this so special is that this is the first movie I've ever seen. But enough about that. This movie is down right amazing. The performances (especially by Harvey Keitel, Tim Roth, and Michael Madsen, who plays a convincing psychopath) we're incredible. Also great and original, was the plot (about a bunch of criminals who team up to commit a diamond heist, but turning on each other when it goes haywire), but most of all, the script was the glue that held the movie together. It was funny, cool, pop cultered, and vulgar. The only thing that let me down was the short length (compared to other Quentin Tarantino epics), and the ending, but overall, it was a fantastic movie experience and one of the best movies ever made! Watch it!
For all I know you are the rat; and this might be the best heist homage movie ever?
Reservoir Dogs is the debut of director and writer Quentin Tarantino. It stars Harvey Keitel, Steve Buscemi, Tim Roth, Michael Madsen, Chris Penn, and Lawrence Tierney. Tarantino has a minor role, as does criminal-turned-author Eddie Bunker.

It feels a bit silly to write it now, but there was a time when Reservoir Dogs barely made a ripple in the cinema loving world; in America that is. Upon its release in the States it was moderately successful and comfortably made back its $1.2 million budget. However, upon hitting the British shores it was a big hit and grossed nearly £6.5 million and then Pulp Fiction exploded on the world in 94 and Reservoir Dogs got reappraised in its home country. The rest as they say is history.

Tarantino, the most enthusiastic of film fans, was once a video store clerk in Redondo Beach. There he dreamed of making his own movies and planned to make Reservoir Dogs with his friends on a relatively small budget. As luck would have it, Keitel got hold of the script and wanted in. With his name attached, and using his contacts, a serious budget was raised and so the Dogs were set loose. At the time of its popularity, Tarantino had to guardedly fend off accusations of plagiarism and a charge of just hacking from older classic heist movies. His argument was that he was making his own homage to the heist caper, but even so, the fact remains that Reservoir Dogs is spliced from The Killing, Kansas City Confidential, The Big Combo, The Taking Of Pelham One Two Three and we can definitely throw in The Asphalt Jungle as well.

Yet Reservoir Dogs is still extraordinarily fresh and vibrant, raising the bar for crime movies in the modern era. Tarantino of course has since gone on to prove his worth with other projects, so in truth his homage movie was merely the foot in the door for the talented son of Knoxville, Tennessee. In terms of its dialogue, tho, and its gleeful use of "ultra-violence," it has few peers. From any decade. It also helps considerably that Tarantino has assembled a quality cast to make his non-linear classic shine. Keitel is a given, but Roth is exceptional, as too is Buscemi, while Madsen is frighteningly convincing as psycho for hire Mr. Blonde. Then there's the 70s soundtrack, a vital part of the narrative as we hear the dulcet tones of Steven Wright Djing on K-Billy's Super Sounds of the Seventies. If you have not seen the film yet? Then I promise you will remember Stealers Wheel-Stuck in the Middle for the rest of your cinema loving days.

And that's the thing with Reservoir Dogs, it's crammed packed full of memorable things. A quip, a bang, a song or the WTF ending, as homages go; it's one of the very best. 9/10
Easy on the kudos, everybody. Read and learn.
If I read one more brainless Tarantino-phile's thoughtless salivation over this most over-rated rip-off, I think I'll vomit.

Very little has been made of the fact that this movie was totally ripped off from Chow Yun Fat's City On Fire. I've seen that movie, and take my word for it, Dogs is borrowed from bottom to top, from the heist gone wrong because of a trigger-happy sociopath, to the ring of diamond thieves infiltrated by a hotshot young undercover cop, to the relationship between the cop and the experienced professional, to the warehouse rendezvous, to the cops waiting for them there, to the curiously sympathetic professional tending to the wounded cop, to the "Mexican Standoff" (?) between the boss, the professional, and the boss's toadie. Hell, even the professional dicing policemen in their car with two semi-automatic pistols was straight out of City On Fire. So much has been made of the Scream rip-offs and Die Hard rip-offs, well, where's the uproar here?

Somebody mentioned that Keitel ties the movie together with "spooky" calmness. What movie was he watching? The Piano? It looked to me like Keitel was channeling Pacino, screaming constantly and making wild gestures. I kept waiting for Eddie to slap him.

I am soooooo sick of everybody talking about Michael Madsen's "great" performance as Mr. Blonde. Michael Madsen always plays the same tough-guy cliche, good guy or bad, and his performance in this isn't any different than those in The Getaway or Donnie Brasco. I think anybody could've played this part more interestingly. The part was written to be disturbing, and Madsen really didn't add anything to that. I would've much rather seen Buscemi or Keitel as Mr. Blonde.

The lame bear-claw joke fell flat in what was an otherwise humorous movie. It was about as out of place as Tarantino's pitiful portrayal of Mr. Brown. He's the only "actor" I know that can screw up a bit part.

Just how was Mr. Blonde gonna deal with the enormous fireball that lighting several gallons of gasoline in a tight warehouse would create? I know that he was "crazy" and all that, but it seems like a robber on the lam wouldn't want to send huge clouds of black smoke billowing out of his hideout.

Would it really be a good idea to sit in a fairly busy restaurant looking rather suspicious in your robbery duds the morning of the big heist? I know it's LA and all, but even as a restaurant patron, I would've noticed six bad-asses in cheap black suits, a fat redhead wearing a somewhat ironic jogging jacket, and an old mafia-type, sitting at one table, carrying on loudly about Madonna.

Mr. Orange was the highlight of this movie for me. His disgust at Marvin crying about how he'll never look right again was an acting triumph, and the look of sadness on his face as White murdered the cops in the car (far more interestingly explained in the script) was similarly heartfelt. Why haven't we seen more of Tim Roth lately?

I can't deny my enjoyment of this movie in spite of my extensive complaints, though it doesn't deserve the praise that unknowing moviegoers give it. Tarantino will always be, to me, a creatively constipated bad actor who got very lucky. My guess is that his skillfully-written dialogue comes from snippets of conversation he's heard here and there. I rate this a 6, 2 if you factor in that it was absolutely plagiarized.

Definitely Exceeded My Expectations
I had started and stopped this film many times before actually sitting down and watching it all the way through. After sitting through it, I can't stop thinking about it.

The film was composed beautifully. Instead of a simple plot line, it was broken up and rearranged making the audience work until the end. The music and character transitions were perfect.

Tarantino did a great job making the characters true to the people portraying them. Mr. Pink, Mr. Blonde, and Mr. White could have not been more perfect to their characters. The sheer fact that I hated and loved the various characters almost to a point of them being real is a feat in it of itself.

I felt that the profanity was a bit much and it may be necessary to the plot and emotions, but at times it was a bit overbearing.

Overall though, I was very impressed by the rawness of the story and how developed all of the characters were. Amazing!
A stylish and excellent example of expert story-telling.
After watching this half a dozen times with a biased, anti-Tarantino, "what the heck is so great about this guy, anyway" view(which, as most anyone watching any film with that view and a fair bit of self-knowledge will tell you, is a rather fruitless practice in pointlessness... if you've decided you're not going to like it, there's very little reason to think that you will, no matter how good it is; you need an open mind), I finally decided to give it a fair hearing... and I saw it for what it is. An unusual film, at least for its time. A stylish film full of cool dialog, cinematography, editing and music. The whole thing comes together perfectly and is very short of creating a sublime film experience. The plot is excellently written and told. The pace is perfect. I wasn't bored for a second, nor did I ever really want it to move faster or slower. The cinematography is magnificent, and incredibly well-integrated. Pans, dolly trips and, lest we forget, the stationary shots... all perfectly used. Very stylized. The acting is top-notch all-round. With most of the cast being name actors, this is no surprise, but they really do shine. Madsen, Buscemi, Keitel, Roth... all incredible. The one role that had less than good... well, let's be honest, it had rather awful acting. I'm speaking, of course, of Tarantino's character. Now, don't get me wrong; in From Dusk Till Dawn, this man did great. But just about any other time I've seen him act, he just doesn't seem to have the first clue. Being a film-maker myself(albeit on somewhat of a smaller scale than Quentin), I can relate to wanting to cast yourself in a role... but sometimes, you just need to face up to the facts, and admit it if you can't act. Still, that is a minor complaint. Another one might be that there are at least two fairly big characters that seem completely and entirely expendable... they had no real role in the action and could very, very easily have been cut with no real loss to the overall product. I won't name them here, but anyone who's seen the film will know who I'm talking about. All the characters, however, are well-written and their actions credible. Tarantino knows his stuff when it comes to writing... something that also shows in the dialog, which, although somewhat drawn-out at times, is exceptional. Well-delivered, too. When it comes to direction, he shows how talented he is, as well. The film is very well put together. The editing is great, with the non-linear time-line telling the story far better than a "regular" film ever could. One of the many Tarantino-fans, in fact, the very person who originally talked me into watching this film, once told me that he had heard of someone editing films with such time-lines - this, Pulp Fiction, Memento, etc. - so that their time-lines were perfectly linear. I'm sorry, I entirely respect their right to do such a thing... and I won't claim that their doing so has less artistic value than the original films in any way... but I refuse to watch that. A big part of this being so well-told lies in the time-line. Also, I'm a firm believer of watching something the way the makers intended it. Don't edit, don't censor, don't make your own version and pass it off as anything but just that... your own version, and not the original. Sorry, rant over. Finally, I just need to comment on the music... the soundtrack of this is just great. Tarantino collected so many amazing 70's tunes for this film and used them great. All in all, just a really, really good film. Very little keeps this from being a perfect ten, most of which I've covered here. I recommend this to anyone who can stomach the violence and who likes their films with a side of style. 8/10
Pure undiluted crap
Vintage Tarantino. Totally boorish, tasteless, boring, repetitious, tedious & moronic. Everything his loving audiences deserve.
opera prime perfecta DE Quentin Tarantino
perfect debut of Quentin Tarantino A masterpiece! to be the debut of Tarantino is one of his best films I can even say it's my favorite of Tarantino. What I like of this film is how the story (so that part of Tarantino films) and friendship made ​​between Mr. Orange and Mr. White.

Any normal director would have shown the scene of the robbery but Tarantino does not show, we know before the robbery and after the robbery but we never see the Rob.Dando A new way of seeing the movie which according to my personal opinion keeps you very more curious of what will happen and why these much more attentive to the plot of the movie and the soundtrack is perfect nothing to say like all the soundtracks of the films of Tarantino, then of all cinema without film music is not serious.
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