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Buy City of God 2002 Movie Online 1080p, 720p, BRrip and MOV
Year:
2002
Country:
Brazil, France
Genre:
Crime, Drama
IMDB rating:
8.7
Director:
Fernando Meirelles, Kátia Lund
Alexandre Rodrigues as Buscapé Criança - Young Rocket
Leandro Firmino as Dadinho - Li'l Dice
Phellipe Haagensen as Bené Criança - Young Benny
Douglas Silva as Dadinho - Li'l Dice
Jonathan Haagensen as Cabeleira - Shaggy
Matheus Nachtergaele as Sandro Cenoura - Carrot
Seu Jorge as Mané Galinha - Knockout Ned
Jefechander Suplino as Alicate - Clipper
Alice Braga as Angélica
Emerson Gomes as Barbantinho - Stringy
Edson Oliveira as Barbantinho Adulto - Older Stringy
Michel de Souza as Bené Criança - Young Benny
Roberta Rodrigues as Berenice - Bernice
Luis Otávio as Buscapé Criança - Young Rocket
Storyline: Brazil, 1960's, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970's: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980's: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.
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Reviews
Almost Too Much to Watch
One must step back from an absolute sense of repugnance at the violence and look at what the filmmaker has done in this movie. Once you tune yourself into the lives of this cast of characters and their ongoing effort to stay alive and maintain dominance, you can reflect on the amazing cinematography and overall effect of the film. There is an ebb and floe that we watch, almost a dance in the slums of Rio. There is so much poverty that factions have grown up and the people are continually victimized by them as are there individual members. The police are perpetually on the take, so a military state is eventually set up. The main character is a participant early on and then an observer. His photographic skills are his ticket out and his ticket in. There is death and destruction, drugs and murder around every corner. Perhaps the scariest thing are a group of young boys called the Runts who are making a seamless transition into the horrors of the place, keeping things going for yet another generation. I think the most dominant theme of the whole thing has to do with the indifference toward death. Even those who are friends early on will kill their friends because a drug lord says so. It's an unforgettable film.
2009-11-24
while still fresh in my mind.......


Quite a gritty orange tinted vacation I had in the slums of Rio. I could almost taste the dust and feel the heat in some of the scenes. A bit jarring to have a story told in an order known only to the director but I dutifully followed along as it tied together and everyone connected.I'm positioned by the camera too close to faces of people in the apartment and I don't like the smell of fear and sweat. While this repetitive tale was overkill on murder and machismo,I don't complain for some reason. Perhaps in my drive-through bank and sushi world this is what I needed to see in order to understand life doesn't change in the city of god,everyone dies and childhood ends when you can walk and hold a gun.A going away party and then you die....
2003-03-06
one of the best
I would say this is one of the best movie I ever seen. when you talk about cinematography, editing and story etc.

it amazed me how many different characters plays in this film and how well it has been structured.

one of the styles I find fascinating is that it started from character and it passes to the other. Styles its amazing. I really how like how their friends leads to different life styles. the main protagonist Rocket, when he first saw photo camera that how that turns a different path in his life. and in the last scene when he(Rocket) was stuck in-between the cops and goons. I love how the effect and transition which goes to flashback, it was really nicely done. I didn't know much Rio but after seeing movie I would say it gives me overall information about how the people in Rio.
2016-02-05
Good Story; Good Acting; Good Backdrop
This movie is a story about some people living in a Rio de Janeiro favela called A Cidade de Deus. It's an actual place built about 50 years ago that's one of the most well known favelas in Brasil.

It's more than a story about gangsters. It explores the feelings and motivations behind the characters from the guy who seemed to be born to kill to a guy who worked hard at a job, had a girlfriend and nice family but joined a gang for revenge after becoming a victim of crime. It explores the different people living in the neighborhood from the kids to the gang members to the parents working hard at menial jobs trying to make ends meet. It's an interesting introduction to the culture.

The movie is in Brazilian Portuguese but is available with English subtitles which is why I wanted to see it as I am trying to learn the language.

An interesting fact is that a resident of this favela just won the world judo championship in her weight class. A decade ago while living in a Cidade de Deus, Rafaela Silva and her sister Raquel were discovered by some guys interested in developing the sport in Brasil. Over ten years later she becomes the first Brazilian woman world judo champion.
2013-08-31
Simple life in a horrible world
I finally got around to watching this much praised movie, and I can certainly understand why so many people have found it fascinating. It is very well done in a technical aspect, and it's easy to be seduced by the way it looks and the constant flow of action scenes, not very different from the efficiency of some glossy & clever commercial. It also shows a way of life and a part of the world that is not very well known to many outsiders, thereby invoking some sense of illumination. Unfortunately, looking beyond the interesting setting & the glossy surface there's not a lot to be found.

In 'Cidade de Deus' we follow some dirt poor kids who live as brutal gangsters in a shanty town part of the Brazilian city Rio de Janeiro. The kids need money, so they steal, they deal in drugs and they kill. This is the basic plot for the movie. And then what, you may ask? Well, then there's … sadly, pretty much nothing more. What we get here is just a grim world contained within itself, where people perform a lot of horrible acts without really wondering why or thinking about any options or consequences. Now somebody could argue that this is actually the way that many people handle such savage situations, and so this movie is just portraying them in a realistic way. But even then, a filmmaker telling a dramatic story has many opportunities to put things into a broader context and he/she can make the choice to give the audience a more multi-layered view without embellishing anything. If you've seen something like the excellent TV mini-series 'The Corner' you know what I'm talking about.

'Cidade de Deus' makes no attempt to explain why these kids don't have any other opportunities than a life of violent crime, so there's no real critique of the society that produces this horrible condition. Without even a glimpse of the reasons for this, you cannot give any real insight into the desperation that drives the characters to behave in the gruesome ways that they do. Instead it comes across as something that's inevitable and almost natural. Like wild animals eating each other, not because they're forced to by special circumstances that could be changed, but simply because it is their instinct. As we all know this will seldom apply to human beings since our existence is much more complex. Any such complexity is totally missing here. In addition there's not much effort made to show the devastating effects that drugs & brutality has on the human soul. Most of the times when something really awful happens in the story, like children becoming killers or getting killed, it's rapidly followed by some non-emotional scene with some cool music and flashy editing. There's no grieving for the victims, the movie is over 2 hours long & the director spends about 30 seconds of that time showing family members shattered by this unnecessary loss of life, which means there's no depiction of the deep sorrow & hopelessness that extreme poverty & violence creates. We get little or no reflection, just one gun-blasting action followed by another & then another. A lot of stuff for eyes & ears, less for hearts & brains.

So 'Cidade de Deus' is a film that looks very good. But for me to agree with IMDb placing it among the top 20 ever made (we're talking higher than 'Citizen Kane', 'Apocalypse Now' & 'The Seventh Seal'), the director's ability to convey the depth of human beings should at least be equal to his flair for technical tricks & brilliance. This is truly far from the case here. I rate it 5/10 for the cinematography & editing and for showing a small piece of a harsh reality without blinders, but for me it felt more like an ordinary action movie than an epic masterpiece.
2007-09-11
Crime doesn't pay for anyone
City of God is a movie about the idea that crime doesn't pay for anyone. It goes about demonstrating this idea by showing a succession of people trying to take over the ghetto with violence. Some of the candidates are kind-hearted Robin Hoods (Tender Trio), some are accidental gangsters (Knockout Ted), some are simply evil (Lil'Z) and some are a bunch of prepubescent kids (Runts). They all use violence to pursue crime. They all fail. Even as the Runts seem to rule the day at the end, having killed Lil'Z, you know things can change tomorrow (they're like, 10 years old). These four external plots are joined by an internal plot of our protagonist, Rocket, successfully avoiding a life of crime by luck and some fortitude.

The movie seems to want to be more than an episodic chorus of violence. It strains to show that the ghetto and a broken system makes crime and criminality inevitable. It shows this mainly through the reluctant criminal of Knockout Ted who is basically forced to become a gangster after trying to live virtuously. But this idea is relegated to secondary importance for me: much of the violence is glorified, and our hero does escape a life of crime (even though he is no where near as virtuous as Ted was), providing contrary evidence to the idea that crime is inevitable.

A change of protagonist from Rocket into Knockout Ted might have gotten this movie onto this bigger idea.

That's not to say the movie doesn't have some pretty memorable scenes, locations and the fact that it's a Brazilian production based on true characters is pretty awesome. I just think it could have mixed its potent ingredients together towards a bigger idea.

My Story Chart of the movie is at storycharts.ca.
2013-08-10
original Gangster film, but gets boring.
The film begins in the 60's and when you're watching this part, you have high hopes for the rest of the film, as it shows a lot of promise, however don't get your hopes up. Little Ze's killing spree's in the 70's and 80's become over the top, and the amount of deaths are ridiculous. However the cliffhanger ending where the kids talk about their own killing spree , leaves a nice, but horrific cliff hanger ending. It is very different to most gangster films as it contains some type of background story as it's based on a true story. The story of Rocket is also very endearing, as throughout the film you find yourself willing him to do well in his photography, so this for me makes up for the over the top violence ,so brings the film up from a 5, to a 6 out of10.One to watch if you're into international cinema or/and violent films.
2013-09-20
An unsparing portrait of a sociopathic generation
"After the first death, there is no other" - Dylan Thomas

In Brazil there are 120 million people. 50% of them are under 21. 28 million of them live below the lowest standards set by the International Children's Rights Agency of the United Nations. Last year 7,000 boys from 12- to 22-years old died in shootings. This is the background for the disturbing Brazilian film, City of God, directed by Fernando Meirelles and Kátia Lund. City of God is a "favela" (government housing project) on the outskirts of Rio de Janeiro where the Brazilian government dumped undesirables and homeless in the 1960s. The film is based on real events described in a novel by Paulo Lins, who lived in the project for thirty years and spent ten years researching the events. It is an unsparing portrait of a sociopathic generation, where manhood is determined by who can kill the most. When a child is ridiculed for being too young to join one of the gangs, he replies, "I smoke, I snort. I've killed and robbed. I'm a man."

The film traces the favela's history over the span of three decades, showing how its children first became petty thieves, then drug dealers, and finally cold-blooded murderers. To make the film, 2,000 children who lived in the City of God were auditioned and 200 were chosen to go to acting workshops where they improvised the scenes. It is narrated by Rocket (Alexandre Rodrigues), who survived the gang warfare and has since become a photographer for a local newspaper. The picture opens with the sharpening of knives and an adrenalized chase scene involving gangsters, guns, a runaway chicken and Rocket coming face to face with the feared gang leader L'il Zé (Leandro Firmino da Hora). It then flashes back to the more sedate 1960s, where three friends, Goose, Shaggy, and Clipper, known as the "Tender Trio," engage in small time robberies and use their guns only to threaten. The remainder of the film is divided into chapters, each depicting different characters and time periods, each extending the violence until it reaches manic proportions.

One of the most disturbing scenes involves the holdup of a brothel and the murder of its patrons. A nine-year old named Li'l Dice (Douglas Silva) is told to wait outside while the Tender Trio robs the customers. He is told to shoot a window if the police come; instead, however, he goes on a killing spree with a big smile on his face, massacring the patrons in the middle of their lovemaking. The second chapter contains the most gut-wrenching scene of all, when L'il Zé, pursues a gang of "runts" who are disobeying his rules, cornering two of the small boys in an alley. He gives a gun to a member of his gang known as Steak-and-Fries (Darlan Cunha), telling him to prove his manhood by killing one of the smaller boys. The two boys start crying, allowing us to witness the real fear beneath the bravado. Yet the madness and violence keeps building from there.

City of God is essentially a horror story that hits you with a punch to the solar plexus. It is very powerful, but also desensitizing in its high-tech stylization and dizzying special effects. It becomes so fixated at simulating a cocaine high by jumping from one character to another with breakneck speed that, unlike the 1981 Brazilian film Pixoteby Hector Babenco, it often fails to allow full comprehension of the human aspect involved. Yet the film deserves praise for its honesty in tackling an issue most of us would rather avoid. In the process, it has uncovered the natural raw energy of children, with no place to use it except in self-destruction. It leaves me to wonder how this energy could be harnessed against a system that encourages and perpetuates this cycle of violence.

2003-02-17
Not nearly as good as advertised...
I saw this movie with a couple of friends, and none of us had any prior knowledge of the film. Interestingly enough, none of us where overly impressed... I only realized afterwards, when I went on to IMDb to write my review, that this is considered by many to be one of the best motion pictures ever made! I was shocked. Not to say that it is a bad movie, because it isn't, but it is nowhere near being very good, let alone a masterpiece.

What is it missing? Well, in my opinion, a lot. For starters, the script is very weak. We hardly get to know any of the characters well enough, and consequently do not care what happens to them. This is a major flaw, a 'conditio sine qua non', I cannot imagine a good movie that does not transmit emotions. The same is with the cinematography... The camera is too hectic, the cuts too frequent, the movie looks too much like a video spot or a commercial. I know it is modern, but I find it unfit for a full length motion pictures.

So why then all the hype? In my opinion, most people living in the developed world nowadays are so far removed from the harsh realities of life, so used to living their comfortable, politically correct, protected, cuddly lifestyles that seeing something like this is so far from their understanding that it 'shocks' them and they believe they are experiencing something metaphysical, highly artistic... Consequently, they praise these movies in the belief that by doing so, it also makes them more 'artistic', because they can 'understand'. How sad.
2017-05-28
See Also
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