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Buy A Clockwork Orange 1971 Movie Online 1080p, 720p, BRrip and MOV
Crime, Drama, Thriller, Sci-Fi
IMDB rating:
Stanley Kubrick
Patrick Magee as Mr Alexander
Michael Bates as Chief Guard
John Clive as Stage Actor
Adrienne Corri as Mrs. Alexander
Carl Duering as Dr. Brodsky
Paul Farrell as Tramp
Clive Francis as Lodger
Michael Gover as Prison Governor
Miriam Karlin as Catlady
James Marcus as Georgie
Aubrey Morris as Deltoid
Godfrey Quigley as Prison Chaplain
Storyline: Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.
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We All Are Ready For A Little Of The Old Ultraviolence
Spoilers Ahead:

What a masterpiece!! He loves to hold a mirror up to our monstrous faces beneath our masks and laugh at our vanity. Stanley delighted in having fun with our hubris about ourselves. Yes, little Alex has all violence removed from him and he is set free in that idyllic paradise we kid ourselves is our society. He is as helpless and defenseless as a little lamb. His former gang members, now cops, proceed to torture and almost kill him. I hear feminists yelling what is the point of all that sexist violence in the beginning. I have never found one women who liked this movie; this is largely due to the rape scene and where Alex chases the women with the giant porcelain male sex object. Well, the point is for fools, who like Aristotle, hold that nobody enjoys doing evil; they only do evil because they believe it to be good. Sorry, the world is filled with monsters who enjoy hurting others for the wonderful feeling of power it gives them. Look at Alex's home life, how little and powerless he is, but at night he goes out and gives himself a real ego boost at the expense of everyone else.

It reminds me of Freud's letter to Alred Adler: "Why on earth should I care for creatures the majority of whom will do me great harm for the smallest gain and a minority who will harm me just for the enjoyment it gives them." This is the point; WE ARE ALL READY FOR A LITTLE OF THE OLD ULTRAVIOLENCE. It is neither a popular nor pleasant truth; Stanley loves to let us see what irrational violent savages living within a complete psychotic delusion of our real nature. The bone thrown into the air becomes a nuclear missile platform in space in 2001. The same message: you are still the murderous violent savage do not be so impressed with yourself, you big phony. The whole thesis of DR STRANGELOVE is this: despite all this technology these dangerously irrational fools will wipe themselves all out. We will meet again somewhere, do not know where or when: human irrationality and world destroying technology equal only one thing: ANNIHILATION.

The core of the film has nothing to do with Alex; it is the society around him that thinks non violence is the cure of criminality when the world is a dangerous and violent place. But, they will never let that reality into their little bubbles they live within to keep up a happy soporific coma. Alex is you; Alex is me we are monsters. Let the power grid go off and we will all be Alex I assure you. The monster is within each one of us; Kubrick wants you to see when he was released among us it did not quite go the way we expected. Self delusion the theme of Kubrick you will find it always in his works that and how in the dark we are about our real nature.
A Pseudo Masterpiece
What is the message? There is a lot of symbolism in here but it does not add up to anything. This movie is great technically it does not really fill this major void of what the message is. Is it to show how bad we are as people? I'm not to into that and pretty sure plenty of other people are like that too. This does not seem to be it either. I'm fine with negative movies just not this one. It makes you feel so horrible and use you get the feeling of what was the point of watching this movie in the first place.

The writing is good along with the cinematography which is great giving you the feeling of the chaos we call life. The music is very fitting and the directing is great with every scene showing something different. Kubick is the best in history at disguising a movie as a masterpiece, he has a long track record of it. Even the acting is pretty good at showing the insane world and characters. Malcom Macdowell is just perfect in here.

Still this is not enough for me. In order for a movie to be good it has to have some sort of a message. This movie seems to fail horribly at it. This is why we watch movies, to get something out of it. None of these great technical achievements really matter because of this. In order for the technical parts of a movie matter it needs to represent something and that does happen a lot except it does not add up to anything. This makes this movie very shallow rather that deep. What I can credit it for is that it does probably the best job of disguising itself as deep when there is really not much there. This movie feels as if Kubrick is just tying to just impress once again rather than deliver something meaningful.
Overrated empty scenes with classical music
This movie is terrible. Not "terrifying", there are a lot of excellent horror and war movies for that. Rather terribly empty...

Stanley Kubrick has many good movies like "Full Metal Jacket", "Eyes Wide Shut", "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" and "2001: A Space Odyssey". They have some sort of coherent storyline, and main characters that we can like, and we can identify with. In this movie we have a Beethoven-loving crazy hoodlum, who likes to beat up, rape and kill people with his "friends". And he becomes later a sort of social-experiment victim; crimes deserve punishment I guess, so no tears for him. We also have a lot of poor victims in the movie, spineless politicians, and some crazy scientists. This is OK... but still nothing meaningful, just a chaotic society. Maybe that is the point? Chaos is chaos?

If it would not be soooooo much overrated by everyone on the internet I would possibly give it a 3/10 due to that there are technically worse movies than this, with bad camera handling, continuity errors and such; there are no such things in this. It has a much bigger problem: EMPTINESS. Kubrick can do much more than this trainwreck. Many people say nonsense like "this is the greatest movie of all times". This is just not true. This is just a bad sketch of crime-scenes and pseudo- artistic mini-dramas.

The main problem is that I do not see any message in this movie, nor any pleasant feature. It is not funny, it is not horrifying or realistic enough, there is no real character development, no interesting statements about anything. It is an empty, overrated mess. It is basically a shock-parade with old instrumental background music.
The milky bar kid
A Clockwork Orange was always a film I wanted to watch but it was one of these films that I was too young to watch when it was initially released in British cinemas and then banned by Director Stanley Kubrick from being available in Britain. This remained so until he died.

The film became infamous for its depiction of violence and sex. It overtook the fact that despite its initial scenes of brutality and rape in its heart it is a dark comedy set in a futuristic Dystopian Britain.

An adaptation of Anthony Burgess novel, Malcolm McDowell might be a shade too old to play the teenage delinquent Alex getting high on milk-plus which is infused with drugs and then partakes in an orgy of ultra-violence which includes beating up a vagrant, fighting with a rival gang and then speeding through the country roads where they burst into the house of a writer who gets beaten up and watches his wife get raped as Alex sings Singin in the rain.

We know Alex is still at school as he lives in his parents flat and is visited the next morning by his probation officer who is concerned about his absence from school.

However Alex's luck runs out. He falls out with his fellow gang members and when he breaks into another house, he kills a woman with a phallic sculpture, betrayed by his gang and caught by the police, he is sentenced to 14 years in jail.

The opening part of the film would had been deemed shocking in early 1970s Britain. I doubt that level of sex and savagery would had ever been seen before in a mainstream British film.

However the film becomes more of a surreal prison film once Alex ends up in jail where he joins a church group and tries to fend off advances from fellow inmates. A visiting government minister offers him a chance to take part in an experiment. Once he undertakes an experimental aversion therapy for rehabilitating criminals within two weeks the film becomes a black revenge comedy.

Once freed from prison and rehabilitated Alex finds there is no room for him in his parents home, he gets set upon by a gang of vagrants as the tramp who he beat up in the beginning recognises Alex. His old gang members are now in the police and they torture him. Worse still he stumbles into the house of the writer who he attacked and he gets his vengeance as well. Poor Alex now cannot listen to his favourite piece of Beethoven without doing harm to himself.

There is an underlying political satire of a government wanting to tackle violence in society by being draconian themselves until public opinion turns against them.

The film contains a lot of slang derived from east European languages and although I mentioned he looked rather old to play the teenage Alex, Malcolm McDowell delivers an amazing performance providing a narrative with his Yorkshire tones.

The film might put off some of its audience with its disturbing opening but settles in well after that.
An empty and unpleasant film.
People say that this film is somehow amazing. To me it is far more about image and very light on any content. I am all for the freedom to depict unpleasant acts where appropriate and where it has some purpose to it, but I don't see any point to the vast majority of this film. The whole thing seems to be designed to appeal to base instincts through violence and sex without ever making any valid or thought provoking points about either these or any other issue. I realise it is in the top 250 list but personally I feel this film owes more to its notoriety (people thinking it was banned despite the fact it was actually willingly withdrawn by Kubrick in certain countries) than to any real merit in the film. The characters seem to me to have very little real depth and the film is just a series of scenes designed to shock and court controversy. This probably won't be a popular review but I just don't see that this film in itself justifies its position in the polls.
Boring 1970's attempt to shock
I watched this film on its original release, I also watched it a few days ago, I was hoping that with age it may have appealed to me more, but unfortunately it failed to hold my attention now, just as it failed to hold my attention way back then. The director has chosen to use graphic sex and violence to gloss over a bad script, feeble plot and mediocre acting. This film is remembered today for all of the wrong reasons. If looking at full frontal nudity is your thing, or unrealistic violence turns you on, then this film would probably appeal, but if you like a movie to entertain or to be thought provoking, I should give it a miss.
Awesome Movie
A pure classic movie. A psychological Thriller. One of the best of all time. Is a comedy and a horror all in one. You can't beat this movie. A oldie but with watching. You will love this movie. Makes you wonder why can't Hollywood make more movies like this. Made in1971 but is way before its time.

My favorite movie 11 June 2001 | by Ayatollah (Florida) – See all my reviews Without a doubt, my absolute favorite film of all time. I first saw this movie three years ago and I have been in love with it (and Stanley Kubrick) ever since. I never get tired of seeing this movie. Why it remains so under-appreciated (at least by "casual" movie viewers) is beyond me. Everything is great; acting, direction, cinematography, the sets, everything.

Something that I don't think anyone else commented on was the Russian motif. The names of the droogs (Alexander, George, Peter, and Dim...short for Dimitri) are decidedly Russian. The singer referenced in the record store, Johnny Zhivago, has obvious Russian overtones. The statement made by the Minister of the Interior about the "peace-loving citizens" is a direct reference to the name that Soviet government representatives applied to their people when talking about the Cold War. Red seems to stand out from other colors. And, of course, who could forget Nadsat, the Russian slang language? I wonder what Burgess and Kubrick were trying to suggest about the future of Ingsoc (those familiar with "1984" will understand.
The epitome of all 'art house' cinema.
If A Clockwork Orange was a painting, today it would stand alone as a masterpiece, the jewel of Stanley Kubricks impressive crown, its value incalculable.

After watching a film like ACO all preceding and subsequent viewings of movies (with the exception of a rare few) pale into significance and are easily forgotten compared to this engrossing, visually stunning, intelligent, shocking, darkly humorous, grand movie that it is. Forget this film in a hurry you will not. >From the perplexing opening scenes to the time the credits role the film grabs you by the ears (and eyes!) and doesn't let go.

ACO is surely Kubricks defining masterpiece. The Background score is incredible (Beethoven anyone?), Malcolm McDowell is unbelievable and given his performance you can see why Kubrick said he wouldn't go ahead with the film if he couldn't get his signature. Visually the film is fantastic, and the vernacular used (called NASDAT I believe) is enthralling.

The greatest motion picture of all time- enough said.
A disappointment in the world of cinema.
I personally thought the film was not good at all, yes it was standard Kubrick, however I don't see how he became so famous. This film had a truly terrible storyline and the acting was dreadful. This film had no real highlights and when it offered them it made them to over the top and just really stupid. Malcolm was not frightening in any way, nor was this film. The direction of this film should have at least got somebody with talent when he chose the lead for this film. But quite frankly it would have been an insult to anybody to even offer them this part. What a truly disappointing experience of cinematic viewing. A true waste of two hours and seventeen minutes. This film is in the same league as Pulp Fiction, The Black Dahlia and The Last House on the Left, just a waste of time.
One of the greatest films of all time. Malcolm McDowell is THE MAN in this film. He's portrayed in this film as a psychotic degenerate, and yet we all wind up feeling sorry for him midway through the film.Why? Because he gives one of the greatest performances by any actor ever in this film, that's why. We all fall in love with the charismatic, cunning, Beethoven-obsessed sex fiend. A young man we'd all love to bring home to mother.
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