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Buy WALL·E 2008 Online (mkv, avi, flv, mp4) DVDRip
Adventure, Sci-Fi, Romance, Family, Animation
IMDB rating:
Andrew Stanton
Ben Burtt as WALL·E
Jeff Garlin as Captain McCrea
Fred Willard as Shelby Forthright - BnL CEO
MacInTalk as AUTO
Kathy Najimy as Mary
Sigourney Weaver as Ship's Computer
Kim Kopf as Hoverchair Mother
Teddy Newton as Steward Bots (voice)
Lori Alan as Additional Voices (voice)
Bob Bergen as Additional Voices (voice)
Paul Eiding as Additional Voices (voice)
Donald Fullilove as Additional voices (voice) (as Don Fullilove)
Teresa Ganzel as Additional Voices (voice)
John Cygan as Additional Voices (voice)
Storyline: In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
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Absolutely Stunning B-D Visuals & Audio
Boy, the visuals were as stunning as I had read they were; absolutely spectacular. I hate to use this cliché, but this is a "must" for Blu-Ray fans. You have to see - and hear - this film in HD because it is a great treat for your senses. The surround sounds are everywhere while the colors and artwork are something to behold! And, yes - it's still very pretty on a regular DVD, too.

The story is "cute," but nowhere near the visuals and audio. It's okay, subtlety humorous, dramatic and romantic parts. It gets a tiny bit preachy with the usual environmental digs and a comment about how fat we humans can get by lying around too much, but otherwise just plays it for comedy and cool-looking characters. Everyone and everything in this film is pretty amazing-looking.

It's kind of a strange story, with much of it taking place on a big space ship. My favorite parts were in the beginning on Earth with the little robot WALL-E and his cockroach friend.

There is so much to see in this film, it makes multiple viewings all the more attractive but, I'll assume, you're always going to catch some things you didn't see the first few times. Overall, not a super story but yet an amazing film, one that is one you want to show off your Blu-Ray DVD player to friends. This sets yet another new standard in animation.
WALL-E: A Wonderful Achievement
When it comes to animated films, Pixar are masters of the craft. Ever since their feature film debut, the magnificent 'Toy Story', the animation studio have brought us such instant classics as 'Monsters Inc.', 'The Incredibles' and 'Finding Nemo', a film which remains as one of the biggest selling DVDs of all time. Surely it's about time that they delivered us a bad film? Well, sorry to disappoint, but Pixar's 'WALL-E' is among not only their greatest work, but among the greatest animations ever produced.

The film opens with some astonishing shots of a desolate, rubbish-laden, polluted Earth; a boldly dark opening for a family oriented feature. It is amidst these dystopian surroundings, however, that our hero - arguably more adorable than a basket full of puppies and kittens - is first introduced to us. WALL-E is a character of genius; combining elements of Johnny 5, Charlie Chaplin and Mr. Bean, Andrew Stanton (Director) and crew have created something that will no doubt go down in history with R2-D2 as one as the screen's most memorable machines.

It is the 22nd Century, and mankind have left Earth in giant Space Cruisers waiting for the surface of their planet to finally become habitable again. 700 years have past, and WALL-E (Waste Allocation Load Lifter Earth-Class), is the last of a group of robots left to clean up the planet. In a disturbing sequence, our hero ventures home through trash heaps laden with 'dead' WALL-E's... another sign that this is not the usually Pixar fare, but something more meaningful, more bold, more... adult in theme. And this is what the first act of the film is. WALL-E, accompanied by his pet cockroach (who, as a testament to Pixar's genius, we grow to care for just as much as the metal man himself), goes about his daily routine. It is in this mostly silent section of the film that we grow to love WALL-E. As he rumages through human garbage, finding interest in things that seem mundane to us, we discover that after all these years, this little robot has developed something that makes him seem more to us than an animated clunk of cogs and rust... a personality. His incredibly curious nature make for some of the most adorable moments depicted in film (including moments such as WALL-E meets car keys and WALL-E meets... bra). We delve further into this intriguing personality when we invited into the little guy's 'house', a storage space for all his collected junk. Whilst WALL-E watches a VCR of the musical 'Hello, Dolly!", we see from his large, emotional eyes and clasping hands that he is, heartbreakingly, all alone on this immense world.

Then, the following day, as WALL-E goes about his trash-cube-making business, something extraordinary, both to us and WALL-E, occurs. A space ship touches down on the surface, holding within it EVE, a futuristic, Ipod-resembling droid here to scout the earth for plant-life... and WALL-E's one true love (aww).

This love story eventually leaps from Earth into space and onto The Axiom, an immense Space Ship on which a large number of the American population - depicted as lazy, obese, consumerist slobs - go about the same mundane routine day in, day out. Message heavy, but never preachy. In the end, through WALL-E, everyone learns the true meanings of life: Love and the relationships with those around us. Oh, and to take care of the planet, of course.

Beautiful visuals, astonishing characterisation and a sequence with WALL-E and EVE floating through space that is more romantic than anything your likely to see this year, make 'WALL-E' an outstanding achievement that proudly stands among Pixar's finest work. WALL-E is a completely realised character, and one which I am sure we have not seen the last of. Although, some would argue, not as accessible as other films in the genre (some children may grow resteless during the film's earlier, dialogue-free sequences), 'WALL-E' will leave a lasting impression on cinema goers of all ages.

And that is the genius of Pixar. The only studio ever to create films that are, truly, 'for all the family'.

-Dan Henry, 20th July 2008
Destined to be a classic
The odd title is actually an acronym: Waste Allocation Lift Loader, Earth-Class. This little robot unit is the last of a series originally intended to clean up a massively polluted Earth while humankind left the planet for a temporary five years which, after the failure of the project, has resulted in an absence of 700 years. The pacing and atmosphere of the movie would be remarkable for any work, let alone one of animation, with a long opening scene with little action and no dialogue. Even when another robot EVE arrives from outer space and a technical romance ensues, the dialogue is minimalist but the action accelerates at a exciting and satisfying pace.

Pixar have here given us outstanding work and Andrew Stanton, who conceived the story and directed the film, deserves special praise. The film is entertaining with action, humour and great visuals, but its is also subtly instructive with clear messages about the damage to the planet and to our bodies from our adoration of consumerism, making it appealing to children and adults alike. Many science fiction classics - from "2001" to "Silent Running" - are referenced, but the treatment is so original that "WALL·E" itself is destined to be a classic.
Wall*E Caring for the Disabled; Valuing those with imperfections!
Yes, there's the politically correct "too much garbage and too much commercialism" stuff...

But what SHINES OUT is - Wall*E caring for the (apparently) comatose Eve...Reminds me of seeing an elderly man lovingly wheel his disabled wife around...of parents adopting an abused wheelchair bound child in Foster Care...of my uncle caring for my once-comatose aunt...

And nice to see that the "defective" robots (in a scene which seems to be a "mental ward") are needed to defeat the bad guys---Even their frantic or bizarre behaviors confound the well programmed robot warriors...

That's the POLITICALLY UNFASHIONABLE but HUMAN AFFIRMING message that will make Wall*E at least a good movie 30 years from now...
So What is Wall-E All About?
Many are complaining about the hypocritical message that Disney/Pixar is offering by making a movie about the evils of commercialism and capitalism and then marketing it and its products. On that point they've missed the mark because it's not about the evils of commercialism and capitalism, it's about gluttony and what can happen when you stop paying attention. I think the movie itself is a representation of this, don't get distracted by Wall-E's charm, Eve's streamlined features, and the ever mesmerizing animation. Instead pause and remember the film is trying to offer you something besides entertainment. If you just sit there and let the film wash over you, you've only had a pleasurable experience (not unlike a smooth hover chair ride). But if you engage with Wall-E, Eve, the captain and their struggles you can take away more from the theatre, you'll need to get out of your hover chair to do it though and actually take a good look at the stars outside.

Secondly environmentalism, capitalism, commercialism, monopolies, and so forth were not the only topics addressed in this film. I felt undercurrents of both self-discovery and appreciation for others uniqueness. Wall-E apparently already wasn't quite like other robots. He's curious, inventive, and protective. However Wall-E doesn't learn what he's really made of until he takes his journey into space to "save" Eve. There he proves that he's not only loyal and creative but also courageous, tenacious, and friendly. This rounds out his character as a hero and one that changes over the course of the story even though he was designed with a single purpose.

Eve is purposeful, career-oriented, and a little bit dangerous. She does her job well and defines herself by her directives. Through her journey she expands her programming by learning what friends can and will do for one another. She learns other things are sometimes more important than carry out your duties. No more clearly does she learn this lesson then at the end of the film when the Wall-Eness of Wall-E seems to have disappeared. I feel this is also the point in the film that drives home the message of self-discovery and individuality. Without that certain spark, Wall-E is just like all the other Wall-Es around him.

Finally there is the captain. No one knows how he got his position on the ship but however it happened his position merely has the illusion of power. From the trailers I thought the captain was going to be the villain of the story, but he is a good guy and he too goes on a journey of growth and exploration. It seems he is just like the other humans, but instead he proves himself to be capable of bettering himself through self-starting education and changing the way he functions on a daily basis. Though he remains somewhat a bumbling character throughout the film he does the right thing and passes his newfound knowledge and hope onto the other humans.

On that note stick around until the credits start scrolling on black. The story doesn't end when the computer animation does. This story was told mostly without words so when the other sound effects leave the screen don't assume the message ends. At that point the purest form of film is left: story through images. I think the negative reviewers forgot that too.
Pixar's still producing the best movies out there
We went to the San Francisco Film Institute's first public screening at their campus in Emeryville. Everyone's sworn to secrecy, but for a film with little dialog, it carries more of an emotional punch and has a richer story than any live-action movie this year. The tone and style of the film is completely different for Pixar, and Disney haven't tried to override the darker thematic elements at all, making the story surprisingly three-dimensional.

This will end up being the animated film of the year and I had the same 'wow' feeling as after seeing Ratatouille. Considering that animated films have always played second-fiddle to live-action, and have been aimed at kids, it's ironic that once again Pixar produces a film that rivals any live action on every level. Bravo!
An Adventure Beyond the Ordinar-E
Toy Story, Finding Nemo, Ratatouille. It would be a bit of an understatement to say that Pixar has had its fair share of successes both critically and commercially. So its comes as no surprise then that their latest WALL•E manages to not only outdo all of Pixar's previous attempts but it also manages top spot on 2008 score board. So effortlessly brilliant that it manages to captivate its audience even when no words are being spoken. Both WALL•E and EVE will, undoubtedly go down in history as two of the most charming and influential characters of all time.

Sure there is a dip in quality when both robots leave earth to board the mother ship but even with this dip it still manages to soar avoid all previous attempts at creating what I perceive as the perfect animated film only really out shone by Princess Mononoke 11 years before. For this generation at least WALL•E manages to be the greatest animated film, filled with warmth and wonder and so brilliantly original. Miss this and your missing 08's very best.

Disney and Pixar join forces for this computer-animated tale about a wide-eyed robot who travels to the deepest reaches of outer space in search of a newfound friend. The year is 2700, and planet Earth has long been uninhabitable.

For hundreds of years, WALL-E (Waste Allocation Load Lifter Earth-Class) has been taking out the trash, and collecting precious knick-knacks in order to stave off the boredom of his dreary routine. Little does WALL-E realize that he has recently stumbled onto a secret that could save planet Earth, and once again make the ravaged planet safe for all humankind.

When highly advanced search robot EVE makes friends with WALL-E and realizes the value of his remarkable discovery, she excitedly races back to let the humans know that there's hope for their home planet after all. But after centuries alone in space, WALL-E can't stand the thought of losing the only friend he's ever known, and eagerly follows her into the deepest reaches of space on the adventure of a lifetime. Along the way, the friendly trash-collecting robot who has always known what he was made for gradually begins to understand what he was meant for. Finding Nemo director Andrew Stanton returns to the helm for this family-friendly sci-fi adventure featuring the voices of Fred Willard, Jeff Garlin, and Ben Burtt.

The main credit deserves to go to mastermind director Andrew Stanton who so confidently glides these characters round their fully believable world. What with this being his third feature film there's no doubt he knows his movies. The cramped sub-section is quite easily forgiven thanks to WALL•E powerful presence. Trust me this is a stunning film.

VERDICT: Pixar are no strangers to success. With each film being stunningly entertaining. WALL•E is no exception. The film is soaked in character with both WALL•E and EVE being flawlessly charming. 2008 best film by far bold, beautiful achievement.
WALL-E, the most innovative animated film in years...
Animation is a key element in the lives of children but somewhere around adolescence, a young person feels they're "too mature" or "too cool" to be watching "cartoons." Then a change occurs in adulthood, which the same young person misses something from their childhood and a film they watched while playing with Lego's brings them back to that. As of late, animated films have tried to be something their not, perhaps lost their spark. In the new millennium, I haven't really experienced the Bambi, The Lion King, or The Fox and the Hound of our time. Finding Nemo and The Incredibles raised the bar but still hadn't been the perfect dose of entertainment, writing, and emotion. WALL-E, has achieved where its predecessors failed.

WALL-E is the most touching, real, emotionally moving film this year so far. The film is about a little robot named WALL-E, (Waste Allocation Load Lifter Earth-Class) who has become exceptionally lonely on the desolate planet of Earth, that has become a wasteland of filth, debris, and pollution. Life has ceased to exist on the once populated planet until a rocket lands and drops off a "surprise," to say the least. Enters our heroin, which might be an understatement, EVE, a robot with an edge, that is searching for "something" that might be the key to life's existence. But alas, WALL-E falls in love with her charm, wit, and blaster gun and when circumstances force her to be picked up, WALL-E will travel across the galaxy to find his love.

WALL-E makes a statement loud and clear about today's political factors, from pollution to exercise, love, life, it speaks of it all in volumes without any words; it uses images to baffle the viewer as we are thrust through the film. Writer and Director Andrew Stanton creates wonderful details as we are engulfed into WALL-E's world and within seconds of the film starting, fall in completely in love with the robot.

The film doesn't pretend to be something it's not and Stanton isn't afraid to let the film be both for the mature and the innocence of our youth. With limited dialogue, Stanton takes a chance of losing his viewers but rest assured, there is never a dull moment and while the film does lose a little flavor from the start, resonance of childhood and contentment fill the viewer in images of awe and splendor.

As the already declared by many, Animated Film frontrunner of the Academy Awards, the film studio Pixar may have a winner on its hands to make a strong push for Best Picture. Not since Beauty and the Beast has an animated film been nominated for Best Picture and we've had some potential candidates over the years. But with the induction of the Best Animated Feature category, voters feel there's no need to validate the films twice so to speak. WALL-E is technically beautiful which makes it a contender in the Sound and Editing categories, and Stanton is more than just the writer of the film as he directs the film with power and precise. I'd go so far as to say this is the best directed animated film I've ever seen. That is where Stanton's magic is, his direction, but writing is definitely a strong suit for the film as well. We'll have to wait for the upcoming awards season to see how it plays out.

But go and catch WALL-E on the big screen, and enjoy the masterpiece for what it is and the wonderful short film at the beginning of the film which is a treat for all.

Good but not great, despite some wonderful pieces
This is the story of Wall-E a robot who is alone working on earth cleaning up the polluted planet. One day he finds a plant and takes it home. When one day a space ship lands Wall-E meets EVE who has been left on the planet for some reason. The reason is to find signs that plants are returning, so when Wall-E shows EVE the planet she sends a signal for pick up and is whisked back to a space ship where all of mankind has been living-with Wall-E in pursuit.

This is a mostly wordless feature film not only about robots who fall in love but also what it means to be human and what it means to be alive. Its also a satire, of sorts, about the fat lazy people that we in the West have become.

Technically this is one of the most beautifully animated films that Pixar has done. Its wonderful to look at. The places and spaces and the characters are all beautifully rendered. The film creates more than good number of real characters, both robots and people and its the characters that make the film worth seeing.

The problem is that the story is a bit of a mess. On the one hand you have the central story of the romance of Wall-E and EVE, but you also have this glaring social commentary looming over everything. From the polluted Earth of the first half to the fat people in space during the second. Which is more important? To me its the romance and its there that the film shines. Frankly I got teary during any number of sequences dealing with the romance. Unfortunately the "get the plant so we can go home story" kind of goes nowhere smoothly as situation keeps being inserted again and again to keep it going. On top of that we have the not so hidden messages about how lazy we all are and how happiness is "not following the path". The story goes from well told story about Wall-e and Eve to the Captain (who is wonderful and under utilized-I wanted more of him) to the two human "lovers" John and Mary who begin to see life out side of their hoover-chairs.

There is this really good robot romance stuck in here thats gotten lost somewhere along the way. I was sobbing during the four minute trailer that was floating around a few months ago that focused beautifully on the romance. I went from not being sure if it would work to being sure they hit it out of the park. There's this wonderful simple story locked in there with all this not as wonderful stuff around it. (A word of warning- the trailers give a good number of gags away) Yes I've complain about every Pixar Movie. (Toy Story 2 isn't as good as the first one, Bugs Life is too slow, Monsters Inc was not quite Toys Story, Nemo didn't completely thrill me, Incredibles is too long, Cars is too simple and their eyes wig me out, Ratatouille, while very good, isn't the the great second coming many claimed) Say What you will I own all but A Bugs Life. Other than Cars I think all have improved with time (thanks to the critical claim that this Pixar is the next big thing no loner being considered) And while I do think Ratatouille has too much story and needs to be trimmed down, I don't think that any of them have as many problems story wise as this (certainly none has as many character needing exploration and fleshing out).

What is this film about-really I don't know. I adore the romance and wish I had someone to take to see it since its so charming, but at the same time...I don't know it all doesn't come together for me.

Perhaps I could see some of the story line too clearly. I could tell what the next shot was or the next motion would be. Perhaps I saw too many jokes in the trailers and commercials. Maybe it was the god awful Hello Dolly clip playing over and over and over. Maybe it was the one movie too many that played Le Vie En Rose. I don't know. there is something about the film that doesn't allow it to hang together for me. I admire its construction but I don't love the result.

I still like it. I'd give it between 6.5 to 7 out of 10, but at the same time the parts are better then the whole.

Go see it and make up your own mind-if nothing else there are some really neat things in it.
Brilliant and Powerful
My son wanted to see this, and so I looked it up on just to see what it was about. There was a lot of debate about it on the forum. A lot of people hated it and said they walked out; some were offended. This made me actually want to go see it. My favorite movies are written and directed by David Lynch, and so many people hate those movies. Sometimes I think that people just need their sh*t handed to them on a silver platter - they don't like to actually have to THINK about the plot. ...Not that Wall-E is hard to follow, but it takes a certain caliber of intelligence to appreciate a film that doesn't have any dialogue for the first 40 minutes. In my opinion, to pull off getting your audience to connect to a character so intensely without him saying a word of dialogue is just pure brilliance. This doesn't sound like a kid movie at all, does it? In fact, I do not think that young children could understand the true meaning of the movie.

It's 700 years from now and we have Wall-E, a little trash compactor robot, whose only job is to clean the mess that the earth has become after humans have turned it into a giant landfill and abandoned it for another planet. There is no life on earth, no grass, nothing - just garbage. He spends his days doing this along with one cockroach who has also survived this "apocalypse." Occasionally Wall-E finds a piece of garbage he wants to keep, and he has his own little area which he made for himself where he keeps his collections. One day he finds a small plant growing in from the dirt and is amazed by it as he has never seen vegetation or life of any kind. He scoops it up and puts it in an old boot with some dirt and adds it to his collection. Wall-E realizes he is lonely when he finds a video tape and watches the humans dancing happily, holding hands and laughing. He sees that his "hand" (claw) is very similar to a human's hand, and wonders why he has to be alone.

After a spaceship landing to deliver another robot sent to clean up the mess (EVE), Wall-E and EVE become friends and Wall-E shows her all of his collections, but when he shows her the plant, her "body" opens up, captures the plant, and then she shuts down completely. The spaceship returns to get her but Wall-E, determined not to lose his friend, holds onto the spaceship and flies into outer space.

The destination is the other planet "Axiom" that the humans now live on. Everywhere you look is bright flashing lights and signs for food and shopping. The humans are all grotesquely overweight and travel around in hovering chairs. They are brainwashed and memorized by flashing screens in front of their faces - which from what I gathered seemed to be a combination TV/phone/ordering service. Consumerism is out of control as everyone is eating and shopping and glued to their TV screens. Up until now, there was no dialogue in the movie. The humans never get up from their chairs, and they never have to, because of the technology. There are robots everywhere doing all the work so humans are free to do whatever they want; however, all they want is to shop, eat, and watch TV. They are also obviously a lot less intelligent. At one point even, the captain of the ship needs to look at some sort of manual, and doesn't know how to read or even open the book - nor has he ever even heard of a book.

Once they find out there is life on earth again, they are disappointed because they'll have to go back to rebuild it and give up their lifestyles.

Throughout all of this the sub-plot is about the connection that Wall-E and EVE have, which is definitely more picked up by the kids. They get separated, and back together, one is in trouble and the other one helps ...etc. Sounds kind of cheesy when I describe, but was also extremely powerful in the ways in which it was conveyed. I won't write anymore, in the event that someone is still reading this and actually wants to see it. But seriously - go see it. ;-)
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