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Buy WALL·E 2008 Movie Online 1080p, 720p, BRrip and MOV
Adventure, Sci-Fi, Romance, Family, Animation
IMDB rating:
Andrew Stanton
Ben Burtt as WALL·E
Jeff Garlin as Captain McCrea
Fred Willard as Shelby Forthright - BnL CEO
MacInTalk as AUTO
Kathy Najimy as Mary
Sigourney Weaver as Ship's Computer
Kim Kopf as Hoverchair Mother
Teddy Newton as Steward Bots (voice)
Lori Alan as Additional Voices (voice)
Bob Bergen as Additional Voices (voice)
Paul Eiding as Additional Voices (voice)
Donald Fullilove as Additional voices (voice) (as Don Fullilove)
Teresa Ganzel as Additional Voices (voice)
John Cygan as Additional Voices (voice)
Storyline: In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
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A Piece of Art That Proves Pixar Has Found Its Way Again
There will be some Minor Spoilers ahead.

Don't get me wrong. I have a personal oath to NEVER give a 10 to a movie, so bear with me.

After a few meh... movies, Pixar seems to have found its own way with Ratatouille and now Wall-E. Especially Wall-E. It has put in its company head that it can't actually beat Dreamworks Animations in pure humor, so it has now embarked in a new direction and went back to try and make animation an art. And we should all be thankful for it.

Hell, if you had any doubts Wall-E was supposed to be a work of art, the Epilogue shown in the start of the credits at the end should clear any doubts, as it is shown through all art styles through history, from pre-history art to modern art. Finally, after that, when the credits are actually rolling up, there's a tribute to gaming as robot characters are shown pixelated like old time games doing small chores.

About the movie, I was intrigued from the start when I heard it would be about a little robot that was left on earth to clean it as mankind took off to space. That's a very original premise that caught my mind so I waited on it.

As it turns out, mankind had left Earth and, in it, an army of Wall-Es to clean it, or Waste Allocation Load Lifter - Earth-class. About 700 years later, only one Wall-E unit is left surviving from savaging parts from unresponsive Wall-Es scrap. He carries on with his duty of cleaning the planet, but the centuries of interaction with the ghost of mankind and apparently co-existing with roaches made him develop some form of personality as it collects everything it finds interesting.

The movie takes on from that because that's when another robot, Eve, gets to earth with unknown purpose. The movie is very adamant about how its possible for an AI to develop personality given time and exposition to the right kind of stuff, like another "rogue AI". At some point of the movie other robots with personality are shown, but they're taken as broken and are in a repair bay. Eve exposition to Wall-E gives her, too, some hint of personality that she eventually develops. Wall-E falls in love with Eve thanks to a mixture of various factors, one important being old video footage Wall-E used to watch, where there are men dancing with hats and a final scene where a man is singing with a woman and they hold hands. After Eve showing up Wall-E tries to mimic the holding hands scene various times unsuccessful, mostly because of Eve's aggressivity and curiosity that made her unaware of Wall-e's intention. She is quite trigger-happy with her plasma cannon mounted in her arm, and almost annihilate Wall-E a few times during their first encounters.

There's also eventually a human component. Humans are shown as fat bloats costumed to have robots doing everything to them and only knowing the universe around them from a visual hologram that's mounted in front of their heads, from which they talk to each other and see stuff. Wall-E bumps into a few of those and turns off the hologram, making them "awake" once again to the world around then. So Wall-E isn't only giving personality to other robots, but to humans as well. Even so, save from one human in particular, you usually wish you were watching the robots rather than them whenever they show up. Not that they're poorly characterized, but the robots are so appealing you don't want to waste a second watching anything but.

There's also a small cleaning robot Wall-E gives personality by the fact he was completely dirty and the robot obsessed in cleaning him. So he dared to move away from his pre-determined path so he can clear up Wall-E's track. Also, it is interesting that the movie has no actual villains... well, maybe save from the humans of the past who turned the planet into a giant trash can (and that's us). The humans just forgot about earth and the AIs getting in the way are only following their prime directives from 700 years ago. Finally, Eve is unbelievably cute when she's mad.

Damn, this movie even made me shed some tears in a particular scene, and that's a hell of an accomplishment I assure you reader. That's from a man that only raised an eyebrow at Aeris Death in FF VII and who movies get at most a slight chuckle at their most dramatic deaths.
Great science fiction, great storyline, just great overall
The movie Wall-E is a touching work of science fiction that manages to bridge the gap between child and adult. Wall-E is left abandoned on a decrepit planet Earth, with the directive of compacting and organizing the leftover trash. Having been alone for a great amount of time, his entire reality and purpose going to change.

Bringing into perspective moral conflicts of consumerism and big business, the film displays an ominous conclusion for the Earth we live in today. All this stands in stark contrast to the robot himself, who demonstrates a loving personality and emotions such as curiosity, empathy, and loneliness. It is hard not to be drawn in to Wall-E's charm.

Viewers will undoubtedly be taken by the stunning graphics, amazingly detailed scenery, and creative characters. But for those looking for more, you will find a thought-provoking story that brings into question our behavior and responsibility on this planet. Definitely recommended for young and old alike...
Let's hope that after Pixar's season of reboots we will have some original films like this one.
There wasn't much to complain about this film. The storyline and way of storytelling was great, and the visuals weren't bad but the use of actual actors did take away from the immersion of the film. With all that being said, I decided to give WALL-E a "Very Good" on theVade Review Bar or a 9 out of 10. This was honestly a great Pixar film, and like I said above, I think that this is one of the better Pixar movies I've seen in a long time. Let's hope that after Pixar's season of reboots we will have some original films like this one.

Read more at theVade.
A Wasted Opportunity
After half an hour of almost meditative atmospheric silent comedy build-up, complete with perfect use of sound effects, the plot kicks in and we're left with one of PIXARs least captivating story lines this side of "Cars".

The computer-generated images are crystal-clear and marvelous to behold, but, compared to, say, "Ratatouille" somewhat distancing, while the sledgehammer delivery of the eco-friendly message with all the obese robot-controlled ex-earthlings tends to overstay its welcome. Especially the second half with all the chasing and hiding suffers from lazy script-writing.

Still, as with all PIXAR works, an enjoyable movie.

6 out of 10 "Hello, Dolly!" songs
Glorious animation with heart outclasses everything this year.
From Curious George to E.T. and right on down to the present day, cinema-goers have always had a strong affinity towards, for lack of a better term, "curious little critters", small animals, aliens or other beings who are simultaneously inquisitive and clueless about the ways of Earth, and are preferably also quite clumsy, and Wall-E, as a character and as a movie, delivers in spades. Taking a pratfall as effortlessly as Keaton, and doing a terrified double take better than the most racist of cinema servitude, the sentient being, whose job it is to pick up and compact trash on a desolate future Earth, is equally fascinated by the inner workings of lightbulbs, Twinkies, garbage can lids and iPods, but can't seem to cover his head, as countless manner of things continually seem to be crashing down upon it. This mundane existence is shattered by a mysterious craft that deploys a scanning probe, another sentient being, this time with an infectious giggle and an itchy trigger finger, named Eve.

Pixar has an uncanny knack for turning familiarity into universiality. Case in point: the love story presented in "WALL-E" is a story that doesn't take a single turn that hasn't been preordained by 80 years of cinema history, but Pixar still manages to turn it on its ear: The love story here is between robots, and our protagonists, despite only having model numbers and call signs for names, and literally knowing four words between them (two, discounting their own names), are more human than any couple seen on the silver screen in some time, and when life and responsibility intervene, there's a sense of heartbreak and loss seldom possible with flesh and blood.

The second act takes us as far in the other direction as possible, as Eve is picked back up by her ship, and Wall-E hitches a ride on the side, desperate for his only love. The scenes of travel here function as both a sort of montage, a transition between acts, but also serve to provide the audience with what may be the most awe-inspiring presentation of space seen since "2001", which also gets an immediately recognizable character nod that could work as a gap to that film when they're older. What he finds when the ship arrives is a completely autonomous society, co-existing between morbidly obese humans on floating chairs, no longer required to do anything of effort, even communicating on viewscreens directly across from each other, coexisting with all manner of robotic denizens, who have far more of the human experience than their living counterparts, including frustrated custodians, tough-as-nails security officers and even a mental health ward.

I won't take the time to explain the particulars of the humans' situation, or any more of the plot, because part of the fun is exploring for yourself. Pixar has never been one to skimp on the details, and every inch of the screen is filled with glorious colors, wondrous intricacies and charming touches that just add to the amazing glory unfolding before you. The fact that you know what's going to happen is less of a detriment and more of a comfort, much like watching a old video of your favorite sports' team's greatest triumph: You may know all the ups and down, but on screen, it's always happening for the first time, and damnit, it feels that way too, a testament to the skill, expertise and above all HEART, something Pixar has always seemed to possess just a little bit more of than everybody else, like they discovered some hidden secret on how to entertain everybody, to transcend labels like "children's movie", "animated movie" or even "family movie", to where all you have to say is "Pixar", and the inference is there: You're going to love it, and Pixar has stepped up to say, "Don't give up on 2008 just yet." As for "WALL-E", the message is clear: All you need is love (All together now!). All you need is love (Everybody!). All you need is love, love...

Love is all you need.

{Grade: 9.5/10 (A) / #1 (of 53) of 2008 / #187 of all time}
WALL-E, the most innovative animated film in years...
Animation is a key element in the lives of children but somewhere around adolescence, a young person feels they're "too mature" or "too cool" to be watching "cartoons." Then a change occurs in adulthood, which the same young person misses something from their childhood and a film they watched while playing with Lego's brings them back to that. As of late, animated films have tried to be something their not, perhaps lost their spark. In the new millennium, I haven't really experienced the Bambi, The Lion King, or The Fox and the Hound of our time. Finding Nemo and The Incredibles raised the bar but still hadn't been the perfect dose of entertainment, writing, and emotion. WALL-E, has achieved where its predecessors failed.

WALL-E is the most touching, real, emotionally moving film this year so far. The film is about a little robot named WALL-E, (Waste Allocation Load Lifter Earth-Class) who has become exceptionally lonely on the desolate planet of Earth, that has become a wasteland of filth, debris, and pollution. Life has ceased to exist on the once populated planet until a rocket lands and drops off a "surprise," to say the least. Enters our heroin, which might be an understatement, EVE, a robot with an edge, that is searching for "something" that might be the key to life's existence. But alas, WALL-E falls in love with her charm, wit, and blaster gun and when circumstances force her to be picked up, WALL-E will travel across the galaxy to find his love.

WALL-E makes a statement loud and clear about today's political factors, from pollution to exercise, love, life, it speaks of it all in volumes without any words; it uses images to baffle the viewer as we are thrust through the film. Writer and Director Andrew Stanton creates wonderful details as we are engulfed into WALL-E's world and within seconds of the film starting, fall in completely in love with the robot.

The film doesn't pretend to be something it's not and Stanton isn't afraid to let the film be both for the mature and the innocence of our youth. With limited dialogue, Stanton takes a chance of losing his viewers but rest assured, there is never a dull moment and while the film does lose a little flavor from the start, resonance of childhood and contentment fill the viewer in images of awe and splendor.

As the already declared by many, Animated Film frontrunner of the Academy Awards, the film studio Pixar may have a winner on its hands to make a strong push for Best Picture. Not since Beauty and the Beast has an animated film been nominated for Best Picture and we've had some potential candidates over the years. But with the induction of the Best Animated Feature category, voters feel there's no need to validate the films twice so to speak. WALL-E is technically beautiful which makes it a contender in the Sound and Editing categories, and Stanton is more than just the writer of the film as he directs the film with power and precise. I'd go so far as to say this is the best directed animated film I've ever seen. That is where Stanton's magic is, his direction, but writing is definitely a strong suit for the film as well. We'll have to wait for the upcoming awards season to see how it plays out.

But go and catch WALL-E on the big screen, and enjoy the masterpiece for what it is and the wonderful short film at the beginning of the film which is a treat for all.

Damn good.
For something with little in the way of dialog, this movie is good for just about anyone, honestly. Humorous, touching, and enough metaphorical meat to keep artsy folks satisfied, I found it quite enjoyable.

I have no kids, but was suckered into seeing it with my wife. I wasn't disappointed, and a little ashamed I didn't see it in the theater.

Pixar, in my mind, sets standards for animated films now a days, and lives up the awesome legacy set out by Disney's original animation studio (Yes, I know they are a separate company). Much like Bioware in the realm of computer games, Pixar has never made a bad movie. That means it's one of the few brands you can trust.
It had to happen... an average Pixar movie.
Childish, overstated, looks impressive.

6 out of 10 is still worth seeing. It's pretty good entertainment, but not brilliant or outstanding.

Recurring themes are repeatedly forced, like how we're told that Wall-e has a crush on the other robot. OK, we get it. But just in case we missed it, here's another scene showing just how much Wall-e likes the robot. It gets tedious.

Even the bigger eco-humanity message is clumsy, a saturating swipe across the story. No subtle interwoven story details here, this is bowling ball sized plot elements coming straight for us.

In Wall-e, the plot holes are quite big. Enough said about plot holes.

The bottom line is it looks polished. Cinematography is impressive. But there's too much of one robot calling out the name of the other robot, and in the end it struggles to stand next to the other Pixars on the same level.
Is this REALLY the best Disney/Pixar film?
Let me start off by saying I have grown up with Disney/Pixar movies. The day a brand new D/P movie came out was like Christmas morning for me. And I was never let down. Ever. Toy Story 1 +2, Monsters Inc, Finding Nemo, The Incredibles, Cars, and Ratatouille all have amazing aspects to them that make them classics and some of the best family movies ever made. It is hard to pick a best one of these - they are all great in their own ways.

That being said, I just finished watching Wall-E, the latest D/P "masterpiece." When I first saw the trailer, I was skeptical. It looked pretty stupid to me and I did not end up seeing it in theaters. After reading the rave reviews for it all over the place and the 8.5 rating on IMDb, I thought I would give it a shot.

The first 30 minutes or so I was very confused. Some of the few other negative critics have used the word "uncomfortable." But, honestly, I thought it was stupid. There. I said it. Not even because it was not physically correct or whatever...or showed Liberal propaganda to children... but because it was just STRANGE. When EVE came it picked up a little bit. But one thing I have to say was that Wall-E annoyed me a little bit. OK - the first couple times he said "EEEEEVE-uh" and EVE said "wwwwwuuualll-EEE" it was kind of "cute." But after the 3 or 4 hundredth time, it started grinding on my nerves. I was not "swept off my feet" by the "adorable" romance of Wall-E and Eve. Again - a bit strange. I was really disappointed because I REALLY wanted to join the hordes of people who endeared this film, but I just couldn't. First 30 minutes - 3/10 As for the positives, OF COURSE the cinematics, visual effects, animation, art, and technical aspects were stunning. (I will say Wall-E was the best D/P movie in those terms.)A positive turning point came when we met the humans. I particularly liked the Captain for his bumbling, yet heroic aura. It was funny how they satired and exaggerated the American culture and what may become of it. It had a nice ending and an overall good story. I will not go into anymore of the positives, since the have been covered by the 70,000+ who gave this film a 9 or 10. For the rest of the movie I give a 7/10.

But please, Wall-E doesn't come CLOSE to other D/P masterpieces such as Finding Nemo, The Incredibles, Toy Story, Monsters, Ratatouille, and Cars. And best of animation of the year - Kung Fu Panda and Horton Hears a Who were both better. (OK - Wall-E WAS better than A Bug's Life - and Space Chimps).

Again, I enjoyed this film and was thoroughly entertained by it. Also, I agree, it does reach a plateau in computer animation with its visuals. The story was nice. But a lot of it was just bizarre and definitely NOT D/P's best. Again I write these negatives with a heavy heart and I hope maybe if I let it "digest" I will be able to comprehend what others have heralded as "an incredible cinematic achievement." Overall for Wall-E - 6(sigh)/10
The only problem is suspension of disbelief
Once again, Pixar has created a masterpiece in terms of animation, character development, fine details, and humor. As always, the plot is hardly original, but feels like it is. The musical score isn't as good as in Cars, but what would be? Sufficient to say that I was mesmerized by this movie and couldn't help but watching it over and over again. So why 6 and not 10, like any other Pixar movie to date (except Finding Nemo, which is simply too sad for a review)? Here's my problem: A plot can suggest anything, no matter how weird, but whatever happens, it must be internally consistent. There is nothing unbelievable about toys that come to life, or a world of cars or monsters or sentient bugs - those are legitimate concepts in the context of their respective movies. But here we have a world much like our own, which was destroyed by garbage, of all things. Why is it not self-consistent? Because we are presented with a civilization, which, despite its flaws (commercially oriented, monopoly-ruled), have achieved unimaginable technological wonders in terms of efficiency and reliability. Forget the hyper-drive, hover-cars, and blasters - those are sci-fi banalities. But here we have a ship, built for a five-year mission, but lasted centuries without any major malfunction. We have a robot the size of a child that flies with supersonic speeds, hovers constantly (even in a dormant state), and has a firepower of a large 20th century battleship. And she doesn't even need to recharge! Obviously she has an incredibly efficient but very small power source. And I mean very small, because we know she's almost entirely hollow inside! WALL-E himself is even more amazing - he's capable of fast motion and heavy lifting, not to mention a laser-like cutter, and his processor is powerful enough to sustain intelligence. But to power all that he has only a square foot worth of solar panel. Even if the panel is 100% efficient, its maximum output can't be greater than a 100 watts. But it only takes a few seconds to charge the batteries for many hours, if not days. That implies power requirements that a single AA battery can easily provide! And remember that those batteries are 700 years old! But the most amazing item is the fact that there is a lot of garbage on the ship, and it's constantly being ejected into space along with the air in the ejection chamber. At this rate, over the course of 700 years, the amount of ejected garbage would be many times the total mass of the ship, and the air would be completely gone long before that. Obviously, there is some sort of a matter-energy converter on board that keeps producing new raw materials, new air, and so on, and this production is easier and cheaper than garbage recycling, otherwise why dump it? The bottom line is that a civilization having such a technology shouldn't even produce any garbage, but even if it does, then with the resources which allow to send the entire Earth's population (and a very large one, considering the amounts of garbage we see) to luxury space cruises, it will not, can not meet its downfall because of garbage. In fact it could easily reconstruct the entire Earth's ecology from scratch. It would even make more sense to stuff the BNL fleet with this garbage and dump it all into the Sun. It would be enormously cheaper and safer to construct underground or domed cities, if the population was indeed interfering with the cleanup (and why would it?). An army of EVEs could melt all the garbage in a matter of days. And so on. But the best they could come up with was a bunch of tiny garbage picking robots? Give me a break! No, the very basis of the plot is too weak to make sense. Worse yet, unlike the characters, the plot is severely undeveloped. Where are all the other ships? What about the government? It's like the humanity was intentionally "simplified" to make life easy for the writers. But the second half of the movie is based on the most simplistic concept ever - put object A into object B (the plant into a detector in this case), and all the problems will be magically and instantly solved, with no additional effort. Such primitivism can work only once - and so it did in "Lord of the Rings", but enough is enough. Finally, the movie is plagued with silly and totally unnecessary astrophysical mistakes (too many to mention here). Carl Sagan was right when he suggested that every sci-fi film should have at least a graduate physics student as a consultant. The Galaxy is only a billion miles wide? People fall down in space? Microgravity!? Come on! Given all that, a 6 is more than this movie deserves. But it does deserve at least that - it's a wonderful, magical, emotional movie with an appropriate happy ending. It's just that it's based on a very poor script.
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