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Drama, Thriller, Adventure, Mystery
IMDB rating:
Alex Smith, Andrew J. Smith
Bill Pullman as Clyde
Ken White as Richard
Josh Wiggins as David
Alex Neustaedter as Young Cal
Storyline: Based on the masterpiece, American short story, Walking Out, David (Josh Wiggins), an urban teenager's journey to rural Montana to go hunt big game with his estranged, 'off the grid' father, Cal (Matt Bomer). As they ascend deep into the wilderness, father and son struggle to connect on any level. A brutal encountering leaves them both with serious injuries in order to survive. survive.
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Snow is not our friend
Greetings again from the darkness. Man vs Nature movies tend to remind us of both our tenacity when things go badly, and our lack of control or overall insignificance in the big picture of life. This tends to be true in the mountains, on the water, under the ocean, in caves and in space. Twin brothers Alex Smith and Andrew J Smith have adapted and co-directed this film from a short story by David Quammen. The filmmakers were raised in Montana, and have an inherent feel for the stunning and often treacherous landscape.

Matt Bomer, in a sharp left-turn from his usual pretty-boy roles, plays Cal, a live-off-the-land mountain man with seemingly few needs outside of food, water and a desire to connect with his teenage son through a hunting trip. Josh Wiggins (who exploded on the scene in 2014's HELLION) plays David, a suburban Texas boy who is out of his element without his cell phone. The opening panoramic view of snow- covered mountains is contrasted with David's engrossed concentration on his hand-held video game as the plane approaches the landing zone. "How was your year?" is David's greeting from Cal, instantly elucidating their relationship.

Cal excitedly reports to David that he has been tracking a bull moose for 11 weeks, and wants this to be David's first big game kill. We are constantly reminded that this isn't trophy hunting, and that this single moose will provide Cal enough meat for a year. David has no real interest in killing a moose, but longs to connect with his father … and "longs" is interpreted through the teenager's shrugs, glances and body language. Wiggins plays David with the subtle authenticity of the teenagers most of us have known, raised, and at one time, been.

As Cal explains the history of the mountains, he also works in stories of his youth when his father (David's grandfather) was teaching him the ethics of nature. Numerous flashbacks feature Bill Pullman and Alex Newstaedter (as young Cal). The flashbacks are a bit artsy, and sometimes intrusive, but in the end, form a parallel story structure that works.

A couple of poor decisions lead to an accident that could be straight out of the Dick Cheney's field guide to hunting. Cal and David are both injured – Cal severely so. It's at this point where David must grow up quickly. The skills he has learned, or at least absorbed, are now necessary if he expects to save his father's life. What was a story of two polar opposite blood relatives trying to connect, transitions instantaneously into one of survival, maturity, persistence, and love.

Movies such as THE REVENANT and THE EDGE come to mind, but this one is short on thrills, and is instead a trudging struggle to survive – taking a quiet approach, rather than a showy one. Lily Gladstone, fresh off her terrific work in CERTAIN WOMEN, has a brief sequence near the film's end. The beautiful landscape and terrain is captured by cinematographer Todd McMullen, while Ernst Reijseger's score effectively complements the odd mixture of slow pacing and non-stop danger. Whether you are trying to live a reclusive life off the land, or simply one of the many parents attempting to connect with their kids, keep in mind that regardless of the beauty of the mountains, "snow is not our friend".
Terrific journey of bravery and perseverance
I was not sure what to expect when I first saw the trailer for this film. I will say I am very glad I watched it.

Avoiding spoilers, I will say right off....the the story was original in a theme and setting often used. Cinematography and score were beautiful. Acting was terrific and narrative told with heart and realism.

This is the story of a boy and his father who go hunting for "Big Game" together for the first time. During their search for game a terrible accident occurs. From this point on, the film is a study in human endurance and love. Also a strong element of a boy becoming a man.

I felt the story was told perfectly without overdoing it and keeping it as real as possible. You actually feel like you Are there with them and feel their pain. This pain, however, it suppressed by the human spirit. It's a simple story, yet, original and wonderfully shot IMO.

There are parallels between Father and son and the Sons Grandfather. The flashbacks are relevant and illustrate the dynamic between the three generations.

A very well done and aesthetically beautiful film.
Real vs. VFX
Although this film is being compared to "Revenant" it can stand on its own merits. Call me old fashioned but, I love the fact they used a real grizzly. This not only added to the realism of the film but created film viewer anxiety. The aerial cinematography is outstanding and is not overdone. As with many movies where the editing around footprints in the snow falls short, this did not. The director took special care to work in the fresh snow. Several times I thought of the real danger the actors could be walking into.

Bottom line, the film had one shortcoming, the score. Even though the music blends into the scenes beautifully, it doesn't fit the wilds of Montana.
"Walking Out": Count me in.
The just-released "Walking Out" had me from the get-go. Having lived my entire life west of the Mississippi to varying degrees, I have a powerful appreciation and respect for the independent spirit of the region's people together with the indigenous wonder of the land. From its opening frame this is a chronicle presented amidst the breathtaking grandeur of the unforgiving Montana backcountry. As such, then, I was an instant sucker for what was to follow. It did not disappoint.

Matt Bomer (TV's "White Collar") as Cal and Josh Wiggins ("Max") as David are father and son. They live miles, and worlds, apart. Their relationship is strained. The pair struggle to connect. Traipsing out into the snowy wilderness, Cal aims to teach his greenhorn teenage kid how a man properly tracks, hunts and kills a moose. But the plan winds up going awry. Horrifically so. And now they must struggle against nature and it's unpredictable threats to get out alive.

Bomer and Wiggins are genuinely remarkable strictly in terms of the ferocious physical demands required of each. The fact that their acting performances are equally as notable is a bonus. With the great Bill Pullman appearing in a periodic but pivotal role, "Walking Out" steps up to a more than worthwhile watch.

From a technical standpoint, Cinematographer Todd McMullen and Music Director Ernst Reijseger are particularly impressive. The images brought to us of the rugged "Big Sky Country" through McMullen's lens (especially the spectacular aerial views) are at once primal and magnificent. The majestic peaks, trees, rivers and streams captured on camera are all critical elements here. Reijseger's dazzling soundtrack is haunting, mesmerizing, a kind of modernistic mountain melody playing perfectly with the pictures.

Bear in mind that you're gonna need to be patient with "Walking Out". Co-Writers/Directors/Producers Alex and Andrew J. Smith (twin British brothers as it happens) take us on a journey intended to unfold gradually, in unhurried layers, with generous investment in contemplation and reflection. This is thoughtful filmmaking. Meticulous effort is made to tell a complete story. A resonant narrative. A timeless tale.

The ending will strike you. Pierce you. Stay with you. This is what the Smiths have built toward with every preceding scene. They have inspired us to care about these two characters. In so doing, they have richly earned the stirring emotion we feel during the final and deeply moving moments of "Walking Out".
Male Bonding
I liked the film. There was just enough male bonding that didn't go into the sappy world. Do you know why there are no women in this film? OK... there was 1 woman but she filled a minor role. The guys would have fed her to the bears when she asked for the 1000th time 'why don't you stop and ask for directions?'
Incredible. Filled with heart and soul. About a boy and his father and their painful journey.
I'm not a big movie person. Shoot me. I went to see this movie at the Sundance film festival and I was blown away. I've never felt so connected and heartbroken by a movie. This is an incredible film with so much depth and meaning. I want to take everyone I know to this movie. I want to watch it a billion times. Again, I don't like movies. I highly recommend. (the one issue that I have found is that I can't seem to find this film anywhere online to purchase it so that is quite frustrating.)
The simplicity of storytelling on screen!
This simply yet profound movie hit me deep in the heart. This is movie is the reason I love indies. No CGI, no loud moments. I haven't seen a survival drama told with such subtlety. Yes there are some really heart-stopping moments but I immensely appreciated the director's restraint in letting the audience tune in to what the characters were truly feeling rather than manipulate us with loud music & jumps. Most of the movie rests on Matt Bomer's Cal & Josh Wiggins' David with lots of close shots of their faces. Matt Bomer has proved his mettle as an actor but I think this is his most subtle performance ever. The emotions on his face are so subtle yet so profound that he invites the audience to not want to blink. Josh Wiggins plays David's arc from a grumpy teen to a man so beautifully. Bill Pullman is a delight in a small but powerful role.

I felt like I just traveled to Montana & spent time with Cal & David. What a ride. Don't miss it!
Classic drama between father and son but great twists and beautiful setting
I can't think of a reason NOT to give this film a 10 but I resist giving them out so it's a 9. Great story, strong characters AND relationships. Incredible tension and drama. I was on the edge of my seat for most of this film. The locations were stunning and the music really unusual (and that's a good thing). And Bill Pullman is just the right touch in his small but important moments. A good story, well told. What more can you ask of a movie?
A-Hunting We Will Go
Elmer Fudd sings this song in several cartoons, and he is referenced by the grandfather in this grim story of survival in the unforgiving Alaskan wilderness. That may be the only hint of humor to be found, as a father and son track down moose until tragedy strikes. The second half of the picture is as gritty and harrowing as any you will ever see this side of a National Geographic special.

Cal evidently gets custody of his son David every summer, but in the mountain country where he lives it's always winter. David is not happy with the arrangement and finds out right away he can't get a signal on his iphone. He is a city kid and his dad is a hunter; they mix like oil and water. They begin as polar opposites but in the end they are bonded, in as gripping and unexpected a finale as you can find in a slow starting movie.

I disagree with a reviewer who felt the music background was inappropriate. I felt it was just right - unobtrusive and complementary. Never saw either of these actors before but they were effective and had chemistry between them. "Walking Out" is an underrated indie and deserves a bigger market. It starts like a travelogue but is a very affecting film; amazing what the human spirit can do when faced with severe adversity.

N.B. The setting is similar to "Wind River", which has a more intricate plot.
IndiMovie at its best
Location: the best of nature Characters: credible Actors: high class; extraordinary, sensitive, convincingly, touching, outstanding. They gave all what they can. Directors: they took a very important theme of these days and made a very sensitive story. Music: There is no one better who fits to the movie.

I recommend that this film should be shown everywhere - from big cities to small villages because it is a very important theme for young people and their relationship to there parents. Fathers and sons go and watch it! 10 points out of 10.
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