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Crime, Drama, Thriller
IMDB rating:
Francis Ford Coppola
Al Pacino as Don Michael Corleone
Robert Duvall as Tom Hagen
Diane Keaton as Kay Adams Michelson
Robert De Niro as Vito Corleone
John Cazale as Fredo Corleone
Talia Shire as Connie Corleone Rizzi
Lee Strasberg as Hyman Roth
Michael V. Gazzo as Frankie Pentangeli
G.D. Spradlin as Senator Pat Geary
Richard Bright as Al Neri
Gastone Moschin as Don Fanucci
Tom Rosqui as Rocco Lampone
Bruno Kirby as Young Peter Clemenza
Frank Sivero as Genco Abbandando
Storyline: The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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Dull and Predictable
I hate being the lone voice of searing ridicule in a throng of glowing adulation, but I must say that I found the Godfather: Part II to be dull, predictable and pointless. The Godfather is a wonderful film with a compelling story arch of a good American war hero being pulled into the depths of organized crime due to his loyalty to family. While Part II makes an attempt to elaborate and deepen this theme it does very little to bring anything new to it. Michael's loss of his family and the fate of his brother Fredo is obvious by the end of the first reel. Such a predictable plot undermines what would otherwise be an interesting sequel to a great film. Only the flashback scenes with Robert DeNiro as a young Vito Corleone has any of the emotion and energy of the original Godfather. If only the rest of the film was written and directed with such flair. I was so disappointed by The Godfather: Part II that I haven't even bothered to see Part III and I have little interest in Coppola's other work to this day.
Terrible movie
Please do yourself a favor, and don't watch this movie. It was long and very boring, in fact I only got to the part with the kid singing to himself before I had to turn it off. This movie was awful, which is surprising considering the leads were Al Capachino, and John Calzone, both highly regarded actors. But they couldn't save this crap movie.I then woke up to the part with Boby Nero talking about a Roman empire which I found funny, bc Nero was an emperor. Overall this movie was a complete waste of time, and I was jealous of Frank Panini, in the tub killing himself, because that was what I wanted to do during this movie. I thought that the killing of Ross was stupid, as there was no way Rocco could've escaped Horrible 1/10
Pathetic attempt, with all driven by greed
Pathetic attempt, like other sequels, with all driven by greed. Compared to the original, this is totally disjointed, made for the masses that heard of the original at the Oscars, and in the end unappealing, unmoving, stupid, and lacking in all atmosphere appropriately constructed in #1. I cant believe anymore was awarded by their fellow academy members for this trash. I cant believe Pathetic attempt, like other sequels, with all driven by greed. Compared to the original, this is totally disjointed, made for the masses that heard of the original at the Oscars, and in the end unappealing, unmoving, stupid, and lacking in all atmosphere appropriately constructed in #1. I cant believe anymore was awarded by their fellow academy members for never get back this tthis trash.
The greatest sequel ever made and equally as good as the original
It seems impossible to think that the first Godfather could be topped, but its direct sequel may be even better. It effectively takes all the elements from the first and makes them bigger and more complex, as well as revolutionising the idea of flashbacks. The plot is possibly the greatest of all time, the characters are more diversely fascinating and everything feels even more epic than before.

The plot is split in two, one following the Corleone family in modern day and the other early life of Vito. The first follows Michael who is now Don as he attempts to expand the family business into Las Vegas. He faces much dissatisfaction in his own family, from Capo Frank Pentangeli and his own sister. He later survives an assassination attempt, and as he tries to learn who made the attempt he also faces a committee investigation that tears his family apart. This story is one of the best in film history, everything about it is incredibly set-up. The second charts the young life of Vito Corleone as he raises his family in New York and aims to build his own legacy. This sees him challenge the local Don and gain friends to help him achieve his goal. This part gives us a true insight into how all of what we're seeing started and is a fantastic mirror image to the modern events.

The huge cast is once again truly outstanding. Al Pacino gives an incredible performance as we see Michael transform into a cold monster who has no feelings for his family. The way Pacino shows the struggle as he edges closer to the abyss is astonishing. The other star is John Cazale as Fredo, he is outstanding as the timid Fredo, the chemistry between himself and Pacino sets their scenes alight. Robert Duvall is solid as a rock once again as the reserved Tom, while Diane Keaton is great showing Kay as confused and frightened of her situation. Michael V. Gazzo is superb as Frank showing him as a genuinely troubled person. Richard Bright deserves praise as, despite few lines, he commands the screen as the loyal but brutal Al Neri. Joe Spinell is great as the doubtful Cicci as is Lee Strasberg as the devious Hyman Roth. Robert De Niro made his name here, he plays Vito with assured comfort and is just as good as Brando, which is praise itself.

The film looks stunning. It is lit similar to the first and carries the same gloomily authentic feel being very atmospheric. The scenes of early New York and of Sicily are both excellent having a very natural look to them. The music from Nino Rota is once again marvellous. The script is full of classic lines, "Keep your friends close but keep your enemies closer" and "I don't want to kill everyone, just my enemies" to name but two. It's great how the film focuses more on Michael and it's reflected by the look at Vito. Michael grows increasingly paranoid and unstable as he places the family business above all else. We see the differences in how the family is set. Vito's was built on loyalty and love, whereas Michael's family is built on fear and violence. It is a fascinating contrast which the film itself is built on, the whole scope is formed from this showing the pleasant start of the family and then it's tragic fall. There are so many classic scenes, Michael finding out the traitor, Kay's pregnancy reveal, all of the conversations with Fredo, the scenes at the hearing and the famous 'fishing trip' to name a few. The final shot of Michael sitting alone is one of the most memorable of all time.

The Godfather Part II is a breath taking achievement in film and has possibly the greatest story ever put on screen.
Great ensemble acting, great story, greatest sequel ever made.
The Godfather Part 2 is the finest sequel ever made and is arguably a finer film than the original Godfather. The film is divided into two main parts - the story of a young Vito Corleone (flawlessly acted by Robert De Niro and a worthy Oscar winner) and the rise to power of Michael as the head of the family. Francis Coppola recollaborated with many of the crew members of the first film and again achieves a quite superb period piece thanks to the cinematography of Gordon Willis and set design of Dean Tavoularis. The acting performances are outstanding, hence three supporting oscar nominations for acting guru Lee Strasberg (Hyman Roth), Michael Gazzo (Frank Pentangeli) and Robert De Niro (young Vito Corleone). Duvall, Keaton, Cazale and Shire all provided first rate performances but it is the performance of Al Pacino which steals the show, expertly portraying Michael as a cool, calculating, suspicious Don Corleone. The film expands upon the original movie and brings us into the family's activities in Nevada, Florida and Havana. Arguably the finest movie of the 70s, a cinematic masterpiece with the greatest ensemble acting you will probably see.
As good as the original...
Sequel to the original Godfather is slower moving than the original but maybe better. The first was fresh material and Brando's presence was a huge plus. But this one digs into the blood and guts of the two main characters, provoking more thought, as well as introducing us to one of the most prolific actors today.

Michael's descent into darkness is terrible to behold. Tragedy surrounds him as he struggles to maintain his empire but alienates himself in the process. Hey, it's not easy holding a crime empire together. I think this film sets out to make Michael a tragic figure but how do you feel sympathy for a guy who murders family members? It's a cold world obviously, and takes a strong man to stay on top. Very interesting final scene, grim and stark, as Michael sits contemplating on a chair watching the dead leaves blow around him.

Pacino's performance is magnificent. Some great scenes, especially when Michael realizes Fredo betrayed him. That simple movement of covering his forehead in shock and despair conveys so much. Michael becomes a three dimensional character in this film as opposed to the first. Pacino just nails the part.

The secondary story is the rise of Michael's father, Vito Corleone and we watch the birth of a star. DeNiro even surpasses Pacino in his part, if that is possible. The calculating Vito as he calmly stalks Don Fanucci from the rooftops is classic film. DeNiro plays the role of Death himself: knife thin, pale yet slick and immaculate in appearance. How many other hit men in the movies borrowed DeNiro's look?

What the Godfather does, unlike so many other films of it's generation is convey thought in simple movements. Watch DeNiro as he pales visibly, staring at an old Italian remedy of his sick baby. We know right then that Vito Corleone will do whatever it takes to protect and save his family. Watch him as Don Fanucci boards his car and leans on him. By DeNiro's expression, we know Fanucci is already a dead man. That's unsurpassed acting.

The sets are beautiful to behold and this is probably the best cinematography I have seen in any movie. Early 1900's New York, in the Italian neighborhood is unreal. Watch the pedestrians and background movement while the focus of the scene is occurring. That's sheer magic. Once again, watch Hyman Roth in Cuba lie on the couch, shirtless and a gentle wind moving the drapes. We can practically feel the heat and hear and smell the city of Havana. It made me think how much care and calculation was put into this movie.

Some weak points: Lee Strasberg as Hyman Roth was not on par with the other actors. Gazzo as Pentangeli just grated on my nerves, especially in the first hour. I was hoping he would get whacked so he would not appear in the rest of the film. The rest of the cast is great as usual, especially Duvall and Kirby. Not much to complain about.

The second Godfather, tries to do what the first does, a study of Vito vs. Michael. They both have different motivations for ruling their empire. Whereas Vito tries to do whatever it takes to rise from poverty and provide for his family out of love, Michael rules out of ruthlessness and a need to succeed to maintain his empire. You can see where the results have taken both.

One of the greatest films of all time.
A cinematic epic by Coppola
The Godfather II is not really a movie about the mafia. The themes that run throughout the film are of power,corruption of power and family. Coppola expertly tells the parallel stories of a father and his son with the use of flashbacks and flashforwards. He simultaneously shows how the father builds an empire and how his son subsequently unwittingly destroys it. The scenes involving the son Michael Corleone are very serious in nature,whereas the scenes involving the father,a young Vito Corleone, are presented in a more jovial manner.Before a flashback or flashforward, Coppola uses an effective technique of having children or the mention of children in the scene in order to emphasize the generational link through children. The flasback scenes are also photographed using different methods of lighting to contrast the different moods.Metaphorically, the story of the Corleones parallels the rise and subsequent corruption of America. The ultimate symbol of America in the form of the Statue of Liberty appears throughout the film. The assassination of Hyman Roth the Jewish Mafia chieftain, is eerily similar to the assassination of Lee Harvey Oswald the alleged assassin of President John Kennedy. Coppola effectively uses symbols such as the orange to represent evil. Several scenes show characters that do evil holding an orange (the fruit being a biblical symbol of evil).In an early scene Johnny Ola an emissary for Hyman Roth brings an orange to Michael Corleone from Miami. In a flashback scene, Don Fannucci (the black hand), is seen handling an orange before his demise. Michael Corleone is eating an orange as he plots the murder of his enemies. Coppola also uses catholic religious rituals as backdrops in major murder sequences. As Vito Corleone murders Don Fannucci there is a religious procession on the street. As Michael's brother Fredo is being murdered he is reciting the Hail Mary prayer. In the end Michael loses his soul and family to maintain his power. A great film by a talented director.
Poor Fredo! We still miss John Cazale!
The Godfather Part II has excellent writing, plotting, editing is even brilliant, acting, and overall quality to watch over again and again. You can never get sick of watching this film. I miss John Cazale. He was truly a gifted actor and I miss him. He played my favorite Corleone brother. Sure Alfredo was never brilliant or vicious but he was sweet, gentle, and warm most of the time. He had a conscience and I despise Michael for killing his own brother. I think he killed him out of jealousy. Alfredo spent more time with Michael's son, Anthony, than he did and he resented him for it. Alfredo could have been spared. Four years after Godfather Part II, John Cazale died of cancer after filming the Deer Hunter. He never won an Oscar or made too many films but he made every role memorable. Rest in Peace, John. I miss you.
Incredible doesn't even BEGIN to describe it
The first sequel to win the Best Picture Oscar, and deservingly so, words cannot begin to describe how amazing this film is. Unlike the first (I'll admit, I'm not the biggest fan of the first film) which had several slow spots, GFII had me riveted from beginning to end. Pacino and Cazale turn in the performance of their careers, while Francis Ford Coppola, who co- wrote this with Mario Puzo, directs with such precision. This film is truly a gift of cinema by all the talent involved. Everybody, even the smallest supporting actor, give terrific performances. The pace is fantastic. The writing is brilliant. The last scene at the lake...chills! Watch this masterpiece NOW!

One of the best sequels ever made
An excellent follow up to the original, The Godfather Part II continues where the first film left off and explores the rise of Vito Corleone in a series of flashbacks that, for the most part, correlate with what is presently happening to Michael Corleone (Pacino) his son and successor. This is a beautifully produced piece of film, and while I still prefer the first installment, simply because of the story content, it is every bit as good. This film is best when watched together with the first film – if your body can stand it. Even better, watch the third one as well for a little closure and so you can argue over whether it's a good film or not. (I myself personally like the third film, but not as much as the first two.)

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