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Adventure, Fantasy, Family, Animation
IMDB rating:
Hayao Miyazaki
Rumi Hîragi as Chihiro
Miyu Irino as Haku
Mari Natsuki as Yubaba
Takashi Naitô as Chihiro no otôsan (voice: Japanese version)
Yasuko Sawaguchi as Chihiro no okâsan (voice: Japanese version)
Tatsuya Gashuin as Aogaeru, Assistant Manager (voice: Japanese version)
Ryûnosuke Kamiki as Bô (voice: Japanese version)
Yumi Tamai as Rin (voice: Japanese version)
Yô Ôizumi as Bandai-gaeru
Koba Hayashi as Kawa no Kami
Tsunehiko Kamijô as Chichiyaku
Takehiko Ono as Aniyaku
Bunta Sugawara as Kamajî (voice: Japanese version)
Noriko Kitou as Additional Voices (voice: Japanese version)
Shiro Saito as Additional Voices (voice: Japanese version)
Akio Nakamura as Kaonashi (voice)
Storyline: Chihiro and her parents are moving to a small Japanese town in the countryside, much to Chihiro's dismay. On the way to their new home, Chihiro's father makes a wrong turn and drives down a lonely one-lane road which dead-ends in front of a tunnel. Her parents decide to stop the car and explore the area. They go through the tunnel and find an abandoned amusement park on the other side, with its own little town. When her parents see a restaurant with great-smelling food but no staff, they decide to eat and pay later. However, Chihiro refuses to eat and decides to explore the theme park a bit more. She meets a boy named Haku who tells her that Chihiro and her parents are in danger, and they must leave immediately She runs to the restaurant and finds that her parents have turned into pigs. In addition, the theme park turns out to be a town inhabited by demons, spirits, and evil gods. At the center of the town is a bathhouse where these creatures go to relax. The owner of the bathhouse is...
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Strange, yet satisfying
Spirited away is a movie which can only truly be described a Wack! Yes I know this is not a word and I understand it is not even proper English however it is the only term which can thoroughly describe the movie. It is a film which is immensely entertaining and full of scenes which are just playing fun to watch. However, you must be warned. In between the incredibly detailed animations, there is an almost never ending mythological plot (this lack of realism irked some of my friends). There are creatures and monsters, heroes and villains, none of which are as they first appear. It has everything a movie should have however there is no guarantee you will like it. If Spirited away has one fault it is its length. At 2 hours it is a killer for those with short attention spans (I did however make it through and in the end was glad I did). When going into the movie if you can go in with an open mind purely with the desire to be entertained then spirited away is a movie well worth seeing; however, if you are one to find fantasy and cartoons dull and nonsensical then find another movie.
very surprised
Normally I am detested by Japanese Animated features. I come from a background of loving many of the old Warner Brothers cartoons, and saw Jap-Animation as a threat, along side of Mtv, Nickelodean, and Cartoon Network, ruining children's cartoons. (I really prefer not to elaborate because I don't want to push any buttons on this board.) But this movie was phenomenal, its very rare that I am impressed by modern cartoons now days but this film dazzled me so much that I had to rewind the film and watch it again the next day. There is so much neo-mythology and Post Alice Traumatic Stress Syndrome in this movie that I was tickled, honestly. There is a lot of imagination and colorful ideas and I wish that there can be many more animated pictures of this quality to come in the future - the movie resembled a lot of the wacky weirdness that were around in the old Betty Boop or Silly Symphonies cartoons, the animators really touched a chord in me and I thank them full heartedly.
After claimed-to-be-the-last Princess Mononoke, here came Sen to Chihiro no kamikakushi by Miyazaki. I suppose the whole world is crazy about it, and of course it's worth.

The story starts with Chihiro and her family going on the way to their new house. They get lost and go through a gate to another world. When Chihiro's parents see the food in the market, they just sit down and eat but they turn out to turn into pigs. Chihiro is so scared but then when night falls, gods and spirits appear. Chihiro has no clue about anything happened but she keeps going. She gets a job in the bath house, finds out more and at last manages to leave this world after a series of events.

You must find the whole film is quite interesting and all the spirits and gods look really funny. We seem to be with Chihiro throughout her whole journey in the world of gods and spirits. She has a very pure heart and works really hard even when she's in trouble and doesn't understand the whole situation. When the Witch tries to take away Chihiro's identity and fool her around, Chihiro's belief really stands and gives her the way home. She's also willing to accept and help others, be them evil, strange, nasty, or greedy. Maybe the personalities she possesses are something we need but have lost. Of course identity is more than our names, but what the names mean to others counts most. Otherwise we'll just like No-Face.

Miyazaki's way to process the whole film may be a bit exaggerating compared with his previous works, but that makes it more enjoyable and more suitable for children. I've watched this film for five times, and every time I'll have some new thoughts. The inspiration brought by the film is of course subject to viewers, but I'm sure everyone will be fully satisfied with the film.

This is surely one of the best imaginative animations I've ever seen. Don't miss out!
A Movie Where Many Childhood Dreams Are Reborn...
It is so ironically tragic that many great movies such as Hayao Miyazaki's Spirited Away are often overlooked by the public, suggesting that commercialism is the way of reflecting the possibility of achieving blockbuster status in the box-office, even as if most of these recycled products receive poor reviews (remember Shark Tale? It's horribly cliché but millions of viewers still watch it). Is it because of technology that drives its influence to the public without providing any necessity that is its substance? Or is it because Spirited Away is considered another ordinary 2D cartoon that should be suitable for little children and not the rest of us? Sadly, this is reality and we all see as it is right now (providing that we live in a topsy-turvy world with unfair paradoxes) but it doesn't mean that Miyazaki's masterpiece has a chance to change our reflections on life. In fact, there are doses of good reasons on why this movie is so special to us, aside from its family-friendly context.

Hayao Miyazaki, who has directed many of the most acclaimed animated movies in animation history (under the banner of Studio Ghibli), has stated that Spirited Away is 'for the people who used to be ten years old and the people who are going to be ten years old'. Perhaps, he really knows how children see things in their own eyes, as he might use to face during his childhood times (that's why most of his movies feature flying ships/creatures, tons of imaginative elements derived from Asian/Western cultures, some preferences from classic fairy tales, etc.) Most importantly, Mr. Miyazaki uses this tagline as an essential plot device to show the innocence, the bizarre, the horror and the wondrous revelation that the main protagonist (Chihiro) sees, feels and experiences throughout her spiritual journey, a path that we all had crossed as children before the madness of the world overwhelms our innocence. Fortunately, movies like Spirited Away succeeds in regaining our former consciousness, pulling us into his imaginative world where our childhood memories have never died; they are merely hidden inside our hearts and Mr. Miyazaki is enable to reshape them with everything this movie has to offer.

Instead of the cliché-ridden plots that mar state-of-the-art-animated films of today, Mr. Miyazaki refers to his personal experience in Japan as another plot device while maintaining the classic storytelling technique to create an entirely refreshing concept based on real-life situations. If you think Spirited Away features some of the most incomprehensibly bizarre characters you've never seen, fear not! Like all good movies, despite their oddity, they all are no different from us in terms of how they adapt to life and their functions to keep the company going. That also leads to the fact that Spirited Away is really not a good vs. evil show (like Star Wars); despite its scary images, powerful spells and evil-looking monsters, they are all surprisingly ordinary with mere characteristics of maids, bosses and customers. So don't expect a Darth Vader-like antagonist to cover the whole world with darkness while unleashing a large army of robotic troopers to destroy everything in their sights.

The overall animation is simply breathtaking. Even as they are all hand-drawn, the characters' expressions and body postures are all wonderfully done in a very natural way, the same applies to these beautiful background settings painted painstakingly by some of Ghibli's most talented artists in Japan. Speaking of animation, when watching it up close and personal, it does bear some resemblance to Disney's Snow White as well as his classic movies (unlike the new, recycled Disney movies of the early 2000s) in terms of its cel-shaded look and the way most characters move and interact (strangely, though, Mr. Miyazaki is not a big fan of Disney. Ironically, Disney is the only company that understands his movies' significance to moviegoers around the world, so it serves as a distributor to Ghibli's animated movies in North America.). Unlike most current anime that requires CGI to excite the audience, Mr. Miyazaki fortunately decides not to rely much on fancy digital applications (there are some subtle CGI effects, which are cleverly implemented on certain parts of the movie).

Disney, in its other matter, has done a good job in translating the movie's original Japanese context to its English counterpart without radically changing the flow and theme of its entire story, thanks to Pixar animator and executive producer John Lasseter (however, Disney's marketing power fails to attract more moviegoers). Despite the audience's varied reactions on English and Japanese tracks, in my opinion, I find both of them outstanding and seem to have a natural pattern to influence the mood of the movie. Once again, Joe Hisashi, the composer of many of Miyazaki's movies, has provided some of the finest and most memorable cues ever to bring grace to the screens (one of my personal favorite is a cue in which Haku finally remembers his original name, shedding its scales in the sky). Without these important audio elements, Spirited Away could have been another uninspiring, lifeless show.

It is no doubt that Spirited Away has indeed changed the way we look at animated movies, similar to the way the original Star Wars trilogy, the first two Godfather movies and films by Steven Spielberg did. It is also true that whatever I write in this review, a single picture tells a thousand words; you still need to watch it with your own eyes, feel it as you are still a child and you will understand a thousand reasons why this movie should receive an Oscar for Best Animated Feature. However, like many artistic filmmakers, Mr. Miyazaki is not interested in such glamorous spotlights and moneymaking propaganda, as he continues to inspire newer generations with his latest waves of masterpieces, starting with Howl's Moving Castle.

Thank you, Mr. Miyazaki for proving once again that childhood memories will forever endure within our hearts and souls until the end of time.
An Anime Alice in Wonderland
There are about a half dozen things I want to see over and over because I am sure there are gold nuggets buried here I haven't mined yet.

This movie is so magical, so mystical, so beautiful it leaves me breathless. It leaves me with a huge list of questions I cannot answer. Is it a real experience? Is it a dream? Is it a magical spell? What really happened? Are the characters symbolic or allegorical? (Should I study Japanese mythology to learn more?) Chihiro is moving to a new home. A spoiled brat, unhappy in the back seat of her parents car, she is taken, unwilling, into a strange world when her father takes what he thinks is shortcut that becomes a dead end. Tired of driving, he wants to explore. Chihiro is afraid, but she is more afraid of being left behind.

They find what seems to be an abandoned theme park, where her hungry parents come on a restaurant. They sit down and start to eat. Chihiro is too nervous to eat, so she wanders off. When she comes back, her parents have magically been turned into pigs. And so the magic begins.

You don't need to write a master's thesis on this movie to enjoy it. You don't need to answer any of your questions to enjoy it. In fact, this movie stays with you. Its scenes will wake you at night with insights and beauty. The music will haunt you, though I challenge you to remember a single musical theme.

I have experienced genius here. I am in awe.
Really, don't wanna spoil anything. Go watch it, it will be a significant anime experience. Also it will teach you life lessons which you will always remember and have it as a picture in your mind. That Chihiro girl didn't achieve anything without hard work and great effort. A lot of main characters turn out extremely lucky, well here's one who actually work her ass of to get what she wanted...
Outstanding vocal talent
I actually admire Disney's moves to bring Miyazaki to the US. Purists will inevitably defend the authenticity of the original presentations but you can tell that Disney has invested significant effort into bringing great films such as "Spirited Away" to our neck of the woods. The vocal talent is amazing. I would probably like the subtitled versions just as much but I also have to give props to Disney for caring enough to pair this and other Miyazaki classics with distinguished vocal actors such as Gillian Anderson, Michael Chilkis, Phil Hartman, Suzanne Pleshette, and Christian Bale, just to name a few. I don't have a problem with subtitles and I would gladly watch the Miyazaki films as they were originally released but I beg to differ with anyone who has any qualms about Disney's dubbing. Whereas Disney's own animated films, sans Pixar, have been utterly mediocre ("Lilo and Stitch" was probably its last best animated release), they seem to make up their failure through the incredibly successful importation of "Spirited Away" and its ilk.
My new favorite animation, a masterpiece.
In childhood I had 2 favorite animations, The Iron Giant and Sen to Chihiro in kamikakushi, and recently I went to watch the 2 novices after 10 years or so, and The Iron Giant continues in my heart that for a long time was my favorite animation , And it moved me a lot, but Sen to Chihiro no kamikakushi managed to steal this title, I went to watch Sen to Chihiro in the kamikakushi and did not remember that it was so spectacular, with a fantastic animation, there are moments that seem to be some landscapes, Chihiro is charismatic, is one of my favorite female characters in the movies, there are also the great characters that is Yubaba, Haku, and so on. , The initial scene was very nostalgic to see after years without watching this movie, the direction of Hayao Miyakazi is masterful, can make scenes unforgettable, the animation is very adult in several moments The plot is excellent, has interesting dialogues, and has its bizarre and disgusting moments too, not to mention that the animation has several critiques of the environment, there is a moment that appears a God of Rio that is covered with garbage, and that is A criticism of the bad environment, Sen to Chihiro no kamikakushi has also been inspired by Alice in Wonderland, and this is very clear in the film, Sen to Chihiro no kamikakushi is in my opinion the best animation of all time, it is not By chance it is the best evaluated animation of the IMDb, with unforgettable moments, great characters, excellent plot, excellent soundtrack, impeccable direction of the Miyazaki, is a fantastic adventure. Note 10
An astonishing film. I was blown away...
I rented this film from Blockbuster after hearing about it from a friend. I was slightly reluctant, never seeing an anime film before, but I watched it six times before giving it back two days later, then bought it the next day. My daughter watched it with me every time and loved it as much as I did. It was an astonishing film, though scary at times, but wonderful the whole way through. It had some laugh out loud funny moments and the next minute you were on the edge of your seat and it all seemed so real. It really got me into anime. Since then I have also watched Howl's moving castle, which is fabulous. My daughter went one step further and learnt to draw manga. I must say she is quite good! She also is learning to play the opening theme on the piano. It's 4 pages long. Rather her than me! I would recommend this film to anybody. But be warned. It's very... different.
The audience is even more interesting than the film
That "Spirited Away" is a masterpiece would seem to any sane person to be beyond dispute. This is the first of Miyazaki's films I've seen and had it recommended to me by a friend who's into anime. I'm really not keen on Manga at all, so I delayed seeing "Spirited Away" for a few months. I finally got around to seeing the subtitled version - never, never waste your time with dubbed versions of foreign movies - over the weekend and I loved every frame of it. The imagination and creativity blew me away and I'd put the film alongside other "children's" masterpieces like "The Lion, The Witch and the Wardrobe", Philip Pullman's "His Dark Materials" trilogy and Ray Bradbury's poetic "Something Wicked this Way Comes"..

However, in reading through the other comments for "Spirited Away" here I was struck by the huge chasm between the views of those who love the film and (the appropriately small minority of) those who don't.

Even more striking is the strident hostility of those who don't like the film towards those who do. Critics here have called fans of the movie, "liars to yourselves", "gushing", "flat-out wrong" and the movie itself, "inane", "unwatchable bilge", "muddled", "nonsensical", "gibberish".

Now I'd be scratching my head in puzzlement even if these commentators had blandly stated that this film wasn't for them, but this outpouring of venom had me completely perplexed.

Another viewer states, "The girl basically had to suffer for something even her parents didn't do wrong, they just wanted to explore things." And here lies a glimpse of some possible explanations of why some folks don't get this movie.

The whole point is the parents *did* do something wrong. They greedily ate food that wasn't theirs. Apart from being just plain rude, it's stealing. As another commentator here pointed out, you have to look at "Spirited Away" against the context of the culture that produced it. The Japanese are very concerned about the erosion of their traditional values, the lack of respect kids have for their elders, the breakdown of family cohesion and other "negative" "Western" influences on their traditional, polite, family-oriented culture. Perhaps we in the West have trouble with the concepts in "Spirited Away" because the influences that the Japanese audiences fear are the Western "values" that are being thrust upon them, values that we've grown up with and forgotten how to fear.

Another critic commented "I cannot see why this film is such a masterpiece to some people ... (though) my brother and I had a few good laughs, especially when Sen runs down the stairs and smacks into the wall. That was pretty funny, I must say." This made me think back to when The Simpsons first started on TV - my daughter was three years old and she thought the funniest joke ever was when Maggie fell over. Now my daughter's a (very bright) 14 year old and these days it's the razor sharp satire of dysfunctional family life that makes her laugh out loud. QED.

If someone isn't sensitive to the morals that are being examined in this film, then of course the film is going to seem pointless. However, as the film plainly does have more than one good point to make, perhaps it's just that these critics aren't capable of grasping any of them.

But really guys (and you know who you are) don't take your frustration at not understanding "Spirited Away" out on those of us who do. It's not our fault you don't get it.
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