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Crime, Thriller, Action
IMDB rating:
Baran bo Odar
Sala Baker as Benik
Tess Malis Kincaid as Demanding New Yorker
Chelsea Hayes as Shari
Brooke Boxberger as Receptionist
Matt Mercurio as Busboy #1
Elijah Everett as Bathroom Attendant (as Eli Jah Everett)
Tim Connolly as McFerrin
Tim Rigby as Larry
Jamie Foxx as Vincent
David Harbour as Dennison
Dermot Mulroney as Rubino
Steve Coulter as Frazzled Concierge
T.I. as Sean (as Tip 'T.I.' Harris)
Scoot McNairy as Novak
Storyline: Vincent Downs is a cop in Las Vegas, who's partnered with a crooked cop. His partner asks him to steal some drugs, which they do. But what they don't know is that the drugs belong to a crime family, the Novaks who goes after anyone who crosses them. And Rob Novak the man who was handling the drug sale sets his sights on the man who sold him the drugs, casino boss Rubino. Rubino discovers Downs was the one who stole the drugs so he has Downs' son abducted and tells Downs to bring the drugs to his casino. Jennifer Bryant, an idealistic cop who wants to take down every criminal including the Novaks. Recently one her busts went bust and she did everything by the book. She thinks all the men are patronizing her. When she meets Downs she gets a vibe off of him and follows him. Downs brings the drugs to the casino and hides the drugs. Downs meets with Rubino and asks for his drugs. Downs wants his son first before he gives him the drugs. Rubino shows him his son and goes to get the drugs but...
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Foxx Can't Save This One...It Stinks.
Jamie Foxx can't really save this movie though he's probably the bright spot here no doubt. Foxx gets to play a heavy cop fairly straight to which he's up to that. He's better though when his penchant for humor is front and center. It's the overall same old drug/cop story and way too over-the-top constant cat and mouse action that brings things down. Not much meat and lots of filler.

This is a confusing ride about a corrupt bunch of law folks and their involvement in the drug business out of Las Vegas. We think Foxx's character, Vincent, is dirty for much of the film. I guess that adds some cloak and dagger extra baggage that's supposed to be clever? While I did find Foxx's character interesting I felt as if he wasn't ever equipped to be a one-man hall of justice. Going it alone, for the most part, he had to survive too many sure-fire deadly encounters with his own, and his hostage son's, life. Everything just kept getting worse to which believable realism was jettisoned.. The makers must have thought if they could bring the action bigger that credibility wouldn't matter? They forgot it was trying to be a real crime thriller early on.

in the end there was too much silly action and not enough possible truth. This may prove Foxx can also be an action star, but this movie is entirely disposable and will be forgotten as fast as one leaves the theater. Foxx can't change that even as he survives to be declared a "good cop". I recommend a pass as there are too many much better crime flicks that respect the viewer's time with something approaching reality. This is a silly fail.
Strange, Unoriginal Albeit Passable..If Only Just
First and foremost , this movie is not very fresh. One simply cannot pin point the exact movie with which Sleepless bears uncanny resemblance. Not because there are none , but because that are many.

I shall not divulge any spoilers here but long story short , the movie is directed in the fashion of some 80's and 90's cop movies. Having said that , the director failed to synergize the elements of a good 90's thriller and a 21st century flick.

The result is a fairly confused movie , with strange action scenes, insipid dialogue, textbook movie characters no comic elements , not the slightest trace of wry or even dark humour.

Designed to have the elements of mystery ( the who is who? kind) , the director misuses his actors and and the plot.

However,for some reason the movie keeps the interest alive. One knows that around the corner there lies a very ordinary sequence and typical dialogue but still the straightforward narrative succeeds in holding your attention .

I cannot pan the movie because it is ordinary and unimpressive . So much so, in fact, that one can tolerate it, to pass time.
Don't listen to the bad reviews
Don't give in to the bad reviews, this movie was A+. Acting from everyone was so up to the task and action very real. The bad ratings are from those who don't like violence in police movies, i wonder who thinks that way. Jamie Foxx was in depth in to the character. This movie delivers if you are into high speed adrenaline style of movies.
Wouldn't be surprised if they offered this to Denzel and he turned it down because the script is absolute pony. Decent fight scenes, but what sort of self respecting drug dealer calls drugs 'drugs'? "Where are my drugs? Bring me my drugs!". No, not until you start calling it coke or dope or maybe blow, like a normal person. Give it a watch when you've really got nothing else to do, like it's a Wednesday night just before pay day and it's raining out, and maybe this is on Netflix or TV and you want something mostly for background noise that you can bitch about afterwards. But I urge you, don't pay money to go and see it.
A Solid Action Film
I see a lot of negative reviews on here about how this film is cliché, has too much action, or very loud & violent as another put it! Well It shows you really that the films they & critics like are slow, boring & have too much story line & bad action scenes if not very little of that said category.

This film is the exact opposite of what films like this are now like!Hell, I think the more films like this the better! Because to be honest! There's very little films like this out there today! People complain about how it's cliché only because they expect too much & want something totally brand new, instead of appreciating the film for what it is! Life is a cliché, why is cliché bad? Why does it have to be? Seriously!

Now, to the film. It was awesome! Fast-paced, action around every corner & an edge of your seat tension! The film always kept you interested & didn't bore you once or in the slightest! This is what films are meant to be like!

The film is basically about a an undercover police officer whose son gets kidnapped after a drug deal went wrong! He then goes on a rampage to try & get his son back! The plot is basic & straight forward, but hey it's great! The action is ace & the fight scenes are immense! The film was great & just simply had a good story-line with great twists!

The ending left room for a sequel! Roll on Sleepless 2!

A potentially good 'B' movie undone.
Ecclesiastes 1:9 came up with the oft used quote that "there is nothing new under the sun". "Sleepless" proves that in spades.

- Bent copper drama? Check.

- Dodgy casino owner? Check.

- Nasty "Black Rain" style hoodlum? Check.

- Kidnapped teen ("I WILL find you")? Check.

- Misunderstood family man? Check.

All of these standard tropes are lobbed into the movie blender and pulsed well.

Holding it all together are solid performances from Jamie Foxx ("Django Unchained") as Vincent Downs, the cop with a dodgy background, and Michelle Monaghan ("Source Code", "Patriot's Day") as the internal affairs cop doggedly on his trail.

In terms of the storyline it's best to go into the film (as I did) with limited knowledge of the plot (on which more below). As the film opens, and playing out a strong anti-hero role, Downs with his equally dodgy partner are involved in a shootout at a drug deal in the streets of Las Vegas. This allows them to get their hands on a significant quantity of heroine. Naturally they pocket this, but unbeknownst to them the deal was between casino boss Rubino (Dermot Mulrooney, "The Grey") and the vicious mafia son of the local Novak family, Rob (Scoot McNairy, "Argo"). For Downs the pressure is on when his teenage son Thomas ( Octavius J. Johnson) is kidnapped as a trade for the drugs.

The film delivers some good fight scenes and action, but nothing we haven't seen before in countless other movies like Bourne. What drags the film down though through is the scripting and direction. There are such a range of implausibilities on show here that it makes you wonder why anyone involved in the film didn't just stop and say "WAIT A MINUTE HERE GUYS" and demand a rewrite.

For example, Foxx suffers a severe knife wound early in the film, but repeatedly bounces from 'full action hero fighting machine' mode to 'staggering and holding his side' mode without pause. The wound adds nothing but implausibility to the action, so why include it at all??

And a scene in an underground car park involving copious quantities of tear gas brought tears of embarrassment to my eyes: an affliction that didn't seem to affect any of the protagonists in the film!

This is a great shame, and writer Andrea Berloff ("Straight Outta Compton") and Swiss-born director Baran bo Odar should have more respect for their audience's intelligence (that's the third movie in recent weeks I've made that comment on... it must be the time of year!).

It's also extremely irritating that one of the key twists in the movie (although you may guess it) is so blatantly spoiled: both by an audio line in the trailer (at 1:40) and – more appallingly – by one of the two straplines for the film on the posters. Thankfully I never noticed this before I saw the film.

Fox and Monaghan are too good for the material but have screen chemistry that keeps the film watchable. I also thought Scoot McNairy was great as the cold-eyed crazy hoodlum and it's also interesting to see Dermot Mulrooney, so memorable as the male lead in 1997's "My Best Friend's Wedding", back in a mainstream role.

By the way, I have no idea why the film is called "Sleepless", other than it being based on a 2011 French film called "Nuit Blanche" which was perhaps written in a way where it made more sense. Vincent is no Jack Bauer and he gets more than a small opportunity to catnap during the running time!

In summary, the movie is perfectly watchable for its action moments. In fact, as I *think* my wife, who is a great fan of "Die Hard, "Taken", et al would like it I've added a star to my initial rating. And it's done with some style such that it has the *potential* to be a good film – – which is frustrating. But in my view it's not worth the ticket price at the cinema: wait instead for it to arrive on Amazon/Netflix.

The end of the film suggests a set-up for a sequel. I doubt this is a sequel that will ever get made.

(For the graphical version of this review, please visit bob-the-movie- Thanks).
10/10 Brilliant
Action packed from the start ignore the other reviews it's a ten out of ten. Dirty Cops drug deals kidnapping this film has everything from start to finish on the end Of my seat ended to soon i didn't want this to end definley worth a watch. Jamie Foxx is excellent all the way through well underrated

get it up yas
A night of twist and turn events.
Maybe if you haven't seen the original, you will enjoy it, particularly if you like a thrilling clash between the cops and gangsters. For me this is the third version from the last three consecutive years. After the original French film based on the same name of the book, followed by the Kollywood remake 'Thoongavanam'. The second film was not bad, considering the way it was made to the Indian standards. They did not change much, but in this one the initial parts were almost the same and the following developments were too much. I mean literally they turned it into twice thriller with tight action sequences. Their main idea was to leave the open conclusion for a possible sequel. Which was really too intentional that not everybody would be happy with, for like those who liked the previous versions.

The actors were good, but Michelle Monaghan was the best among. Unlike the same characters from other versions, I don't know how they turned Monaghan's role so powerful. That's the negative, as the film Jamie Foxx in the lead. Otherwise, as a neutral, this is not a bad remake. The Immigrant joke was trimmed off, since today's US is not in favour of such comedies in films. And many events, especially film scenes were accelerated. So the camera moves one place to another in a quick succession unlike other versions. Yeah, these changes were needed, since the film was not a fresh piece of work or even first remake. But like I said too muchness spoiled the party. Even though one time watchable film.

"It ain't no easy grab, they got T."
In all seriousness though, this movie doesn't have that much creativity going. In my opinion, this movie was just a try at a crazy action movie that instead came out as a college project made by people who didn't know what they were doing, and was directed by a guy that said "you don't need a script, just have violence and it'll all be happy happy joy joy." Yeah no this movie sucks. Shoutouts to Ralph Sepe Jr. everybody.
What alternate reality were the makers living in?
So there's an active shooter in a nightclub, an active sports car swirling around in the nightclub, an inactive bystander, the police show up and guess who all 7 police officers focus on? You just got hold of a gun in a life threatening situation and you bravely decide to use your fist against an attacker who is bigger than you.

You're on a manhunt in an underground garage and you shoot smoke canisters without any gadgets to give you an advantage in the scenario you've just created and then you start firing indiscriminately.

I give it a 2 for the established reputation of the cast but this must be the worst movie I ever saw.
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