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Buy Saving Private Ryan 1998 Movie Online 1080p, 720p, BRrip and MOV
Year:
1998
Country:
USA
Genre:
Drama, Action, History, War
IMDB rating:
8.6
Director:
Steven Spielberg
Tom Hanks as Capt. John H. Miller
Tom Sizemore as Sgt. Mike Horvath
Edward Burns as Pvt. Richard Reiben
Barry Pepper as Pvt. Daniel Jackson
Adam Goldberg as Pvt. Stanley Mellish
Vin Diesel as Pvt. Adrian Caparzo
Giovanni Ribisi as T-5 Medic Irwin Wade
Jeremy Davies as Cpl. Timothy P. Upham
Matt Damon as Pvt. James Francis Ryan
Ted Danson as Capt. Fred Hamill
Paul Giamatti as Sgt. Hill
Dennis Farina as Lt. Col. Anderson
Joerg Stadler as Steamboat Willie
Max Martini as Cpl. Henderson (as Maximilian Martini)
Storyline: Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...
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Reviews
The message appears to have been the first casualty
The action scenes in this film are superb - gritty, realistic and plain nasty. However, it remains a source of irritation that such good film making is washed down with an unhealthy dose of flag-waving patriotism. What is the message of this film? That occasionally you find SOMETHING worth fighting and dying for or that it's glorious to die for your country (read Owen for further comments on this)

Something else it has led to is a number of American reviewers giving the "We died to save your a$$es" speach. This itself is both stupid and untrue - the people who wrote those messages did nothing. America got involved only when it was directly threatened by the Nazis, and not before.

I am glad, however, that such views are in a minority from the American postings - It's a pity that the many are tarred by the few.

Millions of normal Europeans died in this war - from bombings, shootings, torture, starvation, disease and the Holocaust. This film made only a token attempt to reference this - nothing more.

The thin red line was a much better, less commercial film with that very neccessary ingredient - a message - this one remains a catalogue of missed opportunities and a formulaic start and end.

1999-11-08
This should cool off the Rambo wannabes
The opening beach assault sequences were the most violent, realistic, and upsetting filming I've ever seen; looked as though the thing was actual combat footage. The shushing noises of rounds cutting through the air was the most chilling part of all. Perfect portrayal of the insane stupidity of war and the anguish of all who enter this most foolish of enterprises. A must see.
2000-04-15
wow ... if all the movies were showing the war that way, it would be great !
I really liked this movie ! the realism was extreme, what is, I think a good thing. I do not like Spielberg (since i was 14-15 yrs old anyway). I think this guy would be better in doing commercials for TV than making movie - just my humble opinion. But if we forget some flaws the movie is pretty good ! T. Hanks was also very good in it ! he got my respect.

now, some stuff was bothering :

- near the beginning, why spielberg was making the little french girl say " i don't like those american soldiers ! -sob- " Are those US dudes will stop one day to think that the french are genetically antiamerican ? that's ridiculous ! I hate set ideas !

- The german soldiers look dumb and wanting very eagerly take some US slug in the map ! Come on, guys ! The germans are just there to be shooted, they act stupidly what cost them their life, they have no survivng instinct ... i don't buy it !

- The landing scene seemed ended a little too fast and easily to match the reality i think (IMHO)

Of course, there may be a little too much US patriotism for the average european viewer, we are not used to it anymore in our countries (self-glorification, i mean) but after all it's an american movie and they did change the fate of Europe and the world, so ... let them do it.

anyway good movie, i give it a 8/10.

= you should at least see it once ! >
2004-01-23
The perfect war movie..
"Saving Private Ryan" is one of those movies you can't believe didn't win the picture Oscar. That didn't stop it though from reaching such a huge audience and touch the lives of millions. The movie has one of the best introductions ever put on screen. The attack on D-Day is immensely powerful and painfully well directed. Steven Spielberg knows exactly how to make this movie strong and action-driven while focusing on the psychology on the characters and the cruelty of war.

The movie is about 8 men searching for a soldier by the name of James Ryan (Matt Damon), who's the last of four brothers still left alive. After the attack of D-Day most of the soldiers still suffer the war syndrome and seem very doubtful of finding one person in a whole war-zone. Back at home, Ryan's mother gets a letter about three out of four of her sons dying in war, and begs the soldiers to find her last one.

It's a beautiful film that depicts war as it should be. Vicious, disgusting, violent, heartbreaking, unfair, and tragic. Spielberg's use of the hand-held camera is almost breathtaking, as he gets right into the action and swings left and right to create a sense of realism and panic. His incredible editing and beautiful cinematography is unforgettable and is strongly influential.

Tom Hanks gives an incredible performance as Captain John Miller, a dedicated and loyal soldier who's on the verge of losing his mind. The pressure from being a captain and enduring the worst attack in history sends him in mental torture, trying to covering his pain and suffering from the rest of the soldiers.

The story doesn't focus on the heroic aspect, but rather the truth about war. Spielberg knows that even though you get to know the characters, they have a chance of dying. There is a unique subtlety in that these characters seem to have the drive to save private Ryan so they could go home.

Definitely one of the best directed films in a long time, "Saving Private Ryan" is a bright gem in recent film-making. Robbed of the Picture Oscar, the movie is a true representation of D-Day and post D-Day. It's a movie that inspires above all else.
2006-07-25
So it is sort of based an a true story?
I will be blunt 2 out of 10. The only people who will rave about this are Americans who have won this war but the First and every other war that has happened (just watch U-571 if you don't believe me and to think in really life and not films it was the British that got the Enigma machine!). Steven Spielberg I would just like to say how believable the first half an hour was with the scenes on the beach. Someone as young as me can only imagine the horrors of what those brave men (that is British, Australian, French, Dutch etc) went through in both World Wars (to me and the trenches of the First would be the most horrific). These behind the scenes men would not care about one person and other men could not be spared to go and find him! I know for a fact they do not as my Great Grandmother had to endure something similar in the First World War! I also wonder if these script writers do any research or care about history? The answer is no.
2000-06-15
Over-hyped, Unrealistic
This is for those, who think SPR is realistic.

DDay happened on 20m-s and under 15 minutes! Oh yeah! The US government is so kind that they risk 8 guys for only one. This 8 breaks trough German defense lines. Every German soldier, who fought in the war were an evil Nazi, who couldn't aim, and ran into every single American bullet! The only one, they let to go is a bad Nazi SS Soldat who is hungry for revenge! Medics are used in frontal attacks against an MG! Americans are able to shoot into Tiger Tanks and throw grenades into them. SS surrenders to a small little guy who couldn't even hold his weapon properly!

This movie is truly over-hyped made for the Americans as a propaganda! If I would be an American i would rate this movie 10/10! But i'm not... Beautiful photographics though, but this won't save the movie.

10/1
2007-06-19
Simplistic Schlock for the Simple Minded
Great film is an illuminating thing: it shines its light into the dark recesses of humanity, revealing the greed, hatred, and hypocrisy that fester there. Bad film is often just as revealing: its existence and reception serve as a mirror reflecting the hearts of its intended audience. Saving Private Ryan is a classic example of the latter, in the flickering light of its propagandistic glow, the American people stand revealed for what they really are: stupid, self-absorbed, morally unsophisticated rubes ready to be fleeced by the first charlatan who comes along and tells them what they want to hear.

"Saving Private Ryan" is typical Steven Spielberg fare: a big budget spectacle, bereft of style, filled to the brim with childishly heavy-handed moralizing and peopled with facile "characters" who exist only as cardboard cutouts for the ensuing morality play. Even the film's underlying subtext is an old Spielberg standby - America GOOOOOD, Nazis BAAAAD.

The plot of Saving Private Ryan revolves around a simple moral question: is saving one life worth potentially sacrificing the lives of many? This fourth grade ethical dilemma is played out for nearly three hours over the background of the brocage of Normandy in the hours and days immediately after the D-Day landings, and is handled with Spielberg's usual wandering attention, ham-fisted lack of subtlety and babbling pop psychology. Spielberg being Spielberg, there's never any doubt how the question will ultimately be answered (hint: with saccharine sentimentality in front of a tombstone - because, obviously, the same scene wasn't manipulative enough when it was used to close Schindler's List).

The film opens with thirty minutes of unremitting carnage as US soldiers assault Omaha Beach. This opening scene has been hailed for its savage realism, but it is in truth one of the more cynically manipulative sequences in recent memory, full of irritating, disorienting jump cuts, pornographically Gibsonesque attention to gory detail, camera tricks and special effects artifices, all accompanied by a deafening soundtrack designed to overwhelm our capacity to think about what is being portrayed on the screen and to push us to simply immerse ourselves in its reductive US vs. Them POV. When I saw this film in the theaters, the audience cheered when the first German soldier was killed, then cheered again when American troops murdered surrendering Germans in cold blood: this, I'm sure, was Spielberg's intent.

Having bulldozed and buried any hint of the moral ambiguity of war, Spielberg gets around to the heart of the movie. It has been discovered by the War Department that one Private Ryan (Matt Damon) is now the sole surviving son of a family who has sent five sons to war. Unfortunately, Ryan was a part of the paratrooper drop that preceded the Normandy landings and is missing behind enemy lines. In a moment of supreme hokum (complete with a quotation of a letter by Abraham Lincoln that wouldn't feel out of place in a Ken Burns documentary), Army Chief of Staff Gen. George Marshall (Harve Presnell) decides that an effort will just have to be made to save Private Ryan.

At this point, Saving Private Ryan becomes just another motley-crew-of-experts flick. A team of caricatures is assembled: the tough-as-nails seargent; the feisty Italian; the pious Southern sniper with Talent on Loan from God (if the historical setting had been Vietnam, I'm sure this character would have been replaced by Cuba Gooding Jr. as The Magic Negro); the REMF pussy - all led by Tom Hanks in the role of Tom Hanks, Captain Everyman. Call them the Sanitized Seven. Battles ensue. Some of the caricatures die (does anyone really remember which ones?). The Germans never miss an opportunity to remind us how EVIL they are. One wehrmacht man - having been saved from certain death at the hands our intrepid heroes by the earnest pleas of the REMF - returns only to slowly and sadistically stab an American to death. Oh those tricksy Krauts! In the end, Ryan is saved and Tom Hanks is dying. But it was all worth it. Cue the graveside maundering. USA! USA! USA!

The problem with Saving Private Ryan is the problem with everything Spielberg touches. More broadly, it is the problem of the American commercial cinema. Lacking the courage of any real conviction, it cannot offer any challenge to its audience. Instead, it panders to that audience with easy answers, impressive effects, a soundtrack that booms and tinkles in all the right places and a nice mom's apple pie pat on the back for every red blooded American. What's missing is even the faintest glimmer of awareness that the world doesn't break down neatly into heroes and villains, cowards and the courageous, us and them. In the place of subtlety, it gives us spectacle, in the place of art, it delivers technically proficient propaganda.
2006-10-19
Terrible, Terrible Movie
What a piece of trash, if you want to see a war movie that is good see Thin Red Line. SPR is poorly acted, the cinematography is below average and the entire movie is flawed with inaccurate and misleading information. This movie is an example of what is wrong with Hollywood and the way big studio movies are made, thier #1 objective is to make money off the movie at any cost even if that means turning out a piece of garbage that leads the public to believe this is the best out there, when in fact the opposite is true.
2001-04-16
Spielberg must really hate Germans
The opening of the film is visually stunning and really hits you in the face. But when Tom Hanks and his buddies have made it through the first enemy line this film turns in to a Hollywood war movie in which good and bad are clearly divided between the Americans (according to Spielberg, there were only white American teenagers and Tom Hanks participating in D-Day) and the Germans. The way in which he portays the reallity of battle also is not very objective(as history should be portrayed) whenever an American soldier gets shot, the audience is manipulated in feeling his pain and when a German soldier gets shot the audience is made to feel the excitement of victory. We are also made to belief that the German soldiers really liked it there killing Americans, while on the other hand the Americans are righteous believers in God and really have a lot of problems when they have to kill some one. Well Spielberg marketed this all as an important history lesson he had to tell, well he really must hate Germans depicting them in a way as he does in Saving Private Ryan
1998-10-18
A harrowing and powerful experience.
**** out of ****

Five years can really put a lot in perspective. At the time of its release, Saving Private Ryan was the talk of the summer. It introduced a new gritty style of war filmmaking that was only occasionally glimpsed at before. The acclaim was virtually unanimous, I'd never seen so many critics place one specific film at the top of the year-end-best list. Five years later, SPR has suffered a minor critical backlash, not too dissimilar from Forrest Gump or even Titanic (two movies that I largely adored as well). It's now considered the most overrated war film. Forget critics or the Razzies, immense popularity can do more damage than those two combined ever could in droves.

The question is: how good is this movie? I've seen it three times. Twice in theaters and another time on DVD, after it became a perennial punching bag for Spielberg haters, who came to see it as all that represented what was wrong with the popular director. For me, nothing's really changed. It's still a harrowing experience, I still find myself quivering and shaking by the film's conclusion, but I'm not unwilling to concede the film's faults. Five years (of which I've become a more demanding, even pickier, moviegoer) and three viewings have made that clear enough to me.

Most people probably know the film's basic premise, so I won't go into a detailed explanation. Tom Hanks stars as John Miller, a WWII captain who leads seven men into enemy territory to search for a Private James Ryan, whose three brothers were killed in combat. Their orders are to relieve him of duty and bring him back immediately. Unsurprisingly, many obstacles hinder their search, to the extent the men question whether finding the private is worth the sacrifices it will take to reach him.

The central premise is what keeps the film standing out from the rest of the genre. It's rare to see a war film driven by plot when it's usually a random series of events, typically battle scenes, that hold these movies together. The premise is simple, but it's effective. Whether eight lives are worth risking to save one is enough to spark a debate that probably won't reach any satisfying conclusion. Everyone's got their own opinion on the matter, myself included, but it's to the film's credit it at least made me question the topic. Viewers should at least be open-minded enough to absorb the film's moral quandaries, they're partially the glue that holds the film together.

The camaraderie and interaction among the eight soldiers is that other piece that completes the film. There's an equal mix of humor, tension, respect, and pathos between these men. Robert Rodat's script lays out each supporting character nicely, they may initially read like stereotypes, but the performers bring them to life. With that said, SPR boasts one of the best ensemble casts I've ever seen. Among the eight soldiers, there's not a single weak performance in the lot. Even the annoying Jeremy Davies comes through, mainly because his character's supposed to be annoying (and, at one point, the lone voice of sanity in, ironically, a world that deems his actions cowardly)(spoiler: oddly enough, the film later goes on to show him kill the man he earlier defended, what this is supposed to speak out about his previous actions, I'm not entirely sure, other than war can lead to extenuating circumstances).

That's not to say I liked every aspect of the film's storytelling. I'm not sure whose idea it was to give us those flashback bookends, but while they weren't grating, I'm not sure they're necessary, either. I even see the point of those scenes, Spielberg clearly wants to tie in our feelings in the present and connect us to the past. In that sense, the scene works, and you do question who the old man is in the beginning, but one gets the feeling it's somewhat superfluous. Spielberg's greatest criticism has been his need to display sentimentality. SPR is no different, there's a bit of emotional manipulation in the final moments, but to say it didn't affect me would be a complete lie. I was endeared to the characters, and their deaths were shocking, sobering, and saddening.

The battle scenes are virtually without peer. The furious intensity of the combat footage surprised me. Prior to SPR, Platoon was the most intense war film I'd ever seen and the battle scenes in that film almost look plain in comparison to the work accomplished here. It's gritty, bloody, uncompromising, and disturbing, exactly the way war should be. The level of violence has been repeated over the years (most recently in 2002, when Black Hawk Down, We Were Soldiers, and Windtalkers all aimed for the same level of graphic realism), but has never been quite used as effectively as it has been here, a lot of that having to do with attention paid to plot and character.

In the lead performance, Tom Hanks feels like an initially odd choice to play a U.S. captain. For some reason, I keep picturing Harrison Ford in this role (and who knows what he could have accomplished with it, especially after seeing his interesting work in K-19), but Hanks is fine. For all intents and purposes, he delivers a great performance, perhaps the most powerful one of his career, but Rodat's script puts a few too many John Wayne-ish tendencies into Miller. The man achieves three-dimensional characterization mostly because of Hanks' touches.

The ads and trailers clearly show that the platoon finds Ryan; I think I would have preferred not knowing that going into the film, might have added to the suspense and certainly would have given an extra edge to the moral questions surrounding the plot. Matt Damon's performance as Ryan is quite good, but yet again, Rodat's script makes him into almost a cartoonishly unselfish and honorable character. But Damon is convincing enough that some of his more one-dimensional actions didn't bother me much.

First-rate direction and acting go a long way in covering script deficiencies, and while Rodat's script is definitely the most flawed aspect of the film, it's still a well-written story of well-developed characters who risk and sacrifice their lives not only to save a man, but so that we could enjoy the freedom we almost take for granted these days. Lauding heroism in war movies is an easy sell to mass audiences but tough to win over the critics who generally hold the opinion that war produces no heroes. Maybe not intentionally, but it's undeniable that the men who fought were braver than I could ever hope to be.
2003-11-03
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