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Buy Reservoir Dogs 1992 Online (mkv, avi, flv, mp4) DVDRip
Year:
1992
Country:
USA
Genre:
Crime, Drama, Thriller, Mystery
IMDB rating:
8.4
Director:
Quentin Tarantino
Harvey Keitel as Mr. White - Larry Dimmick
Tim Roth as Mr. Orange - Freddy Newandyke
Michael Madsen as Mr. Blonde - Vic Vega
Chris Penn as Nice Guy Eddie Cabot
Steve Buscemi as Mr. Pink
Lawrence Tierney as Joe Cabot
Randy Brooks as Holdaway
Kirk Baltz as Ofcr. Marvin Nash
Edward Bunker as Mr. Blue
Quentin Tarantino as Mr. Brown
Steven Wright as K-Billy DJ
Rich Turner as Sheriff #1
David Steen as Sheriff #2
Tony Cosmo as Sheriff #3
Storyline: Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won't get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.
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Reviews
Let's go to work.
As Quentin Tarantino's first completed movie, Reservoir Dogs to this day still stands out as one of the most controversial and successful milestones in film. It's basic plot is that of a bank robbery gone wrong, oh so badly wrong. The cast is amazingly put together with names like Harvey Kietel, Tim Roth, Michael Madsen and Steve Buscemi thrown in there and of course the man himself Tarantino makes an iconic contribution to the cast as Mr. Brown. The violence and gore in this movie perfectly lets the audience know what kind of films they could expect from the Q man, and It also opened the gates for so many directors to let them truly relish in their natural violent natures. All in all Reservoir Dogs is a spectacular movie that successfully redefined cinema in the 90's and cemented Tarantino's status as one of the true geniuses of cinema.
2016-06-20
Stolen file
I watched Ringo Lam's city on fire and I was upset to see how Quentin stole everything from it to make Reservoir Dogs, Yes I like the way he combines different movies to make one but reservoir dogs was like an American Version of city on fire with white actors (not in a bad way).

I know it has been said before, but I recommend you to watch City on fire, things that didn't make sens or if you don't want to waste your time listening to those tough guys talking about what they did, City on fire will just show you what happened in a small box of time.

But anyway, I think Mr Blond and Pink made it look pretty though.

I am sorry, just in case he paid for the rights.
2006-03-18
WARNING - Reading this review may cause you to achieve maturity.
I coughed up good money to see this revolting waste of celluloid at a late-night grindhouse showing back in '94. As I queued outside the cinema in the freezing cold, I was surrounded by excruciatingly nerdy teenagers who quoted the dialogue ad-nauseum, urban 'sophisticates' giggling like naughty schoolkids at the thought of the "controversial" film they were about to see, and curious students who, in retrospect, were obviously willing to accept whatever sadistic, would-be 'blackly comic' crap was doing the rounds before TRAINSPOTTING came along and gave them what they deserved. Finally, we got into the cinema, and as the film began with a long, tedious and desperately unfunny conversation about guys with big dicks, the lyrics of old pop songs and the validity of tipping waitresses, several people in front of me got up and left. A couple of the comments I overheard were "This film sucks arse!" and "What a waste of f***ing money". I wanted to join them, but I thought as I'd paid to see the film, I might as well stay until the end. By the end, I was bored, resentful, fidgety, nauseated and thoroughly let down. Who decided this was a CLASSIC? Almost two hours of lumpenly racist, misogynistic, thick-witted 'bad guys' dressed up like Jake and Elwood Blues, waving guns around, bellowing obscenities, bleeding, hacking, slashing, punching and torturing their way through one of the most banal, cliche-ridden and hackneyed scripts in cinema history does NOT amount to a classic. Yet all around me there was awed silence, gasps of "brilliant" and people falling over themselves to praise Tarantino's homoerotic gangster fantasy in ever-more lavish terms. It seemed that everyone in the cinema seemed intent on endlessly reappraising a huge, stinking turd until they'd convinced themselves that it really WASN'T a turd. And, depressingly, so do many of the reviewers here.
2002-07-11
My Favorite Tarantino Production???
There are so many perspectives on which to praise "Reservoir Dogs". First and foremost, it has the edgy realism that began to slip away in the "Kill Bill" films (which I still very much praise and enjoy), and was completely discarded in his recent film "Inglourious Basterds". It's like recently Tarantino let his fame go to his head and just went all out without thinking about if what he showed on screen made any real sense. This film of his, basically his first three, are the ones I admire the most. Not to mention the way the story is told, it's just very intriguing from the start. We see only brief glimpses of what actually happened at this bank job that apparently went very, very, bad. The cast was phenomenal throughout and this film had the chemistry to really make the tension play out realistically and brutally later on. The atmosphere is solid and full of well acted malice and is pretty unpredictable. In fact, amidst all the insane and gruesome scenes which some may struggle to sit through ("Can you hear me now?")is a very nicely paced plot that in reality is probably one of the greatest crime/thriller pieces ever written.

The talent here is undeniable, and every performance is just awesome. The ones I really admired the most were that of Harvey Keitel as Mr. White, and definitely Steve Buscemi as Mr. Pink. And where as I believe every individual character stood out quite well, the two that stirred up the most in me was Tim Roth as the nefarious Mr. Orange, but over all Michael Madsen as the sadistic Mr. Blonde. I will never forget Madsen as the soda sipping psychopath. Tarantino does well himself I must admit, and kudos to the often over-looked performance of Kirk Baltz as the unfortunate Officer Marvin Nash.

With its tremendously talented cast breathing life into these characters we know so little about, coupled with its very involving story and well placed music, it all comes together as arguably Tarantino's most refined work.
2011-01-31
Defines Tarantino as a Filmmaker
Reservoir Dogs was Quentin Tarantino's first motion picture. But even as early as his first try, you can see every element that defines Tarantino as the unmatched filmmaking legend that he is revered as. It just might be the greatest indie film of all time. No budget, no SFX, no big sets and no wide distribution. But the amount of emotion, humor, sadism and reality that this film conveys is more extraordinary than any big name blockbuster. The plot of the film is brief, but it works. It's about a well organized heist that goes terribly wrong. Truth is, there is a rat in the whole operation, but who? With that in place, Tarantino takes us beyond what is said on paper and retraces the steps it took these men to get to the predicament they are in now. We see the back stories of Mr. White, Mr. Blonde and Mr. Orange, all without ever meaning to place them in the middle of the conflict. Its a movie that only the viewer can interpret, and the important facts are placed at the forefront to help come to a conclusion. This information works in favor of the main narrative. Some have complained about not hearing the origins of Mr. Pink, Mr. Brown, Mr. Blue, Nice Guy Eddie and Joe Cabot. I agree. Perhaps more clarification of their purposes might have enhanced the narrative. Perhaps it would have answered the obvious question, What was the point of this whole operation? I'm sure Quentin would have made the film twice as long and incorporated all of their stories had he made the film today. Needless to say, It does not take away from the experience. In fact, the mysteriousness makes it even more entertaining. Also, Reservoir Dogs will always fall under the controversy of being too violent for mainstream audiences, as well as being highly unnecessary. Well, I disagree. Violence is the name of the game in the life of being a Dog. If that means chopping off an ear while dancing to K-Billy's Super Sounds of the Seventies, then why not? Reservoir Dogs doesn't exist to share a moral. Rather, it shows to us just how something so right can go so wrong. Even if the right was wrong in the first place. Reservoir Dogs is the precursor to the rest of Tarantino's career, and to get started watching the long journey of his success, make sure you pop in this amazing flick first.
2013-02-21
Larry, stop pointing that f****** gun at my Dad!
Ever since I was a little kid, Back to the Future was the s***! For years, I tried to find out how to actually build a DeLorean time machine, or any time machine. I practically lived and breathed time travel, and I still somewhat do. But, after years of watching movies, seeing nothing that could compare to Michael J. Fox. Out popped a movie that was minimalist and natural. My new favorite movie ever.

Plot - 6 guys robbed a bank under the guise of colors. They are Mr. White, Mr. Orange, Mr. Pink, Mr. Blonde, Mr. Brown, and Mr. Blue. They were hired by two guys Joe Cabot and Nice Guy Eddie. S*** goes down, Orange is shot and Blue and Brown die. The guys start wondering how the cops got there so quick. They begin to suspect that there is a rat/cop within their group. There is nothing wrong with the plot except that, they only slick back their hair in order to mask themselves. Who is to say that not one person would see your face. They have artist renderings. Also the plot is sort of borrowed from City on Fire (1987) and Kansas City Confidential. 7/10

Acting - The acting in this movie is superb. That can be credited to the fact that the dialogue is extremely relaxed and realistic. Props to the opening diner scene, where they discuss Like a Virgin and how it's all about d***. Tarantino had a sort of style that you're all familiar with. It's sort of laid back and the characters talk about stuff not important to the plot. Michael Madsen and Steve Buscemi are the best ones. Tim Roth would be the same, if it weren't for the scene where he's bleeding in the car. Keitel, Penn, Bunker, and Tarantino are good. I heard Lawrence Tierney was a pain on set, but he's not that bad. 9/10

Set Design/Location Shoot - There are barely any locations in this movie. There is the warehouse, the diner, Joe's office, the bar, and another diner. It's really nothing to brag about, though the minimalist is just amazing, as Tarantino shows he does not need a bunch of locations to make a great movie. That warehouse is also pretty memorable. 7/10

Cinematography - I really don't like reviewing this part of any movie, as I feel that it is so mundane and uninteresting. I completely skipped it over in my An Extremely Goofy Movie review and my still not submitted Beauty and the Beast review. I however include it, as there are films that deserve for their cinematography, good or bad. The cinematography is good, not great. We see Tarantino is not an amateur with his shots, and I will mention the credits sequence and Mr. Pink's flashback. There is however, nothing great about it. 7/10

Costumes/Props - The actors all brought their own costumes, because it wasn't in the budget. Nice Guy Eddie's track jacket is actually Chris Penn's and it is hilarious. The suits add to the cool factor of the movie, the cop costumes are standard, and the guns are also standard. There's no real focus on the costumes or props in this movie. 6/10

Soundtrack - My god is that soundtrack amazing. Little Green Bag is forever stuck in my head, and Stuck in the Middle With You was unbelievably awesome. Other than that, the movie is quiet for the most part. 8/10

Script/Dialogue - Like I said before, the style is very relaxed and cool. It's a really great script with realistic characters. 10/10

Characters - We don't really no much about the guys' backstory. We do know about their personalities. White (Lawrence Dimmick) is compassionate towards Orange (Freddie Newandyke) and takes the responsibility of being his mentor. He is really hurt when Freddie turns out to be the rat, and regrettably shoots him afterwards. He however, can be a killer when he needs to. I couldn't really pin down what Orange's personality is, he seemed kind of cool and scared of death, but he was mostly knocked out for most of the movie. He is also way to quick to single out Pink for not tipping, foreshadowing events to come. Blonde (Vic Vega) is a sociopath. He just doesn't care. He shoots down cops and civilians once the cops arrive a little too quickly, and he tortures a man, while at the same time dancing to 70s music. All the while, he's cool and suave, and he shows no remorse. Pink is selfish, greedy, and just wants to get the job done. He fancies himself a professional and sees Blonde as nothing more than a Psycho. We never find out his name, and yet he is the only one to survive the entire movie. Nice Guy Eddie seems like his namesake at first, but will instantly lash out if anyone threatens his dad, or if he found out his friend was trying to make off with the jewels. Joe fells every one of them is untrustworthy, so he never gives out their names. Instead he gives them colors. Although, he never gives himself or his son a code name, so he's only protecting the guys he hired and not himself. Brown and Blue were barely in the movie. We did see that Brown is very talkative. Great characters who never spout out their backstories and instead show us who they are. 9/10

Overall - It's a really good movie that borrows elements from other gangster movies. But other than that, it's fine. It's good, it's a fun movie. Mexican Standoff, awesome. And was a great movie for Tarantino to start with, unlike My Best Friend's Birthday. Inspiration comes from Kansas City Confidential, The Big Combo, The Killing (1956), The Taking of Pelham One Two Three, City on Fire (1987), and Au revoir les enfants. 7.875/10, rounded is 7.88/10, rounded is 7.9/10, rounded, 8/10.
2016-07-26
Second-hand, second-rate cut-and-paste job.
To quote the great Terry Rossio:

"There are many films with the goal 'to find your way home.' But there's only one film where a girl clicks together a pair of ruby slippers."

What that basically means is that the goal of many stories is essentially the same. The 'find your way home' example is used in films such as E.T., The Wizard of Oz, and Back To The Future, just to name a few. Only one of those has ruby slippers. Only one has a bicycle fly past the moon. Only one has a time-traveling Delorean.

The goal of 'criminals getting together to pull off the perfect heist' has been used is such films as The Killing, The Taking of Pelham One Two Three, and City on Fire...just to name a few. Only one had an un-chronological order to the events. Until Reservoir Dogs. Only one had the criminals use color-coded names to keep their identities anonymous. Until Reservoir Dogs. Only one had an undercover cop infiltrate a gang of crooks and befriend another crook, only to get shot during the process of the robbery, until he confesses the truth to his new friend. Until Reservoir Dogs.

If you cannot see that this entire film is just a cut and paste job, then you have to be mentally impaired. And that is not an insult.

As far as originality goes, Tarantino hasn't got to that point yet. The point where he creates something on his own. This is just a second hand, second rate cut and paste job that is only mildly entertaining on first viewing. Upon seeing the film subsequent times, it only gets worse, and it's (very many) flaws only stand out to an even more obvious extent. This is a bad movie even for someone who has never directed anything before in his life.

The film starts with a discussion that might as well be about Jesus, pancake syrup, or the duties of the school crossing guard. None of these have anything to do with the story...much like the conversation we see before the opening credits roll. Which brings me to another discussion that takes place later on in the film...something about Lady E and a superglue incident. How is this any of our business? How does it advance the story? What do we get out of it besides a possible forced laugh of pity? It's not our business, it does not advance the story, and we get nothing out of that scene at all. You can literally remove it and be left with the same exact film, just without that scene. From the point before that scene started to after it finished, NOTHING HAS CHANGED AT ALL. It's complete filler. A total waste of time.

This movie would have been pretty good without extraneous scenes floating around, popping up at random, and taking entirely too long to finish. The best example of this is the whole Tim Roth segment. It interrupts the flow of the story and it simply not fun to watch. It's a huge dead moment right before the climax of the movie and it's very easy to simply lose interest at that point. When the finale does come, it's more of a "good, it's over" point rather than any kind of realization. Tarantino couldn't even create a good third act when he literally just copied the third act from City on Fire, and in some cases...shot for shot!

Resertvoir Dogs showed us nothing that we have not seen before...literally. The only positive thing about it is the cast, and that's even not so great. Most of the dialogue is just screaming and f-words being used like it's going out of style (and it has, thanks to films like this), and the "infamous" and "extreme" violence is about on par with The Lion King. So if you're thinking about watching this movie...just watch a good heist movie instead. I suggest:

The Killing The Asphalt Jungle The Taking of Pelham One Two Three
2005-06-17
Repulsive
I didn't enjoy this movie one bit. I found this movie to be very boring and absolutely preposterous at times. The only reason I even gave it a 3/10 is because it was so bad it actually made me laugh at times. The story line lacks depth and promotes violence. The hatred that is exhibited for police officers is somewhat repulsive. It was actually painful to watch. The actors did a good job at portraying characters but most of the scenes are so unnecessary and irrelevant that I lost interest in them. This movie is an absolute NO from me! Do not waste the hour and 39 minutes of your lives. I am actually in awe at the amount of people in the reviews describing this movie as a "classic".
2016-06-08
Easy on the kudos, everybody. Read and learn.
If I read one more brainless Tarantino-phile's thoughtless salivation over this most over-rated rip-off, I think I'll vomit.

Very little has been made of the fact that this movie was totally ripped off from Chow Yun Fat's City On Fire. I've seen that movie, and take my word for it, Dogs is borrowed from bottom to top, from the heist gone wrong because of a trigger-happy sociopath, to the ring of diamond thieves infiltrated by a hotshot young undercover cop, to the relationship between the cop and the experienced professional, to the warehouse rendezvous, to the cops waiting for them there, to the curiously sympathetic professional tending to the wounded cop, to the "Mexican Standoff" (?) between the boss, the professional, and the boss's toadie. Hell, even the professional dicing policemen in their car with two semi-automatic pistols was straight out of City On Fire. So much has been made of the Scream rip-offs and Die Hard rip-offs, well, where's the uproar here?

Somebody mentioned that Keitel ties the movie together with "spooky" calmness. What movie was he watching? The Piano? It looked to me like Keitel was channeling Pacino, screaming constantly and making wild gestures. I kept waiting for Eddie to slap him.

I am soooooo sick of everybody talking about Michael Madsen's "great" performance as Mr. Blonde. Michael Madsen always plays the same tough-guy cliche, good guy or bad, and his performance in this isn't any different than those in The Getaway or Donnie Brasco. I think anybody could've played this part more interestingly. The part was written to be disturbing, and Madsen really didn't add anything to that. I would've much rather seen Buscemi or Keitel as Mr. Blonde.

The lame bear-claw joke fell flat in what was an otherwise humorous movie. It was about as out of place as Tarantino's pitiful portrayal of Mr. Brown. He's the only "actor" I know that can screw up a bit part.

Just how was Mr. Blonde gonna deal with the enormous fireball that lighting several gallons of gasoline in a tight warehouse would create? I know that he was "crazy" and all that, but it seems like a robber on the lam wouldn't want to send huge clouds of black smoke billowing out of his hideout.

Would it really be a good idea to sit in a fairly busy restaurant looking rather suspicious in your robbery duds the morning of the big heist? I know it's LA and all, but even as a restaurant patron, I would've noticed six bad-asses in cheap black suits, a fat redhead wearing a somewhat ironic jogging jacket, and an old mafia-type, sitting at one table, carrying on loudly about Madonna.

Mr. Orange was the highlight of this movie for me. His disgust at Marvin crying about how he'll never look right again was an acting triumph, and the look of sadness on his face as White murdered the cops in the car (far more interestingly explained in the script) was similarly heartfelt. Why haven't we seen more of Tim Roth lately?

I can't deny my enjoyment of this movie in spite of my extensive complaints, though it doesn't deserve the praise that unknowing moviegoers give it. Tarantino will always be, to me, a creatively constipated bad actor who got very lucky. My guess is that his skillfully-written dialogue comes from snippets of conversation he's heard here and there. I rate this a 6, 2 if you factor in that it was absolutely plagiarized.

1999-01-16
Very Overrated
A gang of thieves carry out an armed robbery on a Diamond warehouse. The police are after them so quickly that they suspect they have a rat in their company. This film starts right after the robbery, with flashbacks to before the robbery, and to the planning of the crime.

After reading this plot, you know this is not your average crime film. In fact, I thought this film was about the whole diamond heist and that there will be a twist ending on who's the rat. It's absolutely nothing like that.

Although an original way to make this film, this film is mostly boring, with an exception on the prologue of the film which I found entertaining for some reason. This film is very violent and bloody with shooting here and there and yelling about this and that. That's about it with the film.

There's nothing interesting with the "boring" characters and "bad" story. The actings were relatively decent and this film is nowhere near one of the best films ever, although many people said it was, which lead me to buy the film on DVD, which I found a complete waste of money. One good thing about this film is that it's unpredictable and has funny jokes, which in real life would be just the opposite.

This film is decent but not a very good film. It has some originality and clever humor but all squished with a boring plot and uninteresting characters. This is just my opinion but I should say for those who want to see this film should rent it first before buying.
2007-02-03
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