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Crime, Drama, Thriller
IMDB rating:
Quentin Tarantino
John Travolta as Vincent Vega
Samuel L. Jackson as Jules Winnfield
Tim Roth as Pumpkin - Ringo
Amanda Plummer as Honey Bunny - Yolanda
Eric Stoltz as Lance
Bruce Willis as Butch Coolidge
Ving Rhames as Marsellus Wallace
Phil LaMarr as Marvin
Maria de Medeiros as Fabienne
Storyline: Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.
Type Resolution File Size Codec Bitrate Format
1080p 1920x816 px 14757 Mb h264 13360 Kbps mkv Download
HQ DVD-rip 852x362 px 1847 Mb h.264 1500 Kbps flv Download
iPhone 480x204 px 823 Mb xvid 600 Kbps mov Download
Tarantino's Mad, Mad, Mad, Mad World !!!
This is a tour de force of brilliantly precise screen writing, perfect acting, precise camera-work, perfect directing and world class dialogue writing. 'Pulp Fiction' is Tarantino's carnival of funny, but equally abrasive nihilism. This is a film which has a surprisingly firm backbone of morality beneath the crazy and deranged surface. Tarantino is constantly on the lookout for characters who make a choice to turn their back on their meaningless lives of nihilistic violence and look for honour and a purpose. The characters who make that choice are allowed to ride off into the sunset, while the characters who decide to not change and stick to their meaningless cyclical lives of never-ending crime and violence are burdened with unenviable fates. There is a method to the madness. Tarantino makes the film and the characters infinitely rich. However while doing all this, he never stops having fun. There are endless film references, pop culture references and other stuff that signifies the film's self- consciousness which constantly make the viewer feel the fact that they are watching a film, a piece of fiction through Tarantino's eyes and not anything attached to reality.

Some people tend to trivialise the structure of the screenplay by calling it a gimmick. But as far as I'm concerned the structure of the screenplay is essential and indispensable in the context of the narrative and in the context of how Tarantino wants to drive home the themes that he is exploring. In a nutshell........ yeah, 'Pulp Fiction' is a masterpiece, it's a bad mother#*%@er.
worst movie ever
After 4 years, I still consider this the worst movie I have ever seen. I have yet to watch any thing else with QT's name attached to it. Everything about this film is annoying, (the presence of the ubiquitous Sam Jackson and Steve Buscemi, the weak attempts at shock value, the cameo by the director) but the one element that makes this number one on my all time worst list is the obnoxious dialogue that tries to be hip and funny. THREE'S COMPANY reruns have better dialogue (and I hate that show). It's such a shame though, because QT and I do have a lot of the same obscure tastes in movies. My advice is to try a project that tries not to be shocking, funny or hip, because PULP FICTION fails in all three departments miserably.
Awful every time
I hate to be the Debby Downer of the bunch but.... this movie is awful. I was forced to watch it growing up by my parents, then again as a teenager by a boyfriend, and now again for a class I'm taking. I do not get the point of anything this movie puts out, I actually hate everything about it. The plot set up is ridiculous, the characters are awful and disappointing, and the ending even sucks. I wish I could get the time back for the three regrettable times I had to watch this film, but I can't. I will never watch this movie again, and hopefully after I write this review I can go back to acting like this awful thing was never created or released to the public. Don't waste your time, it's more entertaining to watch paint dry.
The type of movie I would've loved when I was thirteen
Some observations:

1. Anytime your most admiring audience is comprised of 17-year-old males you know you're in trouble.

2. Anytime the most common adjective used to describe your movie is "cool" you know you're in trouble.

This is a silly, juvenile, vulgar movie. Tarantino should have had the courage to make a cheap, violent, trashy Hollywood-style movie and been proud of it. Instead, he made a cheap, violent, trashy, Hollywood-style movie and hid behind the "irony" façade. Works for 17-year-olds, doesn't work for the rest of us.
Unadulterated dreck
This is a great film? By what standards? Anyone can string together a bunch of violent, disjointed scenes, designed to shock and disturb the viewer. Violence, in and of itself, without context and pertinence to the story, is the tool of no-talent scoundrels masquerading as filmmakers. Such, unfortunately, is Tarantino. What a shame for Travolta that this was his 'comeback' film. For me, the only watchable part of this film was the sequence featuring Bruce Willis. Even that, Willis was convinced to be in this film is a mystery to me. Cameos by Emil Sitka, Christopher Walken's brief part, and Harvey Keitel's appearance cannot save this self-indulgent and troubling example of a director gone wild, suffused with the sense of his own talent. This was a BOMB.
A creative and slick waste of time
You want to do something really neat? Take the movie "Pulp Fiction" and re-cut it, so that, instead of being out of sequence, it is actually in proper sequence. It can be done. Why do this? Because if you do, you will see what a nothing movie this really is. There is no central plot, there is no real theme, or story or climax. It is just a bunch of tricks and overly snappy dialog, masquerading a piece of fluff that has as much depth as the kiddie pool. Hey, more power to Tarantino, the guy is a Houdini, full of slight of hand. But are we really so simple, that we are ranking this one of the ten greatest movies ever made? Come on! OK, I know that Travolta is cool and Jackson is funny. However, let's reserve the greatest films of all-time category for real masterpieces and real stories, and not some overly slick pulp geared towards video store geeks.
Quentin you're the man!!!
This is a pure masterpiece folks.Actually a unique movie with its own style and feel unlike anything before it.You have to see it for yourself and find out what the film is all about because everybody has different interpretation of it.The essence of the 50s,60s and 70s captured and combined in one big hell of a movie.Highest admirations to all the actors who were involved in this movie.John Travolta is my number one character in the film fallowed closely by Sam Jackson,Bruce Willis and the hotter than ever Uma Thurman.The dialog is great and you feel like you're in the movie yourself connected with these people.Guns,blood,torture,rapes(and you'll never guess who got raped)and a briefcase full of whatever your imagination is.What Pulp Fiction right away-one of the definitive movies of the 90s and one of the best of all times.
Hands down, the best film of the '90s.
Pulp Fiction, despite borrowing from just about every movie ever made, is the most invigorating cinema experience a filmgoer can ever hope for. Its hodgepodge of violence, mayhem, and generally deviant behavior is an assault on the senses, not to mention political correctness. However, despite all the film's cleverness and style, it hinges on the performance put forth by Samuel L. Jackson as Jules. The fact that he was denied an Oscar is a downright shame. Martin Landau, the best supporting actor winner that year, was terrific and funny in Ed Wood, but Jackson was perhaps the most commanding screen presence in film history as the bible-quoting, godfearing hitman. The last scene in the coffee shop with Tim Roth still sends chills down my spine, no matter how many times I've seen it. Rumors of a prequel involving Jules and Vincent (John Travolta) have been floating around lately. If Quentin Tarantino wishes to regain the fans he lost with the dissapointing (but still pretty good) Jackie Brown, he should get to work right away. I'll be the first in line to see the finished product.
I gave it a 1 out of 10
That was to lower it's stupid ridiculously high average, but to put it quite simply, I hated this movie. I didn't expect to like it, I was only watching it for Frank Whaley, but I hated this movie, really hated with it with it's various plot holes that do not make sense(watch "Short Cuts" if you want to see a decent movies about the interrelating lives of people), obnoxious, unsympathetic characters(I wanted to cheer when John Travolta died, or did he die? I had no idea since the film epitomized non-sense making. Someone died, and I didn't like any of the characters, with the exception of Whaley's, so I would still have wanted to cheer), bad writing, with obvious attempts at being "cool" and trying to have "catch phrases," etc etc etc! I found nothing good about this film in the least. So why did critics? I hate when violent, immoral films are regarded as "daring" "good" film making. This one sure wasn't, and nominating John Travolta and Samuel L. Jackson for acting awards?! The first one is just absurd and the second has proven to me that he can act, but the only thing he was acting in this film was obnoxious. This one is up there with "Born on the Fourth of July" and "Do the Right Thing" for my least favorite "good" movie.
The Movie that redefined a genre
Viewers are taken on a ride through three different stories that entertwine together around the world of Marcellus Wallace. Quentin Tarantino proves that he is the master of witty dialogue and a fast plot that doesn't allow the viewer a moment of boredom or rest. From the story of two hit-man on a job, to a fixed boxing match to a date between a hit-man and the wife of a mob boss. There was definitely a lot of care into the writing of the script, as everything no matter the order it is in, fits with the story. Many mysteries have been left such as what is inside of the briefcase and why Marcellus Wallace has a band-aid on the back of his neck, which may be connected. The movie redefined the action genre and reinvigorated the careers of both John Travolta and Bruce Willis. This movie is required viewing for any fan of film.
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