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Buy Now You See Me 2013 Online (mkv, avi, flv, mp4) DVDRip
Year:
2013
Country:
USA, France
Genre:
Crime, Thriller, Mystery
IMDB rating:
7.3
Director:
Louis Leterrier
Morgan Freeman as Thaddeus Bradley
Mélanie Laurent as Alma Vargas
Stephanie Honore as Atlas Groupie
Jessica Lindsey as Hermia
Caitriona Balfe as Jasmine Trassler
Han Soto as Agent Painters
José Garcia as Etienne Forcier
James Rawlings as FBI Swat
Michael Kelly as Agent Fuller
Michael Caine as Arthur Tressler
Mark Ruffalo as Dylan Hobbs
Woody Harrelson as Merritt Osbourne
Common as Evans
Dave Franco as Jack
Jesse Eisenberg as Michael Atlas
Isla Fisher as Henley
Storyline: Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see.
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Reviews
It will go down in history as the best movie of 2013.
A lot of people also think there is no real magic in this movie. Since the condescending black guy, Thaddeus, debunks just about every magic trick in the movie.

Well, there is a lot of magic in this movie. One of them is the building leap where the 3 Horsemen turn into money. How does one explain that?

How did the 30-year-old New York Post paper featuring a two page article on Lionel Shrike get inside Alma Dray's Liberation newspaper in Paris? How did Dylan Rhodes escape the locked prison cell when he visited Thaddeus from behind him and then appear in front of him where the door is at?

In the interrogation room Merritt informs Alma about Dylan having daddy issues and that it's her first time off the desk. So he is a real mentalist. He can also feel energy through closed doors and glass when he acknowledges Fuller and Dylan looking at him in the room. Jack disappears from inside the curtain when Dylan grabs him at the joint. And appears on the other side. It's unexplainable, so it's magic.

And also, how did Atlas get the SUCK IT card inside Thaddeus' velveteen pocket before their second show?

We may never know whether the story of the cheating husband at the beginning is true or not. But we do know about Dylan having daddy issues and Alma being her first time off the desk. No one told Merritt. Well, least not about Alma. This is magic.

Thaddeus knew an unusual amount of information about the Horsemen plans and The Eye. So The Eye is real, or was real. He knew about the book Alma was reading called The Guardians of Horus. He even tells Arthur that whatever the grand trick is was designed long ago. How does he know this?

Another clue is the first meeting with Thaddeus when he tells them that they are being played because it's a game. Only Dylan can understand him.

Some people claim that there is no growth in the characters and that they are shallow. Again, not true. They had a start as individual acts, Merritt was successful at one stage, even had a TV show. He was trying to do a comeback with a book he wrote about hypnosis.

Before they leave the joint, Henley wonders who they are working for and Jack doesn't want to go to jail. Or get killed. Merritt is expecting a pot of gold at the end of the rainbow. Henley reminds them that they must stick to the plan and Merritt will get to do whatever he wants after.

Jack, since he is the youngest, is often treated unfairly. Even in the engineered Jet scene when he wants to speak about his part on the show. He is dismissed. Atlas and Henley used to work together back in the day and went their separate ways as Atlas was a control freak.

When they post a video on Youtube about Jack's death, Merritt also says they have started something bigger than all of them. And they have to finish it. In the lift at 5 Points Henley comments that she had a year of fun even if she goes to jail. This is character development.

At Central Park Merritt celebrates Jack for being 'a big boy now'.

The story is NOT about the Horsemen. It is about Dylan Rhodes. He is the one that grows throughout the movie. He is the one who is satisfied at the end. He is the one who had a goal. He is the one who knows what was happening and what to do.

After the inciting incident, Dylan gets a call from Fuller. He accepts the opportunity and goes to his office to start with the case. When he gets there, to cover his tracks, he acts like he doesn't want anything to do with the case. His plan did not or would not involve anyone outside the bureau, much less an agent from Interpol. He didn't see this one coming.

He later changes his mind when they let them go, confusing the agents. Again, to cover his tracks. When Fuller tells him about Thaddeus being in the show filming the Horsemen, he, to us, did a terrible job when he denies ever having any knowledge about the magic debunker. And only we can see this. Even when they meet Thaddeus at his offices, he had to convince everyone that he doesn't know anything about magic or his own father, Lionel Shrike. He acts like a dummy. We are the only ones who can see this.

At the empty Las Vegas theater, he did an excellent job when he 'pretended' that he didn't know how they stole the money from Paris. For Alma. He had to keep up with her for most of the movie because she was onto something. She's a researcher. A desk agent like Merritt said.

Of course Thaddeus won't last in jail. And yes Arthur's money is gone. Merritt can hypnotize people over the phone to get them to do whatever he wants. Even if Credit Republican of Paris gets its money back since the bank money is probably insured and the Elkhorn money inside the safe at the warehouse, the whole point was for Dylan was to humiliate his victims. Arthur Tressler's insurance career is over. After they exposed his company it will be done away with.

Thaddeus Bradley's ego is busted. He'll find it very difficult to return into the business after what Dylan did to him.
2014-12-10
Now We Fool You
Four magicians answer a mysterious call to work for an obscure secret society. A year later, they call themselves the Four Horseman, and create havoc with their magic. Their first trick to rob a bank draw the FBI and Interpol into a cat and mouse game.

Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco play the 4 magicians. They have great chemistry and their interactions have great energy. They had a fun time being interrogated by Mark Ruffalo's FBI agent. It was a promising start as a fun interesting movie that gives us a little insight into magicians. Then it turned.

It became all flash little substance. The heists kept coming. It's like the movie was its own trick. They kept pumping up the flash in order to disguise the lack of a good story. And the final twist was just fool's gold. There is no foreshadowing. It was done for its shock value. Sadly, by then I was out of shock. All sound and fury signifying nothing.
2013-08-27
No Magic here
Now you see me is a weak story that has you believing its gonna be good. That's the real trick i fell for. By the time this mish mash was over i felt like i just watched a whole series of xfactor for magicians back to back. The whole premise of a group of elite magicians drafted by a mysterious founder of a secret society to right wrongs and reap revenge using magic tricks is a bit of a stretch, and never really got off the ground. Even with the instant just add water hype i was bored. Morgan Freeman was pretty average and his character Thaddeus Badly was pantomimic. Woody Harrelson did his usual standard with his character of Merritt McKinney the master hypnotist who could hypnotize anyone. Seriously he could have just got people to hand over money instead of creating elaborate scenarios. Mark Ruffalo as Dylan Rhodes was the central character but is so weak it left the movie hollow and bland. If you haven't seen it than good for you. At the count of three you will awake and you will not want to see this movie.
2013-12-28
Absolutely pathetic!
Well, how do I start? I really had a lot of expectations on this film, but unfortunately, I've been absolutely disappointed. I must admit, though, the first 5 minutes are promising, lol. As soon the 4 horsemen meet in the the "boss" flat, (let's call him like that), the movie starts it's non-stop-ravine-fall. The film has everything I hate on a film: a childish story, a hardly credible teenage storyline, a lack of suspense in the development of the plot, and a very predictable ending, which is absolutely embarrassing to the viewer. However, there is something you can save of this firing: the outstanding performances of Morgan Freeman, Mark Ruffalo and Michael Caine, even though they're not, by far, worth of swallowing this horrible sleeping pill.
2013-09-02
Absurd plot. Waist of time and propaganda.
1. Painful attempt to create mystery 2. Painful attempt to instigate "doubt" with the cheap historical miss use to create nonsense. So there is a "puppet master" out there?, give a break.

3. Horrible suggestions. So according to the script, the audience should not ask because is better to stay ignorant. Is this how propaganda is delivered in 2012? I may ask. Suggesting the audience to be submissive and turn around and go home? Different context, I know. So beside being a waist of time. What is the purpose of the movie? If this is interesting for a movie producer, .. than anything and everything is worth being a movie with such expenses.
2013-12-08
Could have been better
Even magic/caper movies need SOME sense of reality. This movie is so full of holes and unbelievable situations it's almost funny. If one can really see it as a fantasy film, then fine. You'll enjoy it. If one wants any coherency SKIP IT. SPOILER ALERT: The twist could have worked if what the Ruffulo character did was believable...but there were SO MANY instances that the writers had him do that did not justify the ending. Too bad, because the photography, music and even some of the acting was just fine. The story should have been completely re-written. Film was also very choppy and it looks like scenes were filmed and cut or should have be written and filmed. Am tired of Jesse Eisenberg playing the same character in EVERY MOVIE IN WHICH HE APPEARS. His acting range is A-B. Give somebody else with real talent a chance at his roles.
2013-09-24
I went in hopeful and left feeling insulted.
"Now You See Me" has a stellar cast, a fun and intriguing premise and themes (showdown of rival magicians combined with a heist), delightful smart-assery and cunning tactics -- especially in those scenes dominated by Jesse Eisenberg or Woody Harrelson. Oh, and it has quite dazzling action sequences. All the best parts of this film are well-packaged and sold in the gripping theatrical trailer.

I took someone I loved to "Now You See Me" and expected the payoff of a perfect night of entertainment.

I'm not impossible to please at the movies and I actively wanted this to be a good time. I went out for entertainment and leisure and in good company and high spirits, not at all for the purpose of writing a critical review.

What's more, I'm a big fan of all of the raw ingredients in this film. I enjoy magic and I could watch Morgan Freeman or Michael Caine in almost anything (now proved.) I fully enjoyed a much better film called "The Prestige," which might be regarded by some as a predecessor.

But what happened here?

After several fun scenes and a promising opening sequence that made me want to care about the characters, I discovered a film in search of a plot and utterly lacking intellectual integrity and respect for the audience. The twists and reversals weren't just surprising, they were completely unbelievable. You didn't see it coming, but not because of skillful misdirection (the art of magicians, so often implied.)

Rather, you didn't see it coming because the explanations were crooked and cooked up and merely expedient.

Especially, by late in the film when they start tracking backward to earlier events to show you how you were fooled and what was really going on the whole time -- the explanations presented are less convincing than simply believing in real magic.

!!!Spoler Alert: Stop reading here if you would like to watch this movie without knowing anything about the late scenes, reveals, and reversals!!!

For example, the "Four Horsemen" stage the death of one of their own by perfectly orchestrating a high-speed traffic accident on a crowded bridge. It's imperative that the car he's apparently driving flips and tumbles several times and ultimately bursts into flames.

But it's equally imperative that the pursuing detective can retrieve a stack of papers from the wrecked car. He *must* be able to retrieve the papers but not the body, all while getting away with his own life, or else the plot begins to unravel.

The timing is of course worked out impeccably, and it's carried out with no other fatalities on the bridge. And somehow the magicians have stuffed a replacement body from the morgue into an identical car just before turning it into a time-bomb.

The audience knows, emotionally, that the Dave Franco character shouldn't really be dead (as I heard one person exclaim loudly during the closing sequence when "Jack Wilder" shows up again,) but the way his death is apparently faked would defy an unlimited budget and dozens of trained stunt drivers and coordinators -- unless, of course, you close the bridge to public traffic. Yet it's just one more miracle that the Horsemen carry out with aplomb, at a frenetic pace and on-the-fly, with less than half-a-dozen total team members, empowered by an unlimited budget and a mystery benefactor.

All the while, apparently real traffic zooms along with presumably untrained and unprepared public going about normal business.

We are expected to believe that the way Hollywood makes a high-speed accident occur without killing anybody can be done by a handful of highly motivated professional stage magicians (read: amateurs to road stunts) and somehow this can be accomplished without completely controlled surroundings.

This elaborately and improbably faked high-speed death scene is just one example of the film jumping into an explanation of "how it really happened" that seems less probable and less believable than *anything* you could have guessed before being told.

And the plot problems go much deeper than buying into death-defying scenes that require an elimination of anything random in a busy public space. I couldn't buy the ultimate reveal about the real identity and motives of the Mark Ruffalo character, either. It seemed incongruous. It felt like a cheat. The way he is planted in relation to earlier events seems like an afterthought.

And I couldn't buy that underneath his deliberate blundering and willful ignorance was someone not only much smarter than he appeared, but someone so capable of perfect planning as to be damned near omniscient.

The total impression is of a promising film idea that fell on its own very expensive sword. I don't know what happened, but it looks like it got battered and morphed around and rewritten by multiple teams of writers. The total feeling is that the story got killed and Frankensteined back together multiple times. And it looks like the final edit came after the director and all concerned were out of steam and over budget.

I felt intellectually raped, to put it bluntly. I felt like the director was content to dazzle us with action and effects and to take our money while demanding our total credulity on the plot points, using the angle provided by magic in a rather disingenuous way.

This, instead of providing a coherent narrative that would allow an adult audience to cheerfully maintain a willing suspension of disbelief.

The storyline turns into a madhouse of improbabilities and then rationalizes its real business like a pathological liar. What a travesty to the promising themes of magic and old rivalries, treated so well in other recent films. And what a waste of a beautiful all-star cast, so entertaining as individuals in the early scenes.
2013-06-30
Utter garbage
A movie so painfully stupid you will not be able to believe it. I felt like I was watching Cannonball Run, the plot was so thin and dumb. But, you know, the first draft of Cannonball Run--before anyone went through it and checked to see how logical it was.

How they snagged this cast with a script that is so, so bad, is baffling. I can only imagine that the screenplay was genius and the director decided that instead of following it he was just going to wing it. "Magicians! Lights! Chases! Action! Print it!"

IMDb says a sequel is scheduled, presumably because American audience ate this garbage up. I'm starting my own script which is about a "Now You See Me" audience member who hunts down the screenwriters and director of the film, locks them in a safe, and shackles them to the bottom of the Hudson. It's called "Now You Don't".
2013-11-19
How to waste a great cast of actors
I was surprised at how stupid, nonsensical and repetitive this movie was with such an incredible cast of characters. The preamble is good: a group of mentalists and illusionists gets picked up by a mysterious third party who turns them into a team and turns them into a Las Vegas sensation while a secret plan unfolds underneath. But that's where everything stops making sense. From then on it's a series of car chases with the police, magic shows in prominent theatres around the world while a man tapes the illusionists to try and unmask their tricks. But why he does it is never clear and never will be until the cheesy, predictable finale. Besides the spectacular special effects and camera movements, there's nothing here. And two incredible actors like Michael Caine and Morgan Freeman are completely wasted in roles that hardly make sense in an already disconnected storyline.
2013-07-20
Extract from Goof - it's Magic
with due respect IMDb team review- In the introduction to the New Orleans show, Isla Fisher (Henley Reeves) is in slacks; a few seconds later when performing the rabbit trick she's in a skirt; a moment thereafter when Jesse Eisenberg (J. Daniel Atlas) produces the soap bubbles and she floats away in one she's in slacks; the next time she's seen on stage after the bubble bursts she's back in the skirt. ..but that's Magic !!!! This is written just to express my thoughts. The Movie was really good and I am anxious to see the next part in 2016. hope they make it more enthralling than this one. All the best to the team and hope to see you again soon.
2014-10-06
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