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Drama, Adventure, Biography, History, War
IMDB rating:
David Lean
Peter O'Toole as T.E. Lawrence
Alec Guinness as Prince Feisal
Anthony Quinn as Auda abu Tayi
Jack Hawkins as General Lord Edmund Allenby
Omar Sharif as Sherif Ali
José Ferrer as Turkish Bey
Anthony Quayle as Colonel Brighton
Claude Rains as Mr. Dryden
Arthur Kennedy as Jackson Bentley
Donald Wolfit as General Sir Archibald Murray
I.S. Johar as Gasim
Gamil Ratib as Majid
Michel Ray as Farraj
John Dimech as Daud
Storyline: An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire.
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1080p 1920x874 px 4604 Mb h264 2835 Kbps mp4 Download
DVD-rip 560x320 px 1865 Mb mpeg4 1181 Kbps mp4 Download
Lawrence of Arabia was a film that I really wanted to watch but couldn't find the time to do so (due to the 216 min length of the film) and I finally did today, I am writing this just after I watched it. I hesitated a bit, as you see it's a really long movie and I am not really into history movies, but this one is truly a remarkable one. The film has lots of memorable characters and quotes, I couldn't help myself but stop the movie and write down some dialogs every once in a while.

So, the film is, as everyone would agree, visually fascinating, especially when you think of 1960's movies this distinction becomes more clear. Especially the desert scenes are breathtaking, another remarkable one (at least to me) is Lawrence walking on the train that his "tribe" just robbed. Perfect.

Another thing that really was remarkable is that how Lawrence couldn't help himself sing when he found out the echo in the valley. Lawrence's childish side was a dominant aspect throughout the movie, and this scene was the perfect reflection of that; a man singing and listening to his own voice's echo even though he knows he's going into a war. Another memorable and perfect scene.

When the Turkish tortured Lawrence but he showed no sign of pain I couldn't help myself but remember the lines "The trick is not minding that it hurts".

As you know the film was based on T. E. Lawrence's diaries. Which helped David Lean create a perfect image of him, as every single event was seen by Lawrence's point of view. I don't even see the need to speak of Peter O'Toole's acting as it was nothing but pure perfection, he literally changed the Lawrence image in my mind. The music was also perfect, Maurice Jarre did a great work. I noticed how many times I used the word "perfect", sorry for that, but I couldn't find another word that describes this film better.

All in all, Lawrence Of Arabia is visually, musically appealing and the plot is also amazing, so if you haven't seen it yet, you definitely should. Trust me, "It is going to be fun"
Lawrence of Arabia
Along with "The Third Man" and "Lost in Translation", this is my all-time favorite movie. "Lawrence" is one of those movies that is ageless, in another word, gets better with each viewing. The film is simply amazing, that holds few shortcomings. It has amazing shots of the "clean" desert, Dirction by David Lean (whose known for his scale in directing), great performances, and most of all, one of the best of scripts all time (were talking about a script that stands next to Casablanca's in greatness).

This movie is understated, and I am especially appalled that this movie is #28 on the "IMDB top 250" (especially considering that it ranked # 5 in AFI's top 100 movies). This is THE epic, and in saying that, also one of the best movies of all time.
If you can find it on the big screen - that's the way to see it!
This film should be viewed in a big cinema on a big screen. That really is the only way to truly "feel" the desert scenes in this film beautifully photographed by Fred A. Young.

This film has influenced so many - Steven Spielberg, Martin Scorsese, James Cameron, etc., etc., but most of all film restorer Robert A. Harris. Mr. Harris along with Jim Painten, brought the film back to life with the magnificent 1989 restoration and director's cut watched over by Sir David Lean and Anne V. Coates, the film's original editor. It is a MUST for all film buffs.

Although the film is over 40 years old, being a period piece it doesn't date. The film re-creates the stiff formality of the British Military of the First World War very nicely bringing to life the pompousness of General Murray, a type not likely to be encountered by today's generation. The odd quirkiness of Lawrence and his many hang-ups are depicted as only O'Toole could have created the character.

The DVD is pretty crisp and clear infrequently revealing the age of the celluloid. It is very exciting but no television can match the awesome landscape created in a large format cinema equipped with real 70 mm projectors. If you have the chance, see it there first (and often, if possible).
Still a film of substantial impact
The film's cumulative impact is substantial. Sometimes it still feels extremely modern - like the famous cut from the match to the red sky, or in the detailed study of Lawrence's psychological disintegration, or just in the vivid depiction of the moments of darkness and brooding at the heart of his grand achievement. Then at other times it tends to descend into men talking in rooms or to the over-mannered portrayals of the likes of Guinness, although the theme of the young impetuous leader contrasted with the weighty cynical calculations of the true ruling class is powerful. O'Toole provides a subtle, bravura picture of Lawrence as a man tormented by his own desire for achievement and grandstanding, yet barely able to bear his weaknesses and fears and also increasingly haunted by very real and dark demons. The movie is of course a visual splendor and a great feat of coordination and assembly - every scene is constructed like a paining or a great tableau, sometimes other-worldly ghostly or strange, sometimes sheerly magnificent, always attuned to the grand contrast between the messy culture of the Arabs and the clipped, calculating British - a line that Lean himself walked quite eloquently and fluidly in this film. It sometimes strikes me as lying too much on the side of hero-worship, but no matter.
Makes a Strong Case for Best Film Ever.
The definitive epic of the cinema's history. "Lawrence of Arabia" is hands-down the finest production of the 1960s and makes a strong case as the best movie ever made. The titled character (Oscar-nominee Peter O'Toole in his career-defining role) dies in a freak motorcycle accident in the early-1930s in his homeland of England. In spite of being honored by the nation, many knew nothing of him. Some loved him, others despised him, but no one seemed to know the man at all. Flashbacks immediately start as we meet the character during World War I. He is a lieutenant assigned to mundane duties, but suddenly he is thrust into a greater role in North Africa. He is to assist a Saudi Arabian prince (Alec Guinness). The goal is to fight off the dreaded Turkish regime that poses a threat to the Arabs. If the Turks take over this land in Africa, what will it mean for the English? This concern leads to those in charge (most notably Claude Rains) wanting the titled character to help the Arabs to win their freedom back from the Turks. With the help of allies Omar Sharif (Oscar-nominated) and Anthony Quinn, among a whole host of others, O'Toole starts to assist the Arabs in their all-or-nothing task. An ambitious American journalist (Arthur Kennedy) wants to tell O'Toole's story in the hopes of getting the U.S. interested in the war (basically trying to get his nation involved in World War I by presenting them with a larger-than-life hero). During the venture O'Toole becomes a bit war-crazed and looks at himself as a sort of Christ-like figure who thinks of himself as immortal. O'Toole proves to be someone who is very at home in combat and when the combat is over, will he be able to function properly? Franklin J. Schaffner's "Patton" benefited greatly from David Lean's (Oscar-winning for directing) masterpiece. This Best Picture Oscar winner from 1962 just grows in importance as the years pass by. "Lawrence of Arabia" is a thinking person's film that is much, much deeper than it appears on the surface (and it appears deep on the surface to start with). The film deals with a slice of history that really did not seem that important back during World War I, but the situations in the Middle East now are greatly due to T.E. Lawrence's acts nearly a century ago. Did leading the Arabs to freedom make the world a safer place? This is the main question that Lean's film raises. Guinness' character is someone who changes almost immediately near the end of the production and it is a somewhat frightening foreshadower of things to come. A monumental milestone in film-making that stands so tall against all the other great productions of all eras. 5 stars out of 5.
Breathtakingly beautiful
Nearly perfect cinematography, along with great acting is a magnificent mix.

An incredible performance by Peter O'Toole leaves great space and opportunity for the storytelling of Lawrence of Arabia's journey across the desert. This movie is truly beautiful. Breathtaking views and heavily realistic fight scenes help with interesting character development.

Maurice Jarre's score fits each and every moment of the story-line and make us feel part of something great.

The running time of this film may be imposing (227 minutes), but every second counts, and is enjoyable: in the end, you don't feel like you wasted your time.
Nothing is written…Lawrence of Arabia
Lawrence of Arabia is oftentimes listed as one of the greatest films of all time. Not only that, but many say Peter O'Toole's performance as T.E. Lawrence is the greatest piece of acting ever to be captured on screen as well. Being that the movie was made 45 years ago, I wasn't going into it thinking I would agree with either statement necessarily. Whether the four hour run time was too daunting to get my hopes up or not, I knew that no matter what, I needed to finally see this film. I was going to go for the ride from Cairo to the Middle East along with the band of Arab tribes trying to take back their land from the Turks.

On a technical level, Lawrence of Arabia has few equals. Director David Lean has created something with true epic focus. There are no advanced computer graphics multiplying fake people into huge battle scenes, this had to be done with real extras, sweltering in the desert heat waiting for their opportunity to fight amongst the movie's stars. The scope is wide and Lean is never afraid to show the desert as a desolate wasteland because the shots are beautiful to behold. The British didn't understand what Lawrence saw in the sand, but viewing the landscape shots here, the audience can see the tranquility and beauty that it truly holds. This was a big-budget movie and it shows by the settings besides the desert. When we arrive in Cairo and see the excess with which the soldiers live; its affluence is on display. Not only by the material objects, but also by the soldiers' utter ambivalence to the fight while their Arab counterparts are trekking through the sun-ravaged desert to claim victory.

It is this juxtaposition between the British forces and Arab fighters that backbone the film. Yes, T.E. Lawrence is the focal point and his journey from army outcast to Arab liberator is the story arc we follow, but it is the fact that he tries to live in both worlds which really defines the course of actions on display. Credit does have to go to Peter O'Toole for his ability to grow his character throughout and display the emotion and conflict living inside him. Lawrence saw an opportunity to help the Arab tribes regain control of their land despite Britain's refusal to give them artillery. Even at this early moment, he might have suspected this lack of true support as a sign of future motives, but he was so focused on his cause and the fact that he could do anything he set his mind to, he just didn't care. When he finally succeeds with his first mission, he returns a broken man, having killed and seen things he never wanted to see. He knew it was all for the best, though, and needed to stick by his word of setting his new friends into a free land. Only when the men at Cairo, who once laughed at his expense, praise him with accolades and promotions does Lawrence first start becoming a man without a clear purpose. A man that was accepted by no one now finds himself loved by two distinct cultures, and must somehow cope with the success or eventually fall as a result.

Besides the excellent performance by O'Toole—intense, sarcastically humorous, and heartbreakingly real throughout—we are also treated to an acting clinic from the supporting players. Omar Sharif is fantastic as the Arab Sheriff Ali who agrees to accompany Lawrence on his suicide mission to take a Turkish outpost. Sharif gives Ali a realistic progression from a man who cannot see a white man surviving anything in their future, to one who would follow Lawrence into Hell if asked. Anthony Quinn is also great as Auda abu Tayi, a leader of a tribe that can be bought by whoever offers most. His interactions with O'Toole are some of the best moments in the film because Lawrence always knows what to say to persuade Auda into doing something for his own interests and not for monetary gain, (although he still likes to take something as a souvenir for his troubles). Even Alec Guinness brings an effective performance despite playing an Arab Prince. There are many moments where the allusions to his later Obi-Wan Kenobi character come through making me smile, but the accent is hidden nicely into a British educated Arab speech that helps me forget he is as much an Englishmen as O'Toole is Irish.

In the end, however, it is the story which truly leaves a mark. During the runtime, I was slowly seeing some redundancies and wondering if an hour could have easily been chopped off without a second glance. Disappointment was setting in and I was thinking I might have to give it a 7 or 8 rating as a whole. Once the final scenes play out though, you realize why we needed everything that came before. It is Lawrence's success in battle that both leave him broken but also ripe for persuasion into continuing on. The British were looking for a way to have Arabs do the work but eventually swoop in and take the Middle East for themselves, and with Lawrence, they had their man to rally the troops. Lawrence was neither British nor Arab, but instead a man beyond his dreams and ideals. The Arab tribes would never be able to live in harmony for a peaceful unity, and the British were just waiting for the implosion to occur. When all is said and done, Lawrence realizes he is not the God that people, and himself, saw him as, but a pawn that has been played from the beginning. His sanity and drive for good is sucked out of him because while it seemed he was accepted by both worlds, he really didn't belong to either.
Expensive and breathtaking screen adaptation of enigmatic adventurer and military T. E. Lawrence
Mighty motion picture of action and adventure deals with Thomas Edward Lawrence , following this brilliant , flamboyant and controversial British military figure and his conflicted loyalties during wartime service . He was renowned for his liaison role during the Sinai and Palestine Campaign, and the Arab Revolt against Ottoman Turkish rule of 1916–18 . This blockbuster is a huge accomplishment in every respect . It is a groundbreaking epic that is also literate and intelligent . Tremendous scenes , spectacular battles , intense drama , lots of action and awesome production design and art design from John Box and John Stoll . Still , the only way to really appreciate it turns out to be in Super Panavision and on big screen . Overlong though still knockout and resulting to be an immortal film . Based on T. E. Lawrence's book , ¨Seven pillars of wisdom¨ with interesting screenplay by Robert Bolt and Michael Wilson . The breadth and variety of his activities and associations, and his ability to describe them vividly in writing, earned him international fame as Lawrence of Arabia . Peter O'Toole is splendid in his film debut , and made him an instant star . Colorful and impressive cinematography in Technicolor by Freddie Young . Unforgettable and classic musical score by the great Maurice Jarre . Lavishly produced by Sam Spiegel and masterfully directed by David Lean who bring us an overwhelming show delving deeply the complex personality of the British , semi-Arab leader who led the revolt against Turkey in WWI . Reissued in 1989 , a stunning version which restored a lot of cuts made over years . As many scenes of dialog were missing and as a result Peter O'Toole and a number of living principals returned and re-recorded dialog from more than 20 years previously . An ultimate thinking people's spectacle .

Adding more biographic elements about this rich character T. E. Lawrence (16 August 1888 – 19 May 1935) , he was a British archaeologist, military officer, and diplomat . Lawrence (Peter O'Toole) was born out of wedlock . He became a practising archaeologist in the Middle East , working at various excavations and in 1914, before the outbreak of the Great War , Lawrence was commissioned by the British Army to undertake a military survey of the Negev Desert while doing archaeological research . Lawrence's public image resulted in part from the sensationalized reportage of the Arab revolt by an American journalist, Lowell Thomas (Arthur Kennedy) , as well as from Lawrence's autobiographical account . In 1917, Lawrence arranged a joint action with the Arab irregulars (Omar Sharif , I.S. Johar) and forces including Auda Abu Tayi (Anthony Quinn) against the strategically located but lightly defended town of Aqaba. On 6 July, after a surprise overland attack, Aqaba (it was recreated in a dried river bed in southern Spain, consisting of over 300 buildings) fell to Lawrence and the Arab forces . After Aqaba, Lawrence was promoted to major, and the new commander-in-chief of the Egyptian Expeditionary Force, General Sir Edmund Allenby (Jack Hawkins) , agreed to his strategy for the revolt . In1918, Lawrence fought in the battle of Tafileh, an important region southeast of the Dead Sea, together with Arab regulars . The battle was a defensive engagement that turned into an offensive rout and was described in the official history of the war as a "brilliant feat of arms". Lawrence was involved in the build-up to the capture of Damascus in the final weeks of the war. Much to his disappointment, and contrary to instructions he had issued, he was not present at the city's formal surrender, having arrived several hours after the city had fallen. Lawrence entered Damascus around 9am on 1 October 1918 but was only the third arrival of the day; the first was the 10th Australian Light Horse Brigade, led by Major Harry Olden, who formally accepted the surrender of the city from acting Governor Emir Said . In newly liberated Damascus —which he had envisaged as the capital of an Arab state—Lawrence was instrumental in establishing a provisional Arab government under Faisal (Alec Guinness) . During the closing years of the war Lawrence sought, with mixed success, to convince his superiors , General Allenby (Jack Hawkins) , General Murray (Donald Wolfit), Colonel Brighton (Anthony Quayle) in the British government that Arab independence was in their interests . The secret Sykes-Picot Agreement between France and Britain contradicted the promises of independence he had made to the Arabs and frustrated his work . In 1935, Lawrence was fatally injured in a motorcycle accident in Dorset.
A Spectacular Marvel
Lawrence of Arabia (1962) is a bit of an oddity everywhere its title is listed. Considered by the American Film Institute to be among the best American films, Lawrence of Arabia is hardly an American film. Its protagonist is decidedly British and the film was a co-production between Horizon Pictures in London and Columbia Pictures in Hollywood. In addition, the British Film Institute also claims it as its own, so there's that.

While considered an epic and features breathtaking natural vistas, the film is an epic quite unlike any other. Lawrence of Arabia isn't Gone with the Wind (1939) and it's certainly not a production of the Hollywood hagiographical machine churned by Cecil B. DeMille. It's a movie that has no equal and apart from maybe The English Patient (1996) has no real imitators either.

The film is based on the true story of T.E. Lawrence (Peter O'Toole), a British intelligence officer who fermented Arab revolt against the Ottoman Turks during WWI. Lawrence is considered a very controversial figure both in his native Britain and in the Arabian Peninsula. His personality alone isolated him from his fellow officers in the British Army who found his assuredness awkward. When he gained the loyalties of King Faisal (Alec Guinness) and helped unite Arab tribes under the Arab National Council to occupy Damascus, the British and the French became worried of his intentions and reined him in.

Those who know the history of the region will recall that after the events depicted in the movie, the French occupied Lebanon in 1920 thus fulfilling the Sykes-Picot agreement. The Arab National Council was disbanded in 1930 though were never the most competent administrators, and the region didn't enjoy the fruits of free determination until the 1940's.

While politics and political brinksmanship is an aspect of Lawrence of Arabia it isn't the only aspect, or even the most important theme in David Lean's masterpiece. Lawrence of Arabia aspires to embolden the unconventional. To make us aware of an individual who, while being a small cog in a big machine, was too unique to be replaced, altered or replicated. The famous tableau in which Lawrence slowly moves towards the frame from a mile away against the harshness of the desert is a visual metaphor of such an aspiring theme.

Heck, even Peter O'Toole's physical shape and body language is a visual metaphor for the value of unconventionality. His frame is lanky and frail and his body language and speech patterns balance between discreet and cocksure. Yet while his physical appearance is the antipathy of modesty, his every action is done with grandeur. While everything he says is said softly, what he says is self-assured. He has the heart of Othello born in the body of Iago.

At 216 minutes long, Lawrence of Arabia may not be for the huddled masses populating today's movie theaters, but the film has been a must see for the last 50 years for good reason. Anyone who claims to love films and does not like Lawrence of Arabia must loose all credibility. Tough talk coming from someone who didn't think 2001: A Space Odyssey (1968) was all that and a packet of bubble gum. But the plain truth of the matter is Lawrence of Arabia is a masterpiece in storytelling, in filmmaking, in entertainment and in artistry. The fact that it's an hours-long sprawling epic just makes it all the more impressive and all the more required viewing.
In the top 10, all time, greatest movies ever made
Over 40 years have passed and this film still sets the standard for greatness in the epic genre. With a phenomenal cast, an insightful script, breathtaking cinematography and masterful direction by David Lean, this film is not to be missed. It also needs to be seen in a large format and deserves to be saved from the small screen DVD/video ghetto it's been stuck in for so many years. Younger viewers deserve to experience this film as David Lean intended on the extra large "silver" screen. After viewing this masterpiece you will never look at the desert again in the same way. The cast in this film is a master list for some of the greatest actors in the second half of the 20th century. Peter O'Toole's legendary performance as Lawrence will live forever as will the contributions of Alec Guinness, Omar Sharif, and Anthony Quinn. An absolute must for any movie collection. My highest recommendation.
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