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Buy Jason and the Argonauts 1963 Online (mkv, avi, flv, mp4) DVDRip
Action, Adventure, Fantasy, Family
IMDB rating:
Don Chaffey
Nancy Kovack as Medea
Gary Raymond as Acastus
Michael Gwynn as Hermes
Douglas Wilmer as Pelias
Jack Gwillim as King Aeetes
John Cairney as Hylas
Andrew Faulds as Phalerus
Nigel Green as Hercules
Eva Haddon as Medea (voice)
Storyline: Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen.
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Todd Armstrong
Columbia has a contract list in the early 60's with Stefanie Powers, Michael Callan, Deborah Walley, and Todd Armstrong among others such as John Michael Hayes and Cindy Carol. Columbia cast Todd Armstrong and lovely Nancy Kovak in this very fine film Jason And the Argonauts. This film was pre computer imagery and all the technical stuff we all see in films today. Very well Directed and for the era it was produced very fine special effects. Armstrong would go on to have roles in some other Columbia films such as Five FInger Exercise produced by Fred Brisson for his wife Roz Russell, and George Segal's King Rat. One sharp cameo Armstrong has was in Walk On the Wild Side starring Barbara Stanwyck. Too bad Amstrong did not reach the potential I think he clearly had. By the mid 60's Columbia folded its contract player list.
Must See for Gen Xers
This film appeared periodically on television when I was a kid in the 70s and 80s. Although I enjoyed it then, I had largely forgotten about it until Turner Classic Movies re-broadcast it last year.

The film improved with age; the plot's theme of high adventure took on greater meaning. On a subconscious level, you feel as though you're on one of those road trips with your bro's, making your way to that destination, whatever it was at that stage in your life. And seeing the female leads in your thirties is a lot better than at seven.

If you want an action-adventure movie with a solid plot, interesting characters, and special effects that still amaze despite their 1963 vintage, I highly recommend "Jason and the Argonauts".
A Fine Fine Movie
What do I like about this movie...besides Harryhausin's special effects? Besides the frenetic battle with the skeletons and the seemingly hopeless fight against the statue of Talos? I like the way the people are presented, I suppose...

Heracles is presented, not as a young ripped body builder, but as one would expect a middle-aged strong man to be: Formidable, a little grey and a little swaggering. Argos, the ship builder, is tan and fat, as one would expect the veteran of many sea voyages to be. The crew looks like what one would expect a crew of ancient greeks to look like.

The acting is not spectacular, but sincere. No one looks embarrassed to be in this movie. It is tight with great special effects...wonderful for children...

And, I must mention Hera, normally portrayed as a matronly and vindictive woman, is here presented as a beautiful and helpful goddess by Honor Blackman, no less. Although many of you may be more familiar with her as Pussy Galore from Goldfinger...
Classic action
Special effects wizard Ray Harryhausen is perhaps the only technical person in the history of the film business to be treated as the primum mobile behind the films he worked on. In effect, to use the European cinema parlance- he was the auteur of his films; the directors were utterly interchangeable. In fact, the only constant through many of his classics was producer Charles Schneer. This is most evidenced in the 1963 action and fantasy classic Jason And The Argonauts, part of the five film DVD collection The Fantastic Films Of Ray Harryhausen, Legendary Monster Series put out by Columbia Pictures.

Technically, the film was directed by the notable non-notable director, Don Chaffey (most famed for his later One Million Years B.C.- with Raquel Welch, and directing a few episodes of the classic TV show The Prisoner), with a paper-thin screenplay by writers Beverley Cross and Jan Read. But….so what? Films like this utterly lack all pretense to being literate. There is nothing but quick moving plot, plot, plot, with a few tenuous scenes of character development early on. Yes, the film takes liberties with much of the mythos from Classical Greece- such as making Talos, the bronze statue, a Colossus, making Hercules a graying middle-aged man, and making the warriors summoned from the dead teeth of the Hydra, that Jason kills to get the famed Golden Fleece, skeletons, but this only enhances the camp effect. Plus, the breakneck sense of adventuring, plus the smug dalliances of the Olympic Gods from on high, perfectly echo the classical stories in their construction.

And, let's be honest, most of the great myths of yore were not known for realism nor character development, much less the nuances of narrative. Like the Harryhausen monster films- of which Jason And The Argonauts may be the best example (if only because of the complexity of the stop motion animation), the ancient myths were pure thrill rides, where people fell in love at first sight, swore vengeance over the deaths of people they barely knew, and generally were guided by folly and hormones. That a few of their tellers added a bit of sex, heavyhanded psychological development, etc., well….Perfect!…. The film does delve, however shallowly, into some deeper themes. As example, Jason is an Olympian agnostic, until Hermes delivers him to Zeus and Hera on Olympus. Yet, even there, he refuses Zeus's help. He believes that a belief in fellow men is more important. Even Zeus seems resigned to the fate that he and the rest of the Olympians are doomed to fade away once all men adopt Jason's attitudes. This, in turn, seems to be a spur to Zeus to throw extra dilemmas in Jason's path, even as Jason seems to advocate a limited belief in free will.

However, in such films, depth is a cherry on top, and there are, of course, things that make no logical sense; such as how do the sailors rebuild the Argo, after Talos destroys it? Where do their tools come from? Why would the Colchins need to depend upon seven skeletons to battle Jason's men when King Aeëtes has an army of hundreds or thousands? Yet, do such things really matter? Again, how many loose ends appear in myths from around the world? And the film's ending works because, again, it recaps the way the myths frenetically unwind, and then just end, often without morals. After all, now that Jason has gotten the Golden Fleece, his victory over Pelias is assured, and we don't need to really see that. After all, the film's title is Jason And The Argonauts, not The Revenge Of Jason. For, if it was, how the hell would he explain to the Argonauts his sudden fashion fetish for old time hockey masks?
A Towering Achievement!
This movie probably had a lot to do with my lifelong fascination with monsters and mythology. I saw it when I was only four years old but the incredible images stayed with me for years until I saw the movie again when I was 11 or 12. Since then, I never tire of the movie's sights, sounds and ideas.

Of course, much credit should go to FX master Ray Harryhausen, but there is more than special effects that makes this movie work. It is altogether more adult than the Sinbad movies and is a thought-provoking meditation on free will and the nature of destiny. Jason is the kind of man the Gods fear the most, for he does not fear them or particularly want their help. He accepts the aid of the goddess Hera, but this is more because Hera is smitten with him than any other reason. When he snarls "The Gods of Greece are cruel! In time, all men shall learn to do without them!", it is a supreme act of defiance. And yet the Sea God Triton then gives Jason his grudging aid, proving that men still depend on the Gods.

Performances are underrated here. Todd Armstrong makes a fine Jason, who relies on skill rather than muscle to accomplish his goals. The very fine actor Niall McGinnis is excellent as Zeus, King of the Gods. His version of the character is far superior to the one portrayed by Olivier in "Clash of the Titans". Nigel Green is outstanding as Hercules...arrogant, charismatic and ultimately tragic. Instead of a souped up muscle-man, Green's Hercules is a burly, believable veteran. As for Nancy Kovack as Medea, her performance is mediocre, but she is gorgeous as the mysterious High Priestess of Hecate.

Another great asset of the film is the heroic score by Bernard Herrmann, who did much of his best work for the Schneer/Harryhausen fantasy films. The beautiful Aegean scenery also helps the authenticity.

At the end of the day, though, it's always the monsters that fans talk about. What an incredible collection of creatures they are! I still remember the thrill of fear I felt as a four year old when the mighty head of Talos the Bronze Giant turned to look at Hylas and Hercules. The Harpies and their torment of blind Phineas also left a strong impression. The Hydra, despite looking very cool, was something of a would have been better if he had put up more of a fight. But nobody could complain about the Children of the Hydra's Teeth...bony skeleton warriors filled with blood-lust! This was Harryhausen's crowning moment.

The abrupt ending of the movie disappoints,too. I think everybody wanted to see Jason reclaim his kingdom from Pelias. But you can't have everything and "Jason and the Argonauts" more than earns its keep as my favorite fantasy film of all time.
Classic Black and White film acting not the best.
I hate writing reviews based upon other people's comments and prefer to write my own, but for some reason there is so much negativity around this movie I simply felt obliged to give a positive review. I absolutely love this film, and is once of all time favourites. I love the special effects, I love the story line. I will say the acting quality in the film isn't the greatest, to be honest its a little poor which takes a star away. I would have liked to see more of Hercules character, but still its the story that matters to be and its solid. The modern special effects spoil some of the films, so its nice to watch older films with more believable effects. If you like your Greek mythology don't mind watching a classic Black and White film, you will love this, please just overlook the acting quality!
"...the children of the hydra's teeth...the children of the night..."
JASON AND THE ARGONAUTS is a fantasy adventure which, in a clumsy way, brings a mythological story about heroes, beautiful women, gods, monsters and prophecies.

On Olympus Zeus and Hera witness Pelias' murder of his half-brother, King Aeson of Thessaly. The god Hermes, disguised as Pelias' soothsayer, holds back his army long enough for the infant Jason to be spirited away by one of Aristo's soldiers. Later, Jason returns and demands his right to the throne. Pelias sends Jason on a treacherous journey, the quest for the Golden Fleece...

The story is solid and mythological aspects are very well covered. The dialogues are gloomy,the plot is, due to the conflict between the main character and the gods, predictable and theatrical. The visual effects are very effective and they save this movie at the end. That iconic fight, which contains a number of skeletal warriors, is certainly one of jewels of special effects in the history of cinematography.

The scenery is reduced to a cheap luxury. However, this is an imaginative reflection, if we fit mythological aspects of the story. An absolute acting is perhaps the weakest segment in this film.

Here, we have an unconvincing romance between Jason (Todd Armstrong) and Medea (Nancy Kovack). Well, the rivalry between Zeus (Niall MacGinnis) and Here (Honor Blackman) is something interesting.

This is a magical journey into the void, however, all praise for Mr. Harryhausen.
great adventure movie with magnificent special effects
Here is another one of the classic great adventure fantasies based upon original myths and legends thought up by the Greeks centuries ago, and this film is one of the best in the history of film-making. The plot is engaging, Ray Harryhausen's stop-motion effects are wonderful, the acting is good, the storyline, while I felt it was a little bit flawed, was easy to understand and very driving from beginning to end.

The story tells of the classic myth of Jason, an adventurer who gathers a team of men to set sail on a ship called the Argos, in search to the other end of the world to find the Golden Fleece: a magical object capable of bringing peace, power, and supernatural abilities to whomever possesses it. Along the way, they must contend with monsters, warriors of the dead, unfriendly nations of people who also wanted the Fleece, and many other dangers. And in the meantime, they're being watched and their fates shaped by the gods of Mt. Olympus, who are treating their quest as a game of chess.

Ray Harryhausen, master of stop-motion animation, has cited this movie as what he believes to be his best film in his legendary career. It does feature some of his most complex, and finest animation yet. He was presented with numerous challenges, including animating the seven-headed hydra (which also has two tails, mind you), and seven living skeletons. Similar to what he did in a famous sequence from "The 7th Voyage of Sinbad", only better. The famous climax is highly entertaining and worthy of its title for having some of the best special effects in film-making history. While it may be obsolete compared to today's standards, the sequence remains famous and praised by fans of the action and animation genre.

Performances by the cast were very well-done for a 60s movie. Todd Armstrong was convincing as Jason, the man searching for the Golden Fleece in order to retain his kingdom. While Jason in this version is very much like many other seafaring heroes of the 60s and 70s, it works out well. Medea as the expected love interest, is here for two reasons: one, because she was part of the original myth and two, because Hollywood naturally throws in love stories even if they seem unnecessary. Laurence Naismith, though I preferred his performance from "The Valley of Gwangi", also did a fine job as Argos. And of course, the rest of the cast was very well-chosen and they look convincing with their makeup and costumes.

In short, "Jason and the Argonauts" is a very well-done and highly entertaining film from the 1960s and is highly recommended for fans of mythology, action films, and the work of Ray Harryhausen. I did feel some plot points weren't exercised well enough and that the ending came a little too suddenly, but that didn't matter much since the movie was overall, very creative and elaborate. Recommended.
This is an amazing classic!
The previous poster doesn't know what he's talking about. He seems to only be interested in women, and this being a film from 1963 isn't going to have the most exotic women doing raunchy dance numbers.

He also goes on to bash the story because Jason listened to Pelias' advise. But thats the way it was in the myth if my memory serves me right. Though, there are many discrepincies with the myth and the movie, this film is a gem. There are amazing special effects pulled off in this one; its a technical-wonder. This film is also way better than Harryhausen's last myth-made-movie, Clash of The Titans. See it for yourself and enjoy!
Fine Fantasy
This exciting film contains some of the best special effects that the great Ray Harryhausen has ever created. The iron giant Talos and the climactic battle with the skeletons remain startlingly convincing to this day. There are some slightly cheesy moments in the drama, but in general these lesser-known actors do a fine job.

One should note that the story has been changed from the original sources. Medea, for example, does very little here except get rescued and do a sexy dance; there is almost nothing of her famed fierce temper and sorceric powers. But overall this is a great action film that offers a beautiful visualization of classical Greek mythology.
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