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Going in Style
Crime, Comedy
IMDB rating:
Zach Braff
Morgan Freeman as Willie
Matt Dillon as Hamer
Melanie Nicholls-King as Cary Sachs
Maria Dizzia as Rachel Harding
Lolita Foster as OR Nurse
Josh Pais as Chuck Lofton
Joey King as Brooklyn
Seth Barrish as Dr. Helton
John Ortiz as Jesus
Ann-Margret as Annie
Alan Arkin as Albert
Storyline: A reboot of the 1979 movie that was directed by Martin Brest and featured George Burns, Art Carney, and Lee Strasberg. Three seniors, who are living social security check to check and even reduced to eating dog food at times, decide they have had enough. So, they plan to rob a bank...problem is, they don't even know how to handle a gun! A social commentary on growing old in America and what we are sometimes driven to, due to circumstances.
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This film has some style and charm
I was pleasantly surprised by how much I enjoyed this film. It was not one that exploited the old age as a source of material. It had a degree of realism and was humorous.

Banks and some institutions can be unscrupulous in their dealings. Sadly innocent people have to pay and in this case three gents are left with nothing and decide they have nothing to lose so why not rob their own bank. We have seen so many bank robbery films in Hollywood over the decades and most are pretty good. However they all take familiar paths and involve young and capable robbers. In contrast we see elderly folk try and attempt this. We have some great performances from Morgan Freeman and Michael Caine who reasonably pull off a robbery and have solid alibis.

It also had some deep moments with Morgan Freeman's character needing a kidney and the three men doing this so they can live with some dignity. It was somewhat realistic because it invited us to ponder old age and how such many of us could be in such a situation in a cold society. The comedy also flowed flawlessly and the film didn't have to try too hard to be funny. It had some feel good moments towards the end and would leave viewers with a positive experience. Definitely recommend it.

Old Guys Rule!
Alan Arkin, Morgan Freeman, and Michael Caine have proved that they still got it where it counts. And it's movies like this that are going to make us miss them when they're gone. Their on-screen chemistry was perfect. They are amazing actors and together, the result is a movie that brings the fun back into the theater without ridiculous subplots, unnecessary hysterics, or insulting your intelligence. The performances were genuine, funny, heartfelt and eye opening.

I added eye-opening because the story line isn't just about three guys robbing a bank for some reason the rest of us can't relate to. On the contrary, these three men feel trapped as we all do from time to time. They get angry and they do something about it. It's a situation we can all relate to in some way and it makes me wonder - if I was in their situation, I'd probably do the same thing.

The story proceeds with natural humor, wit and sarcasm that will leave you in stitches during some scenes and rooting for justice alongside them in others.

All that is needed to thoroughly enjoy this movie is a reasonable sense of humor and a reasonable sense of social justice.

They only absurd performance was the ridiculous antics of the bank manager, however his five minutes just make the rest of the movie seem that much better.
Funniest Movie We've Seen All Year!
Out of all of the movies that I have seen this year, this movie is by far the funniest. Within five minutes, my stomach hurt because I was laughing so much.

I love a comedic plot and Going In Style is exactly that - three older men try to rob a bank to obtain a better life. These lifelong friends, Willie, Al and Joe, are having personal struggles. Willie (Morgan Freeman) desperately needs a new kidney. Joe (Michael Caine) is losing his home. And, Al (Alan Arkin) is just pressured into robbing a bank. Joe thinks of making the idea a reality once their pensions are canceled. Inspired by a robbery the men witnessed, Willie, Joe and Al are optimistic they can steal their deserved pension money, but are going to need help.

Morgan Freeman's portrayal of Willie is incredible. Given that Willie needs a new kidney to better his life, Freeman's despair is heart-wrenching and he connects with the audience in a unique way, because he remains hopeful that he will feel better in the near future. Michael Caine really suits the role of Joe whose fearless personality helps accelerate the success of the robbery. Alan Arkin plays Al who acts innocent at first, but once the robbery becomes a reality, you see his wild side emerge and it is quite hilarious.

The costumes worn by Willie, Joe and Al are extremely entertaining. They wear masks that resemble famous people! In addition to this, the bank they plan to rob is very fancy. Seeing famous people walk into an elegant bank with guns and large bags is humorous to watch. My favorite part is when Joe and Willie are watching television and The Bachelorette comes on. This scene had me laughing the entire time because I am a such a Bachelorette fan. Seeing these older men discuss Kaitlyn Bristowe's final pick was unexpected, but gave me a good laugh.

The message of this film is to chase after your dreams, no matter how old you are. If 70 year old men can rob a bank, then you can too. All humor aside, the film illustrates that nothing is impossible and you can better your life if you want to. Hands down, this film deserves 5 out of 5 stars. There are a multitude of jokes, action scenes and the motivation that these three men possess to reunite with their families and better their lives is so strong. It motivates me to jump over any obstacle in my way and complete any task I need to. I recommend this film to kids ages 13 to 18, because it leaves you with a smile on your face. Even though it is about robbing a bank, kids know to not replicate that, so I'm not concerned about them heading out to rob their neighborhood bank.

There are a few shooting scenes, so please be mindful about who goes to see this film. Adults will love this film as well, because they can relate to the personal issues these men face. It has something for everyone and if you have never seen three older men rob a bank, you definitely should.

By Samantha M., KIDS FIRST! Film Critic.
Old Guys Rule!!!
Remakes shouldn't carbon copy the originals. "Garden State" director Zach Braff of "Scrubs" and "Hidden Figures" scenarist Theodore Melfi have jettisoned more from the original "Going in Style" than you might expect, but they also have lightened up the tone with amusing shenanigans and gags galore. Initially, "Going in Style" (1979) blended low-key comedy with grim drama in its straightforward depiction of brazen oldsters who engineered a bank heist wearing little more than dime-store disguises, essentially Groucho Marx masks, with big black glasses, big bulging noses, and big droopy mustaches. George Burns, Art Carney, and Les Strasberg starred as the ambitious old geezers who held up a bank because they were bored with their daily routine of sitting on a park bench. Sadly, those three old-timers didn't live happily ever after once they got away with the goods. Two of them croaked after the crime, and the mastermind surrendered and served time. Ultimately, the mastermind refused to divulge the location of the loot. In the end, he decided that he could break out of the prison with little difficulty. Imagine George Burns imitating the perennially pugnacious Humphrey Bogart, and you'll have a good idea what a hard-boiled egg Burns made as the ringleader of the elderly triumvirate. If you've never heard of George Burns, he was the cigar-smoking comedian who made the "Oh, God!" trilogy.

In their "Going in Style" remake, Braff and Melfi have preserved the premise about three seniors who decide to stage a bank robbery. Braff and Melfi stick with the same three names of the original characters: Joe, Al, and Willie, but change their color and nationality. Typically, Hollywood prefers to reward altruistic characters who perform good deeds and punish villains for their selfish, wicked ways. Comparatively, Braff's "Going in Style" remake relies far more on feel-good fantasy than abrasive drama, and the characters are not the original skeleton crew. Braff and Melfi have gone to considerable lengths to flesh out each character so these individuals boast stronger motivations about turning to a life of crime despite the possibility of not only shooting up a bank but also being shot by anyone during the robbery. Michael Caine, Morgan Freeman, and Alan Arkin step into the shoes of George Burns, Art Carney, and Les Strasberg as the three codgers who committed the crime. Happily, the new Willie, Al, and Joe enjoy greater success than their predecessors after they carried out their criminal enterprise.

"Going in Style" never lets one of the three heroes outshine the other two in terms of extended or abbreviated screen time. Willie (Morgan Freeman of "Driving Miss Daisy"), Al (Oscar-winning actor Alan Arkin of "Argo," and Joe (Oscar-winning actor Michael Caine) neither live together nor contend with the dried-up, depressing, boring lives that their predecessors endured with death looming on the horizon. Rather than robbing a bank out of sheer boredom, the three new protagonists resort to bank robbery because the company that employed them for 30 years has frozen their pensions and it is stashing that pension money in a local bank for other purposes. Willie, Al, and Joe attend the public meeting at their old company, and they walk away with rage in their hearts. Willie teeters on the verge of death from a bad kidney, but refuses to alarm them. His doctor warns him he must locate a donor because his chances of acquiring a new kidney are slim to none. Al gave the best years of his life to the same company, but he abhors the idea of sticking up a bank. Eventually, he decides to join them. Ultimately, the driving force behind the bank robbery caper is Joe because he has overdrawn his checking account and is poised to lose his home. In the original, Willie, Al, and Joe all shared the same house. Furthermore, the original protagonists were all Caucasian, while the latest group emerges as diverse, multi-cultural triad. African-American, Jewish-American, and British, without a White Anglo-Saxon in sight. Like the original, the individual who formulates the strategy for stealing thousands of bucks at gunpoint is Joe. Not only does Joe fear he will lose his house, but he also dreads the prospect that his granddaughter, Brooklyn (Joey King of "The Conjuring") and her mother, Rachel (Maria Dizzia of "Margin Call") won't have a place to live after his eviction.

Joe is oblivious to his monetary woes until he visits his bank and discovers his dire straits. While he is learning about his woebegone financial status, three masked felons decked out in black suits with assault rifles burst into the bank and threaten to shoot anybody who doesn't cooperate. They make all the customers lay on the floor and they go from one bank cashier to the next watching each as they dish out the dough and put it in their satchels. The efficiency and speed of these three bank robbers stun Joe. Indeed, this robbery scene reminded me of the scene in director Michael Mann's classic caper "Heat" (1995) with Al Pacino and Robert De Niro. Like his predecessor in the 1979 original, Joe has a difficult time persuading his two lifelong friends to accompany him to the Williamsburg Savings Bank in Brooklyn with pistols and masks. Unlike their predecessors, these three decide to learn a little about bank robbery from a pro, Jesús (John Ortiz of "Kong: Skull Island"), who operates a dog grooming business, but moonlights as a bank robber. Jesús trains them in every aspect of a hold-up, and they cut him in for a quarter of the loot. When Willie, Al, and Joe enter the bank, they have a clue about what they're doing, and they maintain a timetable so as to escape before the police arrive.

"Going in Style" generates lots of comedy and some spine-tingling suspense. Predictable in certain respects, this immaculate bank robbery caper never wears out its welcome, with heroes that you can respect and root for in their efforts to make good.
Perfect for what it intends to do
This movie is perfect for what it tries to do. It's hilarious and can be touching to see these three friends who grew up together. Morgan Freeman, Michael Caine and Alan Arkin are perfect for these roles it truly does feel like they have been friends for a long time and their all amazingly funny.
Lame Cookie-Cutter Comedy
Since I'm on the verge of not being much of a youngin' anymore myself, I took a particular interest in this story.

Early on we get a fair idea of what it is to be elderly in a fast moving, youth obsessed society that basically treats it's elderly with condescending and patronizing attitudes at best.

That's as edgy as it gets. After around twenty minutes, the plot becomes quickly deluded with Luke-warm silliness that weighs in about one or two rungs above fart jokes. The humor is contrived and not funny.

Rather than explore the issues of aging more deeply (and yes, I'm well aware it was supposed to be a comedy), what we get is a buffoonish parade of supporting rolls around our central characters, from a bank manager who pees his pants to a variety of other morons not even worth mentioning.

Veteran actors Cain, Freeman, Arkin, Margret and Lloyd are completely diminished by the constant childish antics more befitting of a long forgotten made for TV movie-of-the-week.

If you still sleep with a teddy bear, you might like it.

If not, you'll find it as I did: Infantile and painfully dumb.

Completely forgettable.
A satisfying story
This film tells the story of three hard working pensioners, who have given decades of their lives working for a factory. One day, they are told that their pensions will be stopped, leaving them penniless. They come up with a plan to rob a bank to recuperate their lost pensions.

"Going in Style" seems to be a heist film, but most of the screen time is dedicated to setting the scene, and the planning process. THe actual heist has little screen time, but the story is engaging nonetheless. The desperation and frustration of them losing their pension is palpable, and evoke much sympathy from viewers. I like Alan Larkin's character, as he appears to be unapproachable and yet he is not like that deep down. Michael Caine is great as a man who is desperate as well. I enjoyed the story, and it gives me smiles and satisfaction.
Best comedy in the year
The movie was the best thing, which could happen to me in sneak preview. I laughed so often, an wonderful story combined with great actors and Zach Braff, who made a great job to transform the old movie into todays background. I'd like to see more movies like this, than the stupid standard comedy from Hollywood. I recommend everyone to see this film and have great two hours. A quick summary: perfect chosen actor,s a bit predictable, but i liked it anyway, jokes,jokes,jokes... GO watch this film !
Not funny...
After reading several reviews my husband and I thought we would go see something funny. We were both disappointed in this. With the list of A actors this movie should have been so much better than it was. It was cliché and not very funny. I did love the little girl with the doll. She was the best part of this mess.
When "Hell or High Water" met "Las Vegas"
What does one call an OG story when the gangstas are not Original Gangsters, but remake gangsters? RG? Is this where RG-Bargy comes from? This review has digressed before it's begun. It could be age catching up to us. Or perhaps when Hollywood isn't using its imagination, our own minds must wander.

I'm explaining few a things. A little bit of the plot as well. Surely that won't spoil it for you. Entirely.

Based on the story 'Here on a Visit' by Edward Cannon, the 1979 version of Going in Style was the feature debut of 28-year-old director Martin Brest, who later achieved smash success with the likes of Beverly Hills Cop. It was a dry, low-key comedy featuring old vaudevillian George Burns, comedian Art Carney and method-acting legend Lee Strasberg, as a trio of retirees who elect to rob a bank with minimal planning, because, why not? It might be fun, if they get caught it's free room and board for a few years, and all they're doing otherwise is waiting for social security cheques and death.

2017's Going in Style is the big-budget attempt at directorial career reboot for unfashionable funnyman Auteur Zack Braff, who has assembled his own septuagenarian comedy super-group in Michael Caine, Morgan Freeman and Alan Arkin. In keeping with the customary 'more is more' approach of remake culture, this Going in Style mines the financial crisis for deeper motivation for the old timers' robbery – Caine's house is being foreclosed on, and all three protagonists see their steelworkers' pension fund dissolved.

Where Brest's film unfolded with pigeon-feeding scenes and wisecracks amid sighs, Braff gives us a loud machine gun robbery in the first five minutes, the bandit speechifying "You're a casualty of a corrupt system that no longer serves the people!" It is here Caine's character gets the inspiration to pull a bank job – his scheme to save his home by robbing the bank to pay the bank echoing last year's "Hell or High Water" by way of De Niro's "Last Vegas," which also stars Morgan Freeman. And a bit of Ocean's Eleven, for when they do commit their heist they wear Rat Pack masks.

Between the instigation and the execution, there are references to sore knees and musings on how many years they have left. There's a funny slapstick sequence where Caine, Freeman and Arkin test their criminal chops at a discount supermarket, only to knock over displays and make chase on a mobility scooter. Several episodes of Seinfeld are being referenced here, from old people stealing in 'The Bookstore' to George's Geriatric Bike Gang shenanigans in 'The Butter Shave'.

Indeed, there's a cameo from Seinfeld regular Siobhan Fallon Hogan. There are cameos from Kenan Thompson as a wisecracking retail manager, and Matt Dillon, who smirks his way through his role as the cop, and Christopher Lloyd, embarrassingly hung out to dry in some cruel parody of dementia, and Peter Serafinowicz, in a perplexing role as the simpleton stoner deadbeat dad to Caine's grandchild.

All these grab-bag references to comedy entertainment glory give Going in Style a soothing veneer but never cheer its hollow centre. A romantic subplot with Ann-Margret and Arkin simply reminds us that she's been playing love interest to aged cranks since 1993's Grumpy Old Men, while he's been moonlighting as dying granddad since 2006's Little Miss Sunshine. Braff, who in his Garden State days ambitiously aped techniques from Woody Allen, Pedro Almodóvar and Hal Ashby, is now content to visually experiment with a series of smooth but redundantly misbegotten split-screens.

The economic wackiness of the plot would seem rote in most movies, and seems particularly insincere when the executive producer here is Trump's Treasury Secretary, Steven Mnuchin. This is not even to mention that while the title is Going in Style, these good old boys don't actually 'go'. If the original was about thumbing one's nose at mortality but ultimately facing it, there's a happy ending this time, suggesting maybe you can pretend that the end will not come as long as you can fantasise of a payday.

In theory, all the ingredients are there, three well loved actors, a bank heist and a great original material to work with. And yet, Going In Style fails to make any serious commentary on the worthy cause it purports to represent. Make no mistake, although the film wants you to root for these three wronged pensioners, this is no I, Daniel Blake. Despite having enough material to make a real social commentary about globalisation and capitalist greed, Braff misses a chance to make a valid point, and instead turns the whole thing into something, which will frankly leave a very few of you, well, cold. But don't argue about the fact that this is undeniably a very enjoyable watch with pitch-perfect acting from legendary actors.
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