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Buy Frozen 2013 Online (mkv, avi, flv, mp4) DVDRip
Thriller, Action, Adventure, Mystery, Fantasy, Romance, Comedy, Family, Animation, Musical
IMDB rating:
Jennifer Lee, Chris Buck
Alan Tudyk as Duke of Weselton (voice)
Jonathan Groff as Kristoff (voice)
Santino Fontana as Hans (voice)
Chris Williams as Oaken (voice)
Livvy Stubenrauch as Young Anna (voice)
Eva Bella as Young Elsa (voice)
Patricia Lentz as Additional Voices (voice)
Ciarán Hinds as Pabbie / Grandpa (voice)
Idina Menzel as Elsa - Snow Queen (voice)
Stephen J. Anderson as Kai (voice)
Josh Gad as Olaf (voice)
Kristen Bell as Anna (voice)
Robert Pine as Bishop (voice)
Maurice LaMarche as King (voice)
Edie McClurg as Gerda (voice)
Maia Wilson as Bulda (voice)
Storyline: Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her.
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Don't drink the koolaid
Many people have pointed out the flaws of this movie so I won't go over it again. Simply put, I fail to see how this movie comes even close to being "the best Disney film of all time". Best animation maybe, but that is it. A film is some where in the neighborhood of 80% story, 20% everything else. At least thats how it should be. Even low budget films with a good story are far better than this. My main concerns were glaring inconsistencies, plot holes, garbage clichés all over the place, fairly predictable, corny humor (some was clever), unexplained phenomenon, and lack luster music. The music was OK?, I guess. The voice talent was good to excellent, but I just couldn't get over the lack of substance to the lyrics. The lyrics were bland, repetitive, and at times confusing. I'll just leave it at that. Just as a side note, the sing along that was going on in my theater was really annoying. No I was not at a sing along screening, I saw this movie after it had been out for a long time so I suspect that the little girls singing along were seeing it for the 4,755th? time. I also waited for the applause at the end, but by heavens grace it didn't come. I get that this is a kid movie, so normally I wouldn't have reviewed it, or seen it (wife coerced me), but I feel the need to push back against the hysteria among adults about this movie. It baffles me. Why are adults so nuts about this puff piece? All fluff, no stuff. It had some potential but it wasted it. It could have been excellent, but instead it indulged all the old tired clichés from days gone by. Nothing new to see here folks. Except some excellent animation, if that's your thing. Which for me it is, but unfortunately that's only 20% of a movie for me. So that's why the 3 start rating. 20% for the animation, 10% for the story. I really wanted to give it 1 star to counter balance all the 10 star ratings on here, but that's just not fair. Oh well.
Broadway. Be Afraid. Be Very Very Afraid
I never claimed to be an expert in musical theatre but I have seen my fair share of film musicals (including most of the MGM productions from the 40s, and most of the recent Disney work) and a good number of Broadway shows. There is something here that is new and ground-breaking. Here the characters don't merely "break into song" -- which is the way most film musicals traditionally work -- but rather they are, for large stretches of the production, already in song and instead "break into voice." I am sorry if I am not being clear but, as I said, there is something new here. It reminds me very much of the Broadway productions of the 60s, there is a certain joy, a certain primal desire .. to sing the story (especially at the beginning of the film, less perhaps toward the end). And the animation is the best I have seen. I recall reading some scholarly discussion explaining that Japanese were far ahead of everyone else in animation (manga) because they knew, from the getgo, that facial expressions were the key, everything else was secondary. One suspects that the Disney people have been quietly spending millions on perfecting the facial expressions because these are literally the best I have seen. (Although the work in the TV series LAST AIRBENDER was extraordinary in this regard, given the much smaller budget). The story is magical. The script is wonderful. Kristen Bell, who has been bouncing around in some very strange films lately (my review of Lifeguard, which was not flattering, discussed this) seems to have found her inner Voice Actress and she could I think spend the rest of her career just doing voice, if she wanted. Nice to see of Joss Whedon's favourite actors, Alan Tudyk, also finding his inner animation actor. This is no ordinary Disney release. This is destined to be a classic.
Frozen is the newest and cutest Disney creation.
The movie is about two sisters Anna and Elsa and how the older one, Elsa, is troubled with her ability to make ice and snow and freeze things. Elsa doesn't know how to control her powers and ultimately has to find ways to hide who she truly is her entire life. When Elsa gets exposed in front of her entire kingdom she leave accidentally creating an everlasting winter during the summer. It is up to Anna to make the adventure into the freezing conditions to find her sister and bring back summer. Along the way Anna encounters a ice man named Kristoff who is gentle at heart and his sidekick reindeer Sven who both end up helping her through her journey. My favorite character is a sweet little gullible Snowman named Olaf who just wants to help and experience all of the joys of life. The movie is a sweet musical with plenty of catchy tunes and comic relief for the grown ups and the children. I highly recommend this one for the whole family!
I like this movie
I am an adult Disney movie fan, and I like this movie. The first time I saw it was on DVD in May 2014. Yes, it leaves a few plot questions unanswered, and a few things could have been explained more, but I still enjoyed the music and the story. I actually liked it better the second time I saw it a few months ago.

The voices singing in the opening credits and again in the coronation scene and at the end are beautiful. As a singer I appreciate the perfect blending of the various tones. My least favorite song is the troll song, but if you listen closely part of the song mentions the power of fear vs. love which is a main theme of the movie. Kristin Bell has the better solo voice IMO, but was overshadowed because she didn't sing the popular Oscar nominated song.

I didn't like Olaf very much the first time, and I thought his song was silly, but his character grew on me with a second viewing. His scene with Anna towards the end of the movie when he explains true love to her is sweet. I thought the relationship that Cristoff and Sven had was cute; loved their "conversations" with each other.
I just don't see it
When I first heard all about Frozen I got very excited. " Wow, a new Disney movie with stunning animation and quirky characters!" What I got was a bland mess of reused character models, poppy songs with no value whatsoever, an over the top feminist storyline (note: I am totally cool with feminism but here it was overblown), One of the most annoying Sidekicks ever in a Disney film and overall just a down right mediocre film. It's funny how the people who love this film to death have panned such classics as 2001: A Space Odyssey. This just blows my mind! Whats so damn good about this film. People say the animation, the animation is reused from every other current Disney films. Anna, the girl from Epic and the girl from Tangled are all the exact same model but with different hair. That's pathetic Disney. Some say that this movie is a masterpiece, I say go and watch some Hitchcock films instead of this feel-good piece of crap.
An astonishing disappointment
(Spoilers) At one time, sisters Elsa and Anna knew of and loved to utilize Elsa's (unexplained, apparently genetic? even though no one else in her family has them) ice powers. Then an accident and a warning by the (ostensibly) wise troll – that fear will make Elsa's powers dangerous – prompts her parents to fearfully seclude her, shutting her away from everyone and isolating her from her sister. The trolls erase Anna's memory of Elsa's powers. (No one apparently considers the implications of seclusion and terror regarding the power). The girls grow up. After their parents die at sea, Elsa becomes queen. For her coronation, the kingdom is opened. Prince Hans and the Duke of Weselton are among the visiting dignitaries. Anna promptly falls in love with the prince, and agrees to marry him. When the queen refuses to condone her sister's impetuous match, they argue and Elsa accidentally reveals her powers, prompting the Duke to demand that she be arrested. Elsa flees, accidentally shrouding the world in "eternal winter" and leaving in power Anna, who promptly follows after her – appointing Prince Hans to rule in her stead (!!!). Apparently in this world, chains of command, diplomatic decorum, and other such trifles cease to exist. Anna loses her horse, and then teams up with a poor boy named Kristoff and his reindeer Sven. They all end up working with Olaf, a quirky snow creation of Elsa's, to find her sister. A romance blossoms between Kristoff and the fickle Anna. Meanwhile, Elsa has embraced her "bad girl" image (complete with sultry walk/slit up the thigh), building herself a lovely snow palace. The girls talk. Things don't go well, and Anna ends up with "ice in her heart" (which the trolls, long ago, had warned would kill her but for an act of true love). In the meantime, Anna's horse had returned to the city, and Hans and a group of soldiers go looking for her. They arrive just after Anna, Kristoff and co are expelled. Weselton's men attack her, a fight breaks out, etc. Elsa is captured. Kristoff, meanwhile, reveals that he had been adopted by trolls – the same ones, coincidentally, that had offered their advice to her family years before. The trolls explain that only an act of true love can save Anna. Kristoff and Anna race back to Hans, for a Kiss of True Love (TM). Kristoff delivers her and leaves. Hans reveals – gasp – that he has simply been after the throne all this time, and locks her in a room to freeze to death. He then claims to the ruling council that Anna is dead, but that they had been married before she expired (witnesses, marriage certificates and funerals apparently don't exist in this world either) that makes him king. They welcome him with open arms. Thankfully, there are no other heirs, distant relatives, or people who remember that they still have a queen alive (!!) around. He (with no explanation) believes he can get Elsa to turn back winter. Meanwhile, Kristoff and Sven are coming back because, true love. Elsa, in her grief at learning of Anna's supposed death, accidentally unleashes a tornado-strength blizzard. Kristoff and Anna are going to kiss, but Anna sees Prince Hans about to murder Elsa. She intervenes, and almost freezes; but, that being an act of true love, she is saved. At this point, Elsa figures out how to recall winter ("Love!" - that's it, no explanation).

Pros: - Pretty. Frozen is very pretty, very glitzy, full of beautiful landscapes, amazing snow shots and glamorous gowns.

- Different. It has a different feel, architecturally and culturally, from many of the preceding princess films, which is nice.

Cons: Pretty much everything else.

- The story was inconsistent. If you read about the series of "development hells" that preceded its release, it makes sense. They had no clue where they were going with this, and it very much felt like it at times: these were different ideas, different takes on the same story, all jumbled together.

- Character immaturity/stupidity. If you, like, can see this being a classic, then, like, whatever, because classic Disney princes and

- Plot idiocy. This ties into the first point. If fear is the enemy, why do you seclude/terrorize the princess with insecurities? How/why does "love" recall winter? Didn't Elsa love her family all along? Wasn't there "love" present all this time? There was zero explanation for how this worked. Just "love". Not to mention the flouting of anything like court customs, diplomacy, etc.: random foreign dignitaries are giving orders to arrest and kill the queen, foreign princes are left in charge of the kingdom, etc. Or the cringe worthiness of the trolls, and their irrelevance to the plot; and the fact that Hans never mentions having witnessed the royal family's first encounter with the trolls/how Anna's memory was wiped (Elsa also ignores this). The list goes on.

- Predictability. The scene where Anna and Hans meet was terribly predictable, and just...terrible. The scene where Anna and Kristoff meet was equally predictable. The betrayal was predictable. The conclusion was predictable despite being completely unexplained.

- Music. The music was of an exceptionally poor caliber in this film. The singers were overpowered by the instruments, the lyrics were indistinguishable, the songs out of place and silly, and often-times just cringe inducing (it's pretty bad when you're cannibalizing themes from your own previous films, like the troll rip-off of Hunchback's "A Guy Like You", and you completely, utterly blow it...)

Little kids will enjoy the prettiness of it all. Anyone who thinks about the plot, though, is going to end up with a headache. Certainly anyone who listens to the music. (And don't get me started on the rape-y Mickey/Minnie/Pete short that preceded the film. Yikes.)
A story that's all slush.
It is sort of disheartening going into Disney's production of "Frozen" to report that this is a project that Walt himself had been tinkering with as far back as the 40s, disheartening because the result falls far short of spectacular. After all these years, after all this effort, what has come to the screen is a dull, lackluster and fairly canned story that Uncle Walt would have most certainly demanded be rewritten.

What comes to the screen looks terrific. The animation is crisp and colorful. The ice-flows glisten in a magical way, but the story is disastrously underwritten. It plays like one of Disney's quickly-made DVD releases, or one of those classic fairy tales starring Barbie. Worse, it has musical numbers that are not only forgettable; they slow down the film's forward momentum. They're bad, and that ain't good.

Loosely based on the Hans Christian Anderson 1845 tale "The Snow Queen", the story takes place in the Nordic kingdom of Arendelle where Elsa (Idina Menzel) is born with a superpower that she doesn't want: Everything she touches turns to ice. With this gift, her royal parents reasonably do what any Disney parent would do, by keeping her power a secret and locking her up in her bedroom for life. Who wouldn't? Elsa's cold-weather Midas Touch eventually gets her banished from the kingdom when a wintry temper tantrum leads to disaster. Cast out into the cold, she heads off into the mountains where she builds herself a lonely castle in which to stew in her misery. Meanwhile, the winter-wonderland that she has left in her wake is (unbeknownst to her) turning out to be permanent.

That sets her sister Anna (Kristen Bell) off into the frozen wilderness to bring her disgraced sibling back. Her sidekicks include a hunky guide named Kristoff who runs an ice business, and a living, breathing snow man named Olaf (Josh Gad).

Olaf would seem to be the film's chief selling point. He's a cute motor-mouth with a silly wish that, given his molecular configuration, might prove fatal - he's unaware that snow melts in summer. Olaf is not one of the great Disney sidekicks. Unlike Goofy or The Genie or Dug the Dog, Olaf just feels manufactured and underwritten. He's also pointless to the rest of the story. He shows up halfway through the movie, sings a song and then has nowhere to go.

That's pretty much the problem with the entire movie. For everything right with the movie – the beautiful wintry landscapes – there is something that goes wrong – all the characters look like a line of Barbie dolls. The music is dull, the characters are ill-defined and, while small children may enjoy it, their parents will be checking their watches.

If I sound a bit cold-hearted, it's only because I know that the quality of the Disney name deserves better. This is a professionally made, but lackluster musical fantasy that needed a better story, better characters and better music. After 70 years of toil and trouble, "Frozen" is all slush.

** (of four)
I thought it will be about the snowman...
When they were singing in Aladdin in 1992 it was OK, but now, in 2013 it is not so cool, it is rather embarrassing. This is a princess musical. I didn't see that coming.

What is more, even if it is a tale, there is not plot, no tension, no evil (not a serious one at least), just several logical mistakes.

When the story started I got the feeling, this is an old story with a new, transparent look.

The characters are weak and it was a real disappointment not to see the snowman in the center...and the whole thing is boooooooooooooring! I don't get it why was it so hyped...
Disney Is Officially Dead
Frozen has a score of 8 stars. How, who.. WHY?

From the opening Score I knew Frozen was going to bad. I just wasn't prepared for how much & people it's mucho bado!

The opening score was clearly used to add a Lion King feel good factor. Why?.. Why would you open a film about cold, ice & snow with African themed music? Why? Where's the context for that music?

This sums up Frozen. Lots of goods ideas badly thought out & used outside of a clear context.

Disney is dead.

Were now back to the dark days of perfect looking women who aspire to get married. Have perfect figures. Men are either overbearing & controlling or stupid & inept.

Frozen is 10 steps backwards for girls/women & 100 steps backwards from "Brave"

Ridiculous illogical script, below par humour (two gags in the whole film), annoying characters... the list is endless. The music is average, uninspired & out of context. The songs felt forced & just thrown in randomly because "...We gotta have song here.." They quickly became tiresome, destroying my engagement rather than enforcing it.

So Disney. Is this it? Is this what Disney is aspiring to be in the 21st Century? Here's a tip Disney. The more you look backwards the more irrelevant you become to this & future generations. You are not Walt & you shouldn't try to be. That time has passed.

My daughter & I grew up with Disney... ...After Frozen.. we both agree Disney is dead.
Still great on 100th viewing
I have watched Frozen again and again and it is still great! The songs are beautiful, the characters relate-able and the animation enchanting. My brothers and I like to reenact the scenes. Great for big kids and little kids. Watch with the whole family. My favorite part is when Elsa make her ice castle and realizes that the best thing is to be herself and not hide who she really is... I think this is important to know and all little kids should realize if they hide who they really are then they will be sad, but if they allow themselves to be true to who they are, they will be happy. I think this is a good story and I love to sing the songs.
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