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Buy Eternal Sunshine of the Spotless Mind 2004 Online (mkv, avi, flv, mp4) DVDRip
Year:
2004
Country:
USA
Genre:
Drama, Fantasy, Sci-Fi, Romance
IMDB rating:
8.4
Director:
Michel Gondry
Jim Carrey as Young Joel
Kate Winslet as Clementine Kruczynski
Gerry Robert Byrne as Train Conductor
Elijah Wood as Patrick
Mark Ruffalo as Stan
Jane Adams as Carrie
Tom Wilkinson as Dr. Howard Mierzwiak
Ryan Whitney as Young Joel
Debbon Ayer as Joel's Mother
Amir Ali Said as Young Bully
Brian Price as Young Bully
Storyline: A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake.
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Reviews
Great, if you can relate...
If you can relate to the underlying theme of love longed for, love given and received, and love lost, this is a great film. If you have come to understand that acceptance can -sometimes- be a great thing and not a compromise or a 'settle for' - this is a moving film.

As crazy and almost surreal as elements of this film are, it somehow remains honest and real. That seems like a contradiction... life is contradictory, isn't it?

Carrey and Winslet both turn in superb performances, as do the supporting cast. An incredible film that most of the people who 'get it' will love - but I suspect there will be more than a small percentage who won't understand it or can't relate to it and they will (understandably) dislike it.
2004-03-24
I wish I had a spotless mind.
This is the filmic equivalent of being stuck in a room with someone who thinks they have the most emotionally upsetting life imaginable and is doing everything in their power to persuade you they are truly tortured and pitiable. By the end of both experiences you just want to go home and feel utterly relieved you aren't so arrogant. Or you wish you were able to erase your own memory. (Sorry, a cheap film tie-in metaphor already.)

The film itself, like Being John Malkovich and Adaptation suffers from a hole in the centre. Charlie Kauffman seems to think it is clever to take a totally unlikely scenario and then develop it into a "quirky" film that is supposed to make little sense. In each instance he fails to grasp that you can't just take a scenario so utterly implausible as to defy any audience to relate or respond to it. Eternal Sunshine is a slightly easier premise to connect with than Being John Malkovich, after all who hasn't wondered what it would be like to erase painful relationships. However Kauffman sems to mistake nonsense for emotional and intellectual depth.

Someone told me that you have to watch Eternal Sunshine more than once to 'get it' and I promise that this isn't true. There is nothing you get the second time that you won't have got the first time. It is a fairly straight forward film. The only problem you might have is if you are colour blind and can't work out the time scale of the film from Kate Winslett's hair because you cannot tell that it is changing colour. The director might as well have put subtitles across the bottom of the screen saying "Two years ago" "Present day" because Gondry's visual 'clues' were about as subtle or 'clue-like' as subtitles.

Performance wise, Kate Winslett was her usual self, and Jim Carrey was in Truman show mode. Carrey offers ocassional glimpses of acting talent before they are devoured by his all consuming gurning. Tom Wilkinson and Kirsten Dunst offer more respectable performances, however I felt cheated that their entire sub plot was clearly lying on the editing room floor, it felt rushed and unconvincing. Which is a shame because the rest of the film felt over long and over laboured and perhaps a better balance might have saved my cinema ticket which I spent the whole film folding into a variety of shapes.

I made a square (Not too difficult) a triangle. I tried to make a swan but it ended up looking like some sort of half eaten fish. After that I was running out of ideas and so i tore it into equal pieces. Then unequal ones. Bored yet? I was. The second time I saw it was even worse. Fortunately I had just seen 3-4x Jugatsu and so had something to concentrate on. Namely trying to understand a film which actually had some sort of emotional depth, some sort of conflicting plot and some semblance of lead performances.

I wish people wouldn't think that any film which doesn't have a discernable Beginning - middle - end structure automatically qualifies as intelligent or engaging. And that just because Jim Carrey isn't smacking himself in the face or making chimp noises he is acting. He isn't. He is just biding his time until he can start hitting himself in the face again.
2004-05-30
Excellent, though neither Kaufman's nor Carrey's best
I've been a Kaufman fan since he was writing for television, and was blown away by Malkovich, like most everyone was.

It's truly shocking this movie is 200 places higher rated than either Malkovich or Adaptation among IMDb users (#35 on the top 250, compared to #208 and #235 respectively). I thought this movie was great, though not as inventive as his prior work. Actually, this movie is probably the most conventional movie Kaufman's written besides "Confessions".

Also, a shout out to those who think Spike Jones directed this, actually Michel Gondry did. Gondry has given us better crafted movie than Spike Jones has with Kaufman's scripts. This movie's full of fun visual gags. Still, I'd love to see what how Kaufman's scripts panned out if he ever paired up with a director that didn't come from the music video generation.

As far as performances go, the best aspect of this movie is Kate Winslet. The character that Kaufman gave her is spectacular, and she is awesome as usual. Carrey's character just mopes a lot. In the end, Carrey's performance in this movie is nowhere near his performance in.... ta-da... Cable Guy. Cable Guy is his best and most underrated work. Carrey was born to do goofy faces and over the top characters, why not appreciate the movies where he's at the top of his game? It's not exactly a subtle performance, but since when is subtle always better? Would we ask the Three Stooges to do Hamlet?
2004-11-24
You can erase someone from your mind. Getting them out of your heart is another story
''Eternal Sunshine of the Spotless Mind'' is a big and strange name, but it matches perfectly this movie. I can say this is one of my favorite films at all, and one of the things that makes it so special to me, is the fact that it can be interpreted in multiple ways. Jim Carrey finally has a serious role and Kate Winslet is great as Clementine, the very extroverted girl with the most hair varieties you can imagine. (It is different from the British girl characters she is used to play)

The story is focused in the relationship of Joel Barish and Clementine Kruczynski. Joel discovered that his ex girlfriend Clementine erased him from her memories, using the procedure of Lacuna's clinic, developed by Dr. Mierzwiak. Angry with that fact, Joel decides to erase his memories with Clem as well, but during the procedure he sees that he actually loves and wants to keep his memories with her. The movie shows their new meeting without remembering each other and Joel's memories of their relationship. The End is enigmatic, but far from the cliché.

I really recommend it!

aka "O Brilho Eterno De Uma Mente Sem Lembranças" - Brazil
2006-02-22
Not as good as I remembered.
When Joel (Jim Carrey) discovers that his ex-girlfriend Clementine (Kate Winslet) has undergone a procedure to erase him from her memory, he decides to have the same treatment to rid himself of all thoughts of her. As he is having his brain tinkered with by some seemingly incompetent techy geeks, Joel realises that he has made a mistake and wants to keep his memories meaning that he must somehow hide inside his head.

I'm pretty sure I enjoyed Eternal Sunshine of the Spotless Mind back when it first hit DVD. Not so, this time around. While I didn't exactly hate the film on my second long-overdue viewing, I now feel that it is vastly overrated: it's reasonably fun for a while, but the scenes that occur inside Joel's mind as he is having his memories erased go on for way too long, comprising the majority of the movie.

Round and round we go, watching the same thing over and over again, with a few cleverly integrated special effects to make us go 'Ooooo'. Carrey and Winslet put in passable central performances, Carrey reining in the gurning as best he can, and Winslet looking and acting suitably quirky, but when all is said and done, there simply isn't enough of a plot to drive a 108-minute movie.

5.5/10, not rounded up to 6 for that terrible scene where Carrey plays his four-year-old self.
2017-05-17
I wanted to like this movie but just couldn't.
Despite my desire to enjoy what I hoped would be a unique film, I found it dark and self indulgent. The superb acting couldn't overcome a script that is centered on a failed relationship that never makes sense to the viewer or to the lovers. In the end you feel like this is "Adaptation II" - yet another film about a brooding self-centered guy who can't really relate to anyone beyond his own fantasy life. The dramatic device ultimately used in the film of having the main character fight to preserve his memory fails because it comes across as a clever but unsatisfying rendition of psychotherapy. The subplot is banal and adolescent. In many ways this entire film comes across as something that was done back in the 60's, but which now falls flat.
2004-03-21
One of those 'Life-Changer' type of movies
Eternal Sunshine of the Spotless Mind directed by Michel Gondry is one of the most outstanding, original and riveting movies I have ever seen. Charlie Kauffman does it again with a spectacular and uniquely original screenplay accompanied by phenomenal performances from Jim Carrey (as Joel Bash) and Kate Winslet (as Clementime). Eternal Sunshine of the Spotless Mind perfectly orchestrates subtle moments, heartfelt experiences and other key features of film and story telling in order to create a master piece of emotion, action and truth.

Eternal Sunshine of the Spotless Mind depicts Joel Barrish (Jim Carrey) undergoing a procedure to rid himself of the memory of his ex girlfriend Clementime (Kate Winslet) after discovering she had already undergone the same procedure. Written by Charlie Kauffman, Eternal Sunshine of the Spotless Mind is one of the most original and well written screen play of the century. With it shining light on subtle moments whilst also producing some of the most heartfelt moments in cinema history. The use of subtly is effectively used throughout to produce symbolist if meanings not usually presented in your everyday film. This rewards viewers who pay attention to the little details and immerses the audience deeper into the film. Each character was beautifully constructed and manipulated so as to have the viewer exactly where they need to be throughout the film. Also as expected in a Charlie Kauffman screenplay, heavy symbolism is used throughout so as the audience can delve deeper into the film. Eternal Sunshine of the Spotless Mind also has a unique re- watch-ability due to this originality, detail and amazing characters. This is also a movie I would more then definitely recommend to watch more then once, as lots of details are lost throughout.

Both Jim Carrey and Kate Winslet perform superbly throughout which greatly increased the immersion throughout. Special credit given to Winslett as she performed phenomenally throughout and was a perfect fit for her role. As for Jim Carrey I thought his acting was superb as well, with what felt like a whole other side to the actor. Also we see some great acting from the other side characters such as Elijah Wood, Kirsten Dunst and Mark Ruffalo who help tie together the whole story. Without these great actors I can imagine the movie would of never been quite up to the phenomenal level it currently is.

Eternal Sunshine of the Spotless Mind is one of the most amazing, heartfelt and tremmendesly great movies and deserves recognition for every various aspect within
2015-01-20
No more "teenage stoner comedies", please.
The idea of two peculiar and out of the ordinary persons, falling in love with each other, and then suffering a breakup that causes both of them to get the other erased from their memories: is actually not half bad.

Unfortunately there are a few things that steal too much focus, like:

The part of the story regarding Stan & Mary getting wasted while dancing around in Joel's bedroom, is absolutely useless, and doesn't add anything to the story. Actually the entire sub-plot about the two are completely out of place in a movie like this, and I would have liked a more elaborate story of Joel or Clementine, instead of adding this piece of "teenage stoner comedy".

The second sub-plot about Mary & Dr. Mierzwiak does at least affect the story, but it still doesn't feel like it's actually changing anything.

I know many people are having trouble accepting Jim Carrey as a serious actor, myself included. Well I watched "The Number 23" from 2007, where he played the obsessed Walter, a role I believe he did quite well; Unfortunately by 2004(Eternal sunshine of the spotless mind) he was not yet at that level, and I would rate his performance as mediocre at best.

But despise what other reviews might say; I believe Kate Winslet played her role really well!

I can feel the sub-plots annoys me though, perhaps also more than they should; but they rip apart what could have been a beautiful story and keeps me guessing at what kind of genre this is? A Serious drama, or a forgettable comedy.
2015-09-03
A difficult film to watch
There's absolutely no way I can write about this film without a spoiler, as I think, judging from the comments written up on this site, many seem to have difficulty following the plot. As a general guide, if you're having difficulty following the chronological order of the scenes, it's necessary to follow the changes in color of Clementine's (Kate Winslet) hair. It starts off green, then changes to orange and finally finishes up blue. In the film though, it starts off blue, then goes to orange (the predominant color), then green and then back to blue.

I must say I watched the film with a certain level of discomfort, being constantly reminded of my own break-up. This wasn't helped by my feeling that the Joel character (Jim Carrey) was very similar to myself. The film challenged me to re-evaluate many of the memories I have which I'd purposely buried. This is the dominant theme of the film: our memories and our relationship to them.

The film starts as Joel wakes up one morning feeling awful. It's Valentine's day (his comments about which remind me of things I myself have said). His day simply improves when he discovers someone's smashed in the side of his car, and by the time he gets to the train station he's in such a funk that instead of going to work he impulsively jumps on a train to Montau and later calls in sick. But there he meets someone and they click.

Although we've already seen 15 minutes of the movie, it's at this point that the credits kick in and we watch Joel driving alone in anguish. It soon becomes apparent that Joel and Clementine have just split. Joel is driving home to forget about Clementine forever. He's told by his friends that Clementine's just had him permanently erased from her memory, (a new service offered by a company called Lacuna). So Joel volunteers himself. The company offers to wipe his mind in the comfort of his own home, but during the process Joel in a dreamlike state gets to visit all the recesses of his own memory. At first all we see between the couple is the senseless bickering and the ghastly fights that led up to the breakdown. But then he suddenly comes across a forgotten memory where the couple shared a single tender moment and he remembers his love for her. At this point he starts fighting to save the moment. He tries a number of different stratagems, such as trying to wake himself up, and associating her with memories from his childhood. At first he has some success, but when the "erasure men" hunt down even these memories he's forced to find ever more buried and ever deeper parts of his subconsciousness. But even in the parts of his memory that Joel has almost forgotten himself, the memory of Clementine is systematically rooted out and destroyed.

Most poignant for me is probably the way the film portrays our desire to forget, so that we can block out the mind-numbing pain. When Joel is told to collect together all the things that may remind him of Clementine, he collects together two black bin liners full of stuff; I remember the ambivalence I felt to many of the things I myself once had (and coincidentally I also have a photograph from when my ex was about 8). Another point which touched me was the portrayal of the Eakin's (the mutual friends of Joel and Clementine who'd introduced them.) We see them arguing openly in front of their friends, slowly destroying their own marriage, which in the light of what's happened between Joel and Clementine looks like infinite folly. The film clearly shows the way in which we tend to ignore and take for granted the love we have for our partners and then how we often only realize after being rudely reminded by the pain of separation.

The final scene is when both Joel and Clementine have found out that they had once been lovers. Joel is sitting at home and listening to the tape from his case file. Clementine, on hearing some of the mean things that Joel had told the "doctors" about her, runs away. Joel runs after her and begs her to stay. This is juxtaposed with their real first meeting where the roles were reversed and Joel was the one to chicken out. The relationship starts anew.

Jim Carrey's performance was absolutely stunning. I would never have dreamed that he could play a shy, reserved and introverted man with both subtlety and compassion.
2005-12-11
I can't understand how someone can like this movie.
POSSIBLE SPOILERS AHEAD

I was expecting a great movie when I take it. But after 30 minutes watching it I realized that it would be a waste of time.

The idea is interesting, explore the possibility of erasing someone from you mind gives you a wide range of paths to follow to create interest, climax, and sympathy to the main characters. This is not what happens in this movie. The plot is weak, the entire movie is spent to show how he tries to hide his girlfriend in his memory in a very boring way. The memories were not fun, not interesting, and added nothing to the history.

They could have made a much better movie if the history was a comedy, but unfortunately they have chosen a "drama" (supposing it can be classified like this) which makes the watcher expects for its end. Even those romantic comedies are better than this because at least you want the couple to end the history together.
2004-11-28
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